Enka songs that are easy for men to sing: a roundup of tracks to try at karaoke
You might be surprised by how many people want to try singing enka at karaoke.
Of course, there are those who love enka, but even among those who don’t, some people think, “I want to sing enka well and liven up the mood,” or “I often go to karaoke with older people, so I’d like to add some enka to my repertoire.”
In this article, we’ll introduce easy-to-sing songs for men who want to sing enka at karaoke.
Songs with a not-too-wide vocal range and simple melodies are considered easier to sing.
That said, what suits you can vary, so try singing a variety of songs first to see what works for you!
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- [2026] Representative Famous Enka Songs: A Compilation of Classic Favorites [Beginner-Friendly]
- [Japan’s Best Vocalist] Fukuda Kohei’s Easy-to-Sing Karaoke Songs
- A collection of iconic, cool Showa-era kayōkyoku classics sung by male vocalists
- Queen of Enka: A roundup of Aki Yashiro’s easy-to-sing songs
- [2026] Recommended for those who find high notes difficult! Enka by male singers that you can sing in a low register
- [For Beginners] Recommended Enka Masterpieces for Karaoke — Male Singers Edition
Easy-to-sing enka songs recommended for men: A roundup of tracks to try at karaoke (31–40)
Woman of FateŌe Yutaka
Among Hiroshi Oe’s songs, the one I especially recommend to women is Sadame no Onna.
Although this piece falls into the so-called “onna-uta” (women’s song) category, it leans more toward kayōkyoku than straight enka, so you won’t find the delicate, ornamented vibrato runs—driven by dramatic dynamics—that are typical of many onna-uta.
In fact, there’s only one clear instance of kobushi (traditional enka ornamentation) in the chorus, making it a fairly easy song to sing.
The range is somewhat wide, so I recommend carefully determining the most suitable key before performing.
Eating My Way Across JapanŌe Yutaka
Among Hiroshi Oe’s songs, “Nippon Dochu Itadakimasu” is especially full of warmth.
It brims with patriotism, and in the middle it even features a phrase reminiscent of the Shoten theme.
While the melody has a classic enka feel, the vocal line leans more toward kayōkyoku, and it doesn’t use the intricate, wide-ranging melismatic kobushi typical of enka.
The range isn’t particularly wide either, so as long as you adjust to a suitable key, anyone—regardless of gender—should be able to sing it comfortably.
Consider adding it to your repertoire.
Feel-good song♪Ōe Yutaka
The classic “Gokigen Song♪,” with its bright, smile-inducing melody, leaves a lasting impression.
While the piece faithfully follows the hallmarks of enka-style melodies, the vocals throughout are arranged into a catchy, upbeat pop-like line.
In particular, the kobushi—often considered a challenging aspect of enka—appears infrequently here, and most instances are simple, involving a two-note pitch change, so you’ll hardly feel the typical difficulty associated with enka.
Be sure to add it to your repertoire.
Chome-chomehoriemonn
This is a song by Takafumi Horie—aka Horiemon—whose unexpected debut as an enka singer made waves.
It was released in January 2025.
One of its charms is the catchy chorus that makes you want to sing along.
The lyrics pack a punch with a message like, “After working up a sweat, let’s cut loose and have a drink!” Coupled with its bright, festive sound, it’s the kind of track that leaves you feeling refreshed.
It’s a perfect number for resetting your mood!
The Blue Bird of HappinessYamamoto Jōji
Many people might feel it sounds vaguely familiar, since it was performed at the 52nd NHK Kouhaku Uta Gassen in 2001.
Bluebird of Happiness is a single released that same year by Joji Yamamoto, with lyrics by Takashi Taka—who also teamed up on Miyuki Kawanaka’s smash hit Futari-zake—and composition by Tetsuya Gen.
It’s a masterpiece.
When Yamamoto, known as a devoted husband, sings lyrics filled with pure, unadulterated love, it carries a different kind of conviction.
It’s a bright, major-key enka number with an easy-to-remember melody, so anyone reasonably familiar with enka should be able to sing it without trouble.
I’d love for you to sing it to your partner the next time you go to karaoke together as a couple.
The Bond Between Us Twotatsumi yūto
Released in 2022 as the coupling track to the historical enka song “Setsugekka,” themed around Okita Sōji of the Shinsengumi, “Futari no Kizuna” is, true to its title’s image, a quintessential “happy enka.” If you enjoy heartwarming enka brimming with love and happiness, you should definitely try singing it at karaoke.
Tatsumi’s performance avoids gimmicks and smoothly incorporates classic enka techniques like kobushi and vibrato, making it approachable even for beginners to enka.
tear-drunkKenjiro
A melancholic song that portrays the aching feelings of being intoxicated by alcohol and tears.
It’s a medium-tempo enka released in August 2024 to commemorate Kenjiro’s 15th anniversary.
Composed by Makoto Sugimoto, the piece captivates with its profound emotional expression.
Unable to forget the warmth of a love that has passed, the yearning for one’s hometown overlays the memory, seeping with loneliness.
It’s a tender masterpiece that empathizes with those carrying wounds in their hearts—perfect for late nights spent alone, when it’s sure to resonate deeply.
This work may be an ideal pick not only for enka fans but also for men looking to try singing enka at karaoke.
konnyaku bastardKurokawa Shinichiro
It’s been crafted into a relatable, friendly song that feels as if it’s singing about you.
The lyrics, which liken the characteristics of konnyaku to the singer themself, are full of humor and depth.
Shinichiro Kurokawa’s clear, soaring high notes match the bright, lighthearted melody perfectly.
Released in July 2024, this work also includes the coupling track “To Mother,” a song of gratitude to his mom.
It’s the perfect tune for livening up a karaoke session or cheering up a downhearted friend—sure to lift your spirits!
Calm or stormIchijō Kanta
As the third installment in a series themed around the ocean, this work powerfully depicts fishermen who keep moving forward with unwavering resolve, whether the seas are calm or raging.
The lyrics by Takashi Banjo and the melody woven by Kenji Miyashita blend beautifully, while Kanta Ichijo’s clear, expansive vocals resonate deeply.
Brimming with speed and dynamism, this piece is sure to accompany those standing at a crossroads in life, offering courage to take a new step forward.
bridgeKitajima Saburō
Saburō Kitajima is well known for his ‘men’s songs.’ He has produced many masterpieces in this genre, and among them, “Hashi” (The Bridge) is especially popular as an uplifting, encouraging men’s song.
Its hallmark is a somewhat powerful singing style, but it isn’t particularly difficult; the shout is only applied at the opening, so it’s quite reproducible even for amateurs.
The kobushi ornamentation is strong, but not complicated with hiccup-style techniques, so anyone reasonably accustomed to singing enka should be able to perform it without trouble.