[Karaoke] A Special Feature on Vocaloid Songs That Are Easy for Women to Sing!

Old Testament Generalization StreetHiiragi Magunetaito

Hiiragi Magnetite – Old Testament Pan-Generalization City / Hatsune Miku

It’s a song with a captivating cyberpunk-inspired worldview.

Composed by Hiiragi Magnetite and released in October 2020, it evokes a world that repeatedly collapses and regenerates, a mechanized future society, and abstract lyrics that leave a strong impression.

The dark, heavy beat and Hatsune Miku’s vocals deepen that atmosphere.

I want to aim for a singing style that brings out this cool vibe.

Since the musical genres and moods vary across Hiiragi Magnetite’s works, it might be good to look for pieces that suit you.

Girl RayMikito P

Mikito-P “Shoujo Rei” MV

Mikito-P, a Vocaloid producer known for works like “Ii Aru Fan Club” and “Roki,” places emphasis on a classic Vocaloid style, capturing the unique excitement that only Vocaloid can deliver.

While many of his songs are challenging, there are also some that are easy to sing—such as “Shoujo Rei.” Its composition is closer to J-pop, without the typically dense word count found in many Vocaloid tracks.

The vocal range is a moderately high mid2A to hiF, but since the highest note occurs due to a key change, you should be able to sing it comfortably by adjusting the key appropriately.

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Ryo

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HoshiaiRefutī Monsutā P

[HD 720p] Hoshiai [GUMI・Original PV]

Hoshi-ai is a song I want to listen to when Tanabata comes around.

I think many women can sing it in the original key.

Of course, if some parts are in a difficult range, it’s best to adjust to a key that’s comfortable for you.

When you sing, don’t just blast it out with your voice—use your breath well, and aim for about 60% breath and 40% voice to let the sound flow; that will suit the vibe.

The start of the chorus tends to get tense, so use your hands to guide the sound upward as if you’re resonating in your head.

If you raise your hands above your head or in front of you and wave them lightly to the rhythm while singing, your voice will start to resonate where your hands are, and it should feel easier to sing.

If you tend to get tense, give it a try.

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Kubota Mami

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Hello, World feat. Hatsune MikuDECO*27

DECO*27 – Hello Sekai feat. Hatsune Miku

Popular Vocaloid producer DECO*27 is arguably the most well-known Vocaloid P out there.

Among DECO*27’s songs, “Hello Sekai feat.

Hatsune Miku” stands out as particularly easy to sing while still capable of getting the crowd excited.

It’s a lyrically rich piece, and the vocal line falls within the typical range of J-pop.

In fact, the highest note is D#5, which isn’t especially high, so adjusting the key should make it comfortable to sing.

Rather than being a song that gets everyone hyped in a high-energy way, it’s one that can really resonate with people who have strong Vocaloid knowledge.

If you’re planning to go to karaoke with folks from the community, definitely consider adding it to your repertoire.

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Ryo

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Strong Wind Slicked-Back (feat. Kaai Yuki)Yukopi

Yukopi – Strong Wind Slicked-back Hair (feat. Kaai Yuki)

Yukopi is a Vocaloid producer whose music is characterized by a surreal, inorganic quality that still carries a certain cuteness—an impression that really stands out.

Among Yukopi’s many great tracks, perhaps the most widely known is “Gale All-Back (feat.

Kaai Yuki).” Even those not familiar with Vocaloid may recognize it from commercials and the like.

While the melody feels mechanical, the vocal line’s gentle contours make it very easy to sing.

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Ryo

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Stardust Utopiaotetsu

[Official] Stardust Utopia / otetsu feat. Megurine Luka

Hoshikuzu Utopia has really cool piano and bass movement.

The overall vocal range is B3–D5, which is relatively moderate for a Vocaloid song, and the tempo isn’t too fast, so it should be comfortable to sing in a relaxed state.

One thing to watch out for is not going all-out emotionally right from the start.

It’s a song that has strength within its softness, so I think it’s good to gradually increase the intensity with each phrase.

Also, when the melody changes, it’s almost seamlessly connected with little to no pause.

This connection is very important, so when you move to the next phrase, try to be conscious of the pitch bar and project your voice firmly.

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Kubota Mami

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I’m afraid to believe.Mizuno Atsu

Afraid to Believe feat. KAFU

A work that carefully depicts delicate emotions and resonates with younger generations.

Released by Atsu Mizuno in August 2021, this song is marked by a piano-centered, emotionally stirring soundscape.

The lyrics trace feelings shared by many living today—such as the difficulty of trusting oneself and others, and conversations with oneself amid loneliness.

When you want to gently bare your deep emotions, this piece feels just right.