[Low End] A collection of Japanese songs with high-difficulty bass parts [Cool]
If you’re reading this now, chances are you’re already neck-deep in the allure of the bass.
Bass is just so cool, isn’t it?
It holds down the foundation of a song while still making its own statement—the kind of low end that resonates in your ears and body is simply the best.
In this article, I’ve put together a list of songs that feature high-difficulty bass playing.
It’s sure to satisfy your craving for low frequencies.
So be sure to check out every track all the way to the end!
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[Low-End] A Collection of Japanese Songs with High-Difficulty Bass Parts [Cool] (31–40)
Friday Nightnatori
Singer-songwriter Natori, whose 2022 release “Overdose” created a huge buzz and drew attention especially among younger generations, has been in the spotlight.
The third digital single, “Friday Night,” also made waves with the anecdote that Natori wrote it just two months after starting his music career.
Its groovy ensemble is driven by the bass line, which gives the entire track a crisp sense of dynamics.
Though it runs under three minutes, the dramatic arrangement showcases real talent—a new-generation pop tune.
loveHoshino Gen
This is a song by Gen Hoshino, notable for its oriental-tinged intro and uptempo rhythm.
While gently depicting a cityscape at dusk, its warm lyrics convey the importance of everyday little joys and human connection, resonating deeply with listeners.
Released in October 2016, it gained attention as the theme song for the TBS drama “We Married as a Job!” (Nigeru wa Haji da ga Yaku ni Tatsu).
Incorporating elements of soul, dance music, and funk, the track is perfect for live performances and dance scenes.
The bassline is especially memorable, making it a piece that’s incredibly fun to play—so be sure to give it a try in your practice.
Travel the GalaxySuspended 4th
Suspended 4th is a four-piece rock band that has drawn attention for their meticulously crafted songs and the high-level performance skills of every member.
The title track of their first album, “Travel The Galaxy,” kicks off at top speed, instantly ramping up the excitement.
You can really feel how the surging bassline further refines the band’s ensemble.
With aggressive bass playing that injects drive and groove throughout the entire track, it’s a rock tune with a powerful, unforgettable impact.
The LiveDragon Ash
Dragon Ash is a five-piece rock band that has remained at the forefront of the loud rock scene within J-POP with their heavy, genre-blending sound.
“The Live,” a track from their 10th album THE FACES, packs a powerful punch with aggressive rap and cynical lyrics.
The bass solo, featuring jaw-dropping slap technique, asserts a commanding low-end presence while injecting a strong sense of groove.
It’s a cool rock tune that makes you want to focus not only on the solo but on the bass work throughout the entire track.
Science of CatchinessArukara
Arukara is a three-piece rock band that has long captivated fans with their alternative sound, calling themselves the “eccentric masters of rock.” “Katching wo Kagaku Suru” (“Studying Catchiness”), a track from their third album “Fiction wo Kagaku Suru” (“Studying Fiction”), is a number whose ensemble kicks off with a funky guitar riff that instantly lifts the energy.
The bass line, at times melodic and at times tight, supports the song while maintaining its presence in balance with the other parts.
It’s an uptempo tune whose bass sound evokes a sense of swirl within its driving momentum—one you’ll want to listen to closely with an ear for the low end.