Songs from Frozen. List of Frozen’s main theme song and insert songs.
Disney’s Frozen, released in 2013.
The story featuring the sisters Anna and Elsa became a worldwide sensation, leading to the sequel Frozen II as well as several spin-off works.
In this article, we’ll introduce all the theme songs and insert songs from the Frozen series.
If there’s a song you heard in the film that stuck with you, try finding it here.
Let this article be your cue to enjoy Frozen from a musical perspective next time.
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Songs from Frozen. List of main and inserted songs from Frozen (41–50)
Waltz of the Snow CountryChristophe Beck

As the title suggests, it’s a waltz, but it makes abundant use of glockenspiel-like tones evocative of a snowy land, giving the piece an overall cute, charming feel as an insert song.
In particular, the first half conveys a distinctly Disney-like sense of happiness just by listening, resulting in a beautifully crafted piece.
Let It Go ~As I Am~May J.

This is the ending song, Let It Go, which was also sung by Takako Matsu.
Unlike Takako Matsu’s version, this one is performed with full confidence from the very beginning, which makes it a highlight and really worth listening to.
Hearing this ending song makes me think all over again that it was such a good movie.
Coronation DayChristophe Beck

It’s an instrumental piece with no lyrics.
It depicts a town in peaceful times.
Just listening to it is soothing, and it might be good for falling asleep.
It’s comfortable to listen to, and it lets you watch a movie with a peaceful feeling.
You can keep listening to it as a soundtrack and feel relaxed.
Return To ArendelleChristophe Beck

This is the song where Kristoff, who had left thinking of Anna, returns to her side to try to help her.
The way it starts with intensity and then quiets down mirrors the film itself, making us as viewers feel emotionally drawn in.
The melody that makes you wonder, “What’s going to happen next?” is wonderful.
Return to ArendelleChristophe Beck

This piece conveys a sense of hurrying back to Arendelle, and its sudden shift to a lonely mood in the latter half is captivating.
There are no lead vocals, but a human chorus is used almost like an instrument, which creates a distinct kind of tension unlike the other tracks.


