For Men in Their 50s: Easy Karaoke Songs to Score High
Have you ever gone to karaoke and, for some reason, just couldn’t get your score to go up like you wanted? In fact, the results can change dramatically just by choosing the right songs.
Simply knowing tracks that match your vocal range can lead to a surprising boost in your score.
In this article, we’ve carefully selected songs that tend to score well at karaoke.
We focus on tunes with easy-to-sing melodies and comfortable ranges, so be sure to try them at your next karaoke session!
- [For Women in Their 50s] Songs That Score Well in Karaoke
- A Must-See for Men in Their 60s: Easy-to-Sing Karaoke Classics That Score High
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- Karaoke songs where even men with low voices can aim for high scores
- Easy-to-sing Japanese karaoke songs recommended for women in their 50s
- [Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits
- Songs that score high easily on karaoke for men in their 20s
- [For Men] Songs You Can Aim for a Perfect 100 at Karaoke! With Explanations
- [For Men in Their 40s] A Collection of Songs That Score High at Karaoke [2026]
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for men in their 40s
- [For men in their 30s] Aim for a high karaoke score!
For Men in Their 50s: Easy Karaoke Songs That Can Score High (21–30)
TRUE LOVEFujii Fumiya
Fumiya Fujii’s solo debut song, after his big success with The Checkers.
It was the theme song for Fuji TV’s Monday 9 p.m.
drama “Asunaro Hakusho.” Being a ’90s ballad, the melody is simple and the range isn’t too wide, so it should be relatively easy to sing.
Chest voice is important, but the key point is the switch to falsetto in the chorus.
Falsetto becomes difficult without enough breath, so adjust your airflow.
Aim for a thin, upward-directed stream and try to release the falsetto as if it’s coming from above your head.
Even with a generally gentle delivery, you should be able to keep the pitch on target!
BE WITH YOUGLAY
Released in November 1998, this was the theme song for the Fuji TV drama “Tabloid,” and TAKURO has said the lyrics are his greatest masterpiece.
The overall vocal range of the song is D#3 to C#5, and as it progresses into the latter half, it becomes more characteristically GLAY and the range shoots up significantly.
For the high notes in the latter half, don’t force them in chest voice; until you get used to it, it may be good to practice producing them lightly in falsetto.
Once you’re comfortable and can project with more momentum, you’ll build explosiveness and be able to hit the high notes more comfortably.
In any case, breath volume and explosiveness are crucial.
If you’re focusing only on scoring, starting out by tackling it in falsetto is recommended.
Romantic Flightkome kome CLUB
As the title suggests, it became a big hit as the CM song for JAL’s “Summer Palace Campaign,” and its bright, forward-looking lyrics and the thrill of setting off on a journey are emblematic.
The overall vocal range is B2 to G4, with the A melody sitting quite low.
The key modulates for the final chorus and the pitch rises, but it doesn’t go too high, so if you time your breath and placement well, those notes should come out smoothly.
Overall, avoid pushing your voice; aim for light singing with head resonance for a pleasant feel.
Also, for the syllables where the vowel is “i,” be careful not to spread the sound too horizontally.
On the hill where the moon is visible tonightB’z
It was the theme song for the TBS drama “Beautiful Life: The Days We Spent Together,” and the CD jacket photo was apparently shot from a wheelchair’s perspective to match the show’s content.
It’s a dramatic slow rock number where Inaba’s poignancy and power coexist.
The song’s overall vocal range is G3–B4, and since the highest notes appear frequently in the chorus, stamina is essential—so it’s recommended for those who are good with high notes.
As the song progresses, you may find it harder to lock onto the pitch bar, but if you keep your eyebrows raised and project your voice far with energetic delivery, it should start to click!
OH MY LITTLE GIRLOzaki Yutaka
Revisited as the theme song for Fuji TV’s 1994 Monday 9 PM drama “Kono Yo no Hate,” this love ballad has continued to be cherished across generations.
At karaoke, it’s a staple that gently lifts the mood—especially when men in their 50s sing it while reminiscing about their youth.
The overall vocal range is D#3 to A4, which should be relatively comfortable for male singers.
You can create the mood quickly by singing the verses (A-melo to B-melo) softly, almost like speaking.
The real climax comes right at the start of the chorus.
Take a solid breath beforehand and time your entry; you should find it feels great to sing.
Doing an impression can be fun, but definitely try aiming for a high score with your own voice!
Journey of the Heartchūrippu
It’s a big hit by Tulip.
The melody line is gentle and the range isn’t high, so I think it’s easy to sing! By the way, “Kokoro no Tabi” has been covered by Masaharu Fukuyama and many others, so it can be fun to look for a version you like.
Tulip’s songs have a choral feel with a relaxed tempo, and there are parts that really draw listeners in when you sing them, which I find very appealing.
Since the range is easy to sing, be careful not to strain your throat.
If you keep your eyebrows slightly raised and project your voice into the distance, your vocal cords will resonate and it will be easier to stay on pitch!
The One and Only Flower in the WorldSMAP
Sekai ni Hitotsu Dake no Hana, a song by SMAP that gained popularity in the mid-Heisei era, was written and composed by Noriyuki Makihara and became a karaoke staple throughout the 2000s and 2010s.
With its peaceful message, the song features a gentle, easy-to-sing vocal line throughout.
In fact, its vocal range is very narrow—mid1 E to mid2 F#—making it a song you can sing comfortably while making the most of a lower voice.
It’s also very well-known, so be sure to use it to liven up your karaoke scoring sessions.
