The Dresscodes’ best and most popular songs
The Dresscodes is a rock band formed around Ryohei Shima, who was formerly active as the vocalist of Kegawa no Maries.
Their appeal lies in songs that transcend both eras and genres—from tracks reminiscent of the British rock ’n’ roll Shima admires, to danceable numbers that make full use of programming, and even songs with a distinctly Japanese pop sensibility.
In this article, we’ll introduce a selection of must-listen tracks from their catalog all at once! From fist-pumping rock to catchy, easy-listening tunes, immerse yourself in the world of The Dresscodes crafted by Shima.
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The Dresscodes’ Greatest and Most Popular Songs (1–10)
thiefDoresukōzu
It’s a punchy rock tune with a punkish vibe! It’s included on their second album, “Bande Dessinée,” released in 2013.
Crackling, distorted guitar tones, powerful drumming, and Shima’s husky vocals—every slice of it is cool.
The slightly bittersweet lyrics, likening a greedy self to a thief, are also captivating.
In just about two minutes, the Dresscodes’ musical essence is packed in tight.
Peter IversDoresukōzu
This song, with its pleasantly crisp acoustic guitar tones, was included as the final track on the seventh album, “Bayer,” released in 2021, and was chosen as the theme song for the animated film “On-Gaku: Our Sound,” based on the original work by Hiroyuki Ohashi and directed by Kenji Iwaisawa.
The song bears the name of Peter Ivers, an American musician with a devoted cult following.
It feels as though both the lyrics and the title express a musical culture so expansive and deep that it can’t be neatly summed up by words like “Music is freedom.”
You demon!Doresukōzu
When your heart feels restless, you want to blow off steam with impulsive music, don’t you? “Kono Akumame,” included on the dresscodes’ 2014 release “1,” is an emotional track filled with a sense of speed.
Its up-tempo, fast-unfolding sound would definitely boost your energy when heard live! If you like philosophical punk rock like THE BLUE HEARTS, give it a listen.
The groove, momentum, and beautiful melodies will resonate with your heart.
Dresscodes' classic and popular songs (11–20)
Comic GenerationDoresukōzu
“Comic Generation” is a signature song by The Mummy’s (Kegawa no Maries), the predecessor band led by Ryohei Shima.
In 2016, it was re-recorded under The Dresscodes name as the theme song for the film Drowning Love.
The track is quintessentially Maries—or, put another way, peak Ryohei Shima world—pairing rock ’n’ roll backing with a disarmingly straightforward declaration of love, the kind of thing that hits you square in the heart whether you’re a fan or not.
At the same time, its melody is catchy and approachable, so it’s likely many people who heard it in the movie found themselves intrigued.
Ego Search and DestroyDoresukōzu
This is a work that cuts into a modern society where we can’t help but become faceless.
Released in 2017, it’s the seventh track on the fifth album, “Heibon” (Ordinary).
Centered around a band sound, the slightly retro-tinged sonics resonate with a cool vibe.
And of course, the biggest highlight is the lyrics, isn’t it? They carry a unique atmosphere, but in truth, they really make you think about “the existence of the self.” Be sure to check it out along with the music video, which faithfully captures the song’s worldview.
tautologyDoresukōzu
Released in 2013, this song became the last single by the original four members.
It features a guitar sound that embodies the Dresscodes’ signature rock ’n’ roll, along with drum fills packed in to the hilt, making for a striking track.
Ryohei Shima’s vocals are more powerful than ever, and you can feel the song’s exploration of “what rock ’n’ roll is” through his voice itself.
In particular, the spoken line just before the second chorus is incredibly cool—it conveys a resolve to live alongside rock, and it’s impossible not to be moved.
HippiesDoresukōzu
This track was included on the Hippies E.P., which was released as a declaration of liberation for dance music.
While its dancehall-like feel differs from their previous rock ’n’ roll style, it was, according to Ryohei Shima, one challenge born from the belief that “with this lineup, we have the potential to take on a wider variety of music.”