Men’s enka: a collection of classic songs portraying the way men live and their fighting spirit
There are many enka songs that depict the way men live and their stylish, gallant spirit.
There are also songs that sing about bonds and love from a male perspective.
In this article, we’ll introduce a wide selection of songs that convey men’s emotions.
We’ve gathered plenty of chic, cool tracks and deeply moving songs full of compassion.
We’re sure you’ll find songs that resonate with you regardless of gender, so please listen while following along with the lyrics.
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Men’s enka: A collection of classic songs (1–10) that portray the way men live and their spirit
Woman of FateŌe Yutaka
Among Hiroshi Oe’s songs, the one I especially recommend to women is Sadame no Onna.
Although this piece falls into the so-called “onna-uta” (women’s song) category, it leans more toward kayōkyoku than straight enka, so you won’t find the delicate, ornamented vibrato runs—driven by dramatic dynamics—that are typical of many onna-uta.
In fact, there’s only one clear instance of kobushi (traditional enka ornamentation) in the chorus, making it a fairly easy song to sing.
The range is somewhat wide, so I recommend carefully determining the most suitable key before performing.
Casablanca GoodbyeToba Ichirō
Enka singer Ichiro Toba, popular for his wide-ranging musicality from male-voiced to female-voiced songs, has left many masterpieces.
Among them, Casablanca Goodbye is especially recommended as an easy song to sing.
While there are a few spots that feature kobushi (traditional enka vocal ornaments), overall the piece has a flavor closer to kayōkyoku (Japanese popular song).
It employs a very light mixed voice, but the high phrases aren’t very long, and it doesn’t demand much power overall, so the overall difficulty is on the lower side.
Its mood-rich melody is sure to get the crowd going!
Castle of White CloudsHikawa Kiyoshi
It’s a single that unfolds like a grand historical tale, woven from bygone glory and the passage of time.
Released by Kiyoshi Hikawa in 2003, it’s included on the album “Kiyoshi Hikawa: Enka Masterpiece Collection 3 ~ Castle of White Clouds.” Set against the backdrop of a decayed castle, its poetic worldview strikingly contrasts the transience of human life with the eternity of nature.
The scenes recalling the once-valiant young warrior depicted in the lyrics deeply move the listener.
A classical orchestration that transcends the bounds of enka fuses beautifully with Hikawa’s passionate vocals, stirring the heart with an overwhelming sense of scale.
It’s a masterpiece to savor on a night when you want to dwell on the romance of history.
Oga PeninsulaKitayama Takeshi
Set against the majestic nature of Akita Prefecture, this is one of Takeshi Kitayama’s signature songs, powerfully singing of a man’s romance and resolve.
It portrays a protagonist who, even without words, burns with a hidden passion, facing harsh nature head-on while keeping his eyes fixed on the future.
With lyrics that vividly paint the scene and a grand, expansive melody that moves the listener, it is a quintessential example of classic enka.
Released as a single in August 2007, Kitayama performed it passionately on that year’s NHK Kōhaku Uta Gassen.
The coupling track Yume Ichizu is also known for being chosen as the theme song for the TV Asahi period drama Ronin Tsukikage Hyōgo.
This work will likely resonate with those attempting a new challenge or quietly nurturing a fighting spirit in solitude.
Captain SlowpokeŌe Yutaka
An uplifting anthem that defined the 2000s, stirring the heart with its portrait of someone single-mindedly pursuing their dream despite being clumsy.
Released in February 2009 as Hiroshi Oe’s debut single, it was selected as the ending theme for TBS’s variety show “Sanma no Super Karakuri TV,” and, together with his distinctive personality, became widely beloved by audiences at home.
It tells the story of a protagonist who keeps moving forward step by step, holding a strong resolve to one day become a big name, even if people around him laugh.
Created by his mentor Saburo Kitajima under the pen name Jōji Hara, the song is also included on Oe’s first album, “Enka Taisho • Hiroshi Oe — Nihon Rettō Uta Hikyaku I.” Hiroshi Oe’s passionate vocals convey that pure sentiment straight and true, as if gently giving listeners a push forward.