Spotlight on Creators You Should Be Listening to Now! Special Feature on Female Vocaloid Producers
Have you ever wondered what the creators active in the Vocaloid scene are really like?From the worldview of their songs and the mood of their MVs, you might find yourself imagining “What kind of person is making this?” and following their accounts on social media.In this article, we’re shining a spotlight on female Vocaloid producers, introducing their musical styles and plenty of recommended works!You might just discover a new favorite track.Be sure to read to the end!
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Spotlight on Creators You Should Hear Now! Women Vocaloid Producers Feature (21–30)
Love☆Beamcillia
The artist drawing attention for having a “voice that seems to house a soul” is cillia.
She is a U.S.-based Vocaloid producer who has worked on many covers of Vocaloid songs.
Because of this, many listeners have enjoyed comparing her versions with the originals.
In recent years, however, she has also been releasing original songs that showcase her expressive power.
How about listening to them in order, starting with her first release, “Scattered Glass”?
milkAko
Ako is a Vocaloid producer from Osaka Prefecture who has released numerous cool, piano-centered works.
Known for several hits including “Judas” and “Mr.D,” her music captivates with a touch of poignancy and a subtle sense of shadow.
In recent years, she has participated in the VOCALOID Collection (VocaColle) remix projects, posting “Phony [REMIX by Ako]” and “Cute na Kanojo [REMIX by Ako],” both of which ranked highly.
She’s also active as a radio show host, among other diverse endeavors.
Don’t kill the Mary Sue.Miriko
Starting her full-scale activities in 2014, Miriko drew sudden attention with her signature track “Don’t Kill Mary Sue,” released in 2017.
She has also been active in a wide range of fields, leveraging her distinctive fashion sense to work as a model.
In 2021, “Bad End Overkill” won an award in the ‘Musical Isotope KAFU Song Contest.’ Spanning from pop to rock, her appeal lies in a broad catalog grounded in electronic sounds, paired with highly message-driven lyrics.
Help me, Doraemon.Azu Kuroda
Kuroda Atsu, a Vocaloid producer also known as the creator of the moving work “Help Me, Doraemon,” whose impact you’d never guess from the thumbnail.
She began her activities with “Romanticism,” posted in 2011, and the following year won the Yamaha Prize with “The Gossamer Diary” in the VOCALOID3 Release Commemorative Song Contest, proving herself a highly skilled creator.
She is a graduate of Tokyo University of the Arts.
The way she showcases a variety of musical styles from song to song may well be the result of her refined sensibilities cultivated in the arts.
IMITATION BLACKnatsuP
Vocaloid producer natsuP showcases a diverse musical style and is also active as a member of the music circle SCL Project.
His debut song, the superb ballad “ZUTTO,” was so well-received that he was even nicknamed “the ZUTTO guy.” While he works across a wide range of genres, his tracks that evoke visual-kei rock—especially those centered around the Hall of Fame hit “IMITATION BLACK” by the Vocaloid unit VanaN’Ice—are particularly memorable.
LambencySpectacle P
Spectacular-P is a multi-talented Vocaloid producer who not only composes music but also creates his own illustrations and videos.
His debut work, “Lambency,” was posted on Nico Nico Douga in 2008.
His music, centered around piano sounds and imbued with a slightly melancholic atmosphere, is particularly captivating.
Although he stopped posting videos after “Thanks Giving Days,” he launched a YouTube channel in 2021.
Since then, he has been releasing both past works and new pieces from time to time, winning the hearts of Vocaloid fans.
DakiniUta-P
Mr./Ms.
Uta-P, who excels at ethnically flavored sounds, reportedly started DTM after discovering Vocaloid.
In their works, they draw out Kagamine Len’s charm so well that they are even called a “Legendary LEN Master,” making them a must-listen Vocalo-P for Len fans.
Their music is distinguished by highly regarded choral arrangements that reflect a passion for ensemble singing, and by striking, literary lyrics that leverage their strengths as a Japanese-language teacher.
They also occasionally sing themselves, possessing a mystical yet powerful voice that would seem to fit perfectly with the world of Ghibli.