[For Women in Their 50s] Songs That Score Well in Karaoke
Women in their 50s are a generation that has experienced pop music inspired by both Showa-era kayōkyoku and Western music.
You could say it was a time when they absorbed the best of both worlds.
While many songs from this generation are easy to sing, there is also a tendency for them to demand a high level of basic vocal skill.
Perhaps many people feel it’s surprisingly difficult to find songs that are easy to sing.
So this time, we’ve picked out songs that are easy to sing for women in their 50s.
We’ve lined up plenty of catchy tracks, so be sure to check them out to the end!
- Easy-to-sing Japanese karaoke songs recommended for women in their 50s
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that will get the crowd going
- For Men in Their 50s: Easy Karaoke Songs to Score High
- For Women in Their 60s: Karaoke Songs That Score Well | Classic Nostalgic Hits
- Famous songs we’d like women in their 50s to sing (by age group)
- Karaoke songs that make it easy for women to score high
- [For Women in Their 40s] A Collection of Songs That Score High at Karaoke [2026]
- Popular Japanese songs among women in their 50s: recommended classics and staple tracks
- [For Your 50s] Get the Party Going at Karaoke! A Special Feature on Easy-to-Sing Nostalgic Hits
- Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs
- Easy-to-sing karaoke songs: Classic picks for women in their 40s
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
For women in their 50s: Songs that tend to score well at karaoke (11–20)
TAXIMami Suzuki

Seimi Suzuki is a female singer who captivated many listeners with her soulful vocals.
Her song “TAXI” is widely regarded as a masterpiece among her works.
While the melody hints at elements of Black music, it doesn’t employ techniques like melisma—the pop equivalent of the Japanese enka ‘kobushi’—so it’s relatively easy to sing.
However, the song does call for vocal richness, including strong overtones, so you should be mindful of that.
If you want to add more thickness to your tone, try singing with your lower jaw slightly pushed forward.
Pink sighTakahashi Mariko

Mariko Takahashi’s classic “Momoiro Toiki.” It features a distinctly exotic melody and, while it carries elements of mood kayō (mood enka), it also incorporates contemporary J-pop characteristics.
The piece sits within a relatively narrow vocal range of mid1 G# to high C.
Since the most frequent pitch is around mid2 G#, most women should be able to sing it without difficulty.
As the song prioritizes mood, it’s recommended to sing with careful dynamics.
If a phrase ends with a consonant, letting it fade out as a voiceless sound can be an effective touch.
Aino Katachi feat. HIDE (GReeeeN)MISIA

The 2018 collaboration between GReeeeN’s HIDE and MISIA, “Ai no Katachi feat.
HIDE (GReeeeN).” As a song that rivals “Aitakute Ima” and “Everything” in popularity, many women in their 50s are likely familiar with it.
This piece is arranged within a slightly narrower vocal range of mid1 A to mid2 F, making it easier to sing even for those who struggle with high notes.
However, the average pitch is mid1 G#, which is low for a women’s song, and the final big chorus features high phrases close to mixed voice.
Keep these two points in mind when singing.
The hottest summer in the worldPRINCESS PRINCESS

PRINCESS PRINCESS opened the door for girls’ bands.
Many women in their 50s probably admired them.
Among their songs, the one I especially recommend is “The Hottest Summer in the World.” This track is notable for its extremely catchy vocal line.
While the range is relatively high at mid2A to hiD, it’s quite narrow.
Since there aren’t any difficult phrases in any section, if you can keep your pitch steady, it’s definitely possible to aim for a score in the 90s at karaoke.
Ah, heartlessAn Ruisu

Ann Lewis is a rock singer whose raw vocals earned her strong support not only from women but also from men.
She has many classic songs, but in particular, “Aa Mujō” really showcases her rough, gritty voice.
The vocal range is slightly broad for an Ann Lewis song at about mid1 G to hi C, but compared with typical songs, it’s actually on the narrower side.
However, because the song is characterized by shout-style singing, it has a distinctive difficulty that’s different from a standard hi C.
Even so, the vocal line’s contour is relatively gentle for rock, so overall it’s a song that’s fairly easy to sing.
It’s fantastic for getting the crowd excited, so consider adding it to your repertoire.
presentJittarin Jin

“Present,” a song by Jitterin’ Jinn released in 1990.
While the track has an upbeat ska-punk vibe, it also carries a touch of quirky, almost progressive rock-like eccentricity.
Its biggest charm is, without a doubt, the poppy and comical melody.
The vocal range is mid2D to hiD, with the highest chest note at hiC#.
Since the range fits within about one octave, despite the poppy feel, it should be comfortably singable for most women.
[For Women in Their 50s] Karaoke Songs That Score Easily (21–30)
Make my heart raceNagayama Miho

For men in their 50s, wouldn’t it be fair to say that Miho Nakayama is an exceptionally catchy idol? Back then, even in her teens, many people were captivated by her vocals and looks, which exuded remarkable allure.
Among Miho Nakayama’s songs, the one I especially recommend for getting the crowd going and being easy to sing is “WAKU WAKU Sasete.” Blending synth-pop with kayōkyoku (Japanese pop), it’s composed with a fairly narrow vocal range of mid2 A# to hi C#.
The vocal line doesn’t fluctuate much, making it overall quite an easy song to sing.
However, since the tempo is fairly fast at BPM 136, it’s important to get a solid feel for the tempo in advance.


