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[For Beginners] Enjoy Parent-Child Piano Duets! Recommended Songs Introduced

Seeing your child practice the piano may inspire many parents to dream of playing a duet together.

Why not make that dream come true? In this article, we’ll introduce recommended pieces for parent–child piano duets from a wide range of genres.

Duets might sound difficult at first, but there are many published duet scores for familiar music—nursery rhymes and folk songs sung in preschools and kindergartens, theme songs from animated films, and pieces that beginner piano students learn—making them approachable for parents and children alike.

Even if your child has just started lessons and you, as a parent, are trying the piano for the first time, you can give it a go with ease.

We hope you and your child will experience the joy of breathing together and making music as one!

[For Beginners] Enjoy Parent-Child Piano Duets! Recommended Pieces (31–40)

Animal Crossing: New Horizons “Resident Services”Todaka Ikusei

[Official Sheet Music] Animal Crossing: New Horizons BGM [Piano Duet] (Choral Draft)
Animal Crossing: New Horizons "Resident Services"Todaka Ikusei

This piece comes from Nintendo’s popular Animal Crossing series, specifically Animal Crossing: New Horizons, and is characterized by its warm, gentle melody.

While helping players relax, it features a simple yet memorable and pleasing tune.

Subtle arrangement changes occur depending on the time of day, and the soft tones of piano and synthesizer evoke the atmosphere of a peaceful life.

It also works wonderfully as a duet for two players, allowing you to enjoy the harmony between the melody and chord parts and spend a leisurely time through music.

It’s a perfect piece for those who want to share a gentle moment while playing in sync as a pair.

Suite “Dolly” Op. 56 No. 1: Berceuse (Lullaby)Gabriel Faure

Fauré: Dolly Suite – “Berceuse” Op. 56-1 / Airi Usui & Yuma Usui (45th Prize Winners’ Memorial Concert, Duet Beginners B [Gold Prize])
Suite "Dolly" Op. 56 No. 1: Berceuse (Lullaby)Gabriel Faure

The Suite “Dolly,” composed by the French composer Gabriel Fauré for the daughter of his lover.

Its first piece was written to commemorate Dolly’s first birthday.

Characterized by a gentle, serene melody, this piece invites listeners into a world of tranquility.

In fact, it is said that Fauré adapted another work composed in 1864, adding changes roughly 30 years later to create the version we know today.

Although originally written for piano four hands, there are also orchestral and ballet arrangements.

It’s a perfect piece for parent-and-child piano duets.

Why not spend a loving, heartwarming time wrapped in its tender tones?

From the suite ‘Ma mère l’Oye’: No. 1 Pavane of the Sleeping BeautyMaurice Ravel

[Piano Four Hands] Ravel — Ma Mère l’Oye, No. 1: Pavane of the Sleeping Beauty
From the suite 'Ma mère l’Oye': No. 1 Pavane of the Sleeping BeautyMaurice Ravel

An elegant piano duet inspired by the fairy tale Sleeping Beauty.

Written for two children, it is considerate in its technical demands and not overly difficult.

Its gentle melody in A minor conveys a dreamlike sense of comfort.

Although it lasts only about a minute and a half, it unfolds a delicate world built on the classical pavane dance form.

The layered chords and richly colored sonorities produced by four hands offer a depth of musical experience unattainable in a solo performance.

Composed in 1908, it was later arranged for orchestra and ballet.

This piece is recommended for those who wish to leave a dazzling impression at recitals or concerts.

Rather than “The Carnival Has Come,” it went, “There were two mischievous kittens.”Hirayoshi Takeshu

[Piano Duo First Step] 39. There Were Two Mischievous Kittens (Takashi Hikyoku) Piano Duet Classical
Rather than “The Carnival Has Come,” it went, “There were two mischievous kittens.”Hirayoshi Takeshu

This is “There Were Two Mischievous Kittens,” an original piano duet by a Japanese composer from the collection “The Carnival Has Arrived.” In our videos for intermediate players, we’ve often featured fun, cool, and up-tempo pieces, but this one has many calm and beautiful passages and is easy to play, making it a great recommendation for intermediates.

As the title “There Were Two Mischievous Kittens” suggests, the character of the music reflects that image.

Because the musical expression is easy to grasp, intermediate players should be able to perform it comfortably.

It’s also recommended as an encore piece for concerts.

My Neighbor Totoro ‘Catbus’Hisaishi Joe

Catbus, My Neighbor Totoro, Ghibli, solo four-hands (one-person duet), “Duet pieces I want to play at a recital,” “Fun duet pieces.”
My Neighbor Totoro 'Catbus'Hisaishi Joe

The piece used in the film’s brisk, whimsical vehicle scene is notable for its warm sound in A-flat major and its bouncy rhythm.

The melody, unfolding at a speedy tempo, evokes a mysterious nighttime adventure.

Characterized by a fast tempo and an appealing melodic line, this work is perfect for piano four hands.

By synchronizing breathing and listening to each other’s sound while playing, performers can experience the joy of piano performance.

Since the film’s release in 1988, this piece has continued to be loved by many music enthusiasts, and through four-hand performance it serves as a fine work that fosters bonds across generations.

Frequently performed in a variety of arrangements, it is also ideal for recitals.

Because the difficulty varies by part, it can be enjoyed by different pairings—teacher and student, parent and child, and more.

[For Beginners] Enjoy Piano Duets as Parent and Child! Recommended Pieces (41–50)

From the suite “Ma mère l’Oye,” No. 3: “Laideronnette, Empress of the Pagodas”Maurice Ravel

From 'Ma mère l’Oye' III. Laideronnette, Empress of the Pagodas — Ravel (piano four hands)
From the suite “Ma mère l’Oye,” No. 3: “Laideronnette, Empress of the Pagodas”Maurice Ravel

This is a masterpiece that unfolds a fairytale world imbued with an Oriental atmosphere.

It vividly portrays, through the unique four-hand resonance of piano duet, the tale of a beautiful princess cursed and transformed.

The piece is one of the five movements in a piano duet suite composed by Maurice Ravel between 1908 and 1910 for the children of his friends.

In this work, the sounds of Chinese instruments—such as xylophone and percussion—are brilliantly evoked using two pianos.

Amid its light and bright character, the timbre brims with exotic color, as if the distant toll of a gong were resounding.

Demanding rich expression across the piano’s high and low registers and close ensemble coordination, it is an ideal work for concerts and recitals.

From the suite ‘Ma mère l’Oye’: No. 4, ‘Dialogue of Beauty and the Beast’Maurice Ravel

From the suite 'Ma mère l'Oye': IV. Conversation of Beauty and the Beast / M. Ravel (piano four hands)
From the suite 'Ma mère l’Oye': No. 4, 'Dialogue of Beauty and the Beast'Maurice Ravel

A piano duet inspired by the fairy tale “Beauty and the Beast,” this masterpiece weaves delicate beauty with grand drama.

The interplay between clarinet depicting Beauty and contrabassoon portraying the Beast is striking, creating a vivid sense of witnessing a conversation between the two.

Premiered in Paris in April 1910, it has also been used in ballet and visual media for its graceful melodies and rich narrative quality.

While it demands advanced technique and expressive nuance from the performers, its fairy-tale foundation lends it an approachable charm, making it a sparkling gem that stands out in concerts and recitals.

Highly recommended for those who want to savor the lush resonance of two pianos and the exhilarating tension of breathing in unison with a partner.