[For Your 50s] Get the Party Going at Karaoke! A Special Feature on Easy-to-Sing Nostalgic Hits
Don’t you think choosing songs that feel good to sing at karaoke and naturally hype up the room is surprisingly tricky? If the vocal range is too wide or the rhythm too complex, the fun gets cut in half.
On the other hand, if you pick songs just for the hype, you might end up with high notes you can’t reach.
So this time, we’ve handpicked karaoke songs with an emphasis on singability—from nostalgic classics to gems with melodies that truly resonate.
These tracks all have lyrics that people of any generation can relate to and sit in a comfortable vocal range, making them easy to sing steadily.
Be sure to check them out!
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- Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that will get the crowd going
- For Men in Their 50s: Easy Karaoke Songs to Score High
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- [Must-See for Your 40s] Easy-to-Sing Karaoke Songs That Get Everyone Going | Timeless Classics Enjoyed Across Generations
- Songs everyone knows across generations. A roundup of karaoke tracks anyone can sing, regardless of age.
- [For People in Their 60s] A Special Feature on Easy-to-Sing Nostalgic Songs and Showa-Era Classics That Liven Up Karaoke
- Famous songs we’d like women in their 50s to sing (by age group)
- Recommended for people in their 50s! Best Christmas karaoke songs
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- When you can’t decide what to sing at karaoke: Easy-to-sing classic hits from the Showa era
For People in Their 50s: Karaoke Crowd-Pleasers! A Collection of Easy-to-Sing Nostalgic Hits (11–20)
Go-Go HeavenŌsawa Yoshiyuki
When it comes to Yoshiyuki Osawa, I think his songs with a black-music flavor that faintly evokes R&B are especially memorable.
Those kinds of tracks often use rhythms uncommon in J-pop, which makes them fairly challenging, but Go Go Heaven is different.
As a song by Yoshiyuki Osawa, this one is crafted as a particularly orthodox rock number.
While the range goes from mid2A to hiA and is relatively high, the overall range is narrow, making it easy to adjust the key and exceptionally easy to sing.
With its upbeat, straightforward rhythm, it’s among the top in his catalog when it comes to getting a crowd going.
It always begins with rain.CHAGE and ASKA
The gently moving ballad “Hajimari wa Itsumo Ame” by CHAGE and ASKA.
On streaming services you can only hear ASKA’s solo version, but on YouTube there are videos of the two of them singing together, so definitely check them out! The overall vocal range of the song is a relatively relaxed C#3–G#4, so it should be singable without too much strain.
Since the chorus goes a bit higher, lifting your facial muscles and resonating in your head can make it easier to hit the pitches.
Also, consciously articulating the vowels will add emphasis and make it feel great to sing!
LOVE LOVE SHOWTHE YELLOW MONKEY
Despite having no tie-in, it became a long-running hit that stayed in the Top 10 for five consecutive weeks—a signature track where The Yellow Monkey’s trademark sultriness fuses with the driving energy of rock.
Among fans, it’s often said to be “the most Yemon-like” song.
The vocal range isn’t very high, the melody is simple, and there aren’t many pitch jumps, so you may find it easy to sing.
Since it’s band rock, the snare drum sound is the key point; if you feel the groove slightly behind the beat, it’ll be easier to lock into the song.
Keep solid time with your body, and be careful not to overproject your voice.
Islanders’ TreasureBEGIN
A classic song that represents Okinawa, widely known as the image song for NHK’s “30th Anniversary of Okinawa’s Reversion to the Mainland.” It’s popular across generations, but when a man in his 50s sings it at karaoke or in a snack bar, his life experience adds a persuasive depth that warms up the room.
Since the song itself has a gentle Okinawan feel, it’s better to sing softly, as if speaking to the listener, rather than belting it out.
The melody flows smoothly, so try not to break the phrases too much—take a good breath and sing through to the end of each line.
That will help bring out the right atmosphere.
NO.NEW YORKBOØWY
A signature rock number from the 1982 album “MORAL,” later re-recorded as the B-side to the single “BAD FEELING.” Its driving rhythm and Kyosuke Himuro’s shouts are the main attractions, making it a staple that recreates the heat of youth.
The overall vocal range is D#3–A4, which should be comfortable for many male singers.
Since it’s a band-oriented track, locking into the rhythm makes it fun to sing.
As long as you don’t lag behind the tempo, a slightly rough delivery will still land stylishly.
There are call-and-response shout sections mid-song, so getting the crowd involved is part of the fun!
loadTHE toraburyū
A massive hit that sold over two million copies in total.
Its poignant lyrics about heartbreak and parting deeply resonate with men in their 50s, making it a karaoke classic! It might feel a bit too mellow when actually sung at karaoke, but it’s perfect for when you want a break.
When singing, pay attention to breath flow and expressiveness for a better performance.
The song builds toward the chorus, so if you sing each phrase of the chorus with the image of growing intensity, it will add expressiveness and enhance the atmosphere.
The key is to sing carefully and delicately—avoid singing roughly at all costs!
[For People in Their 50s] Karaoke Crowd-Pleasers! A Selection of Easy-to-Sing Nostalgic Hit Songs (21–30)
excuseSha ran Q
One of Sharam Q’s biggest hit singles and a signature song.
Its lyrics portray the miscommunication and lingering feelings in romance with both humor and poignancy, resonating strongly with young people at the time.
Singing Sharam Q at karaoke inevitably gets everyone hyped! Tsunku’s distinctive slightly nasal tone really sets the mood.
If you’re not used to a nasal delivery, it can throw off your pitch, so I recommend not overthinking it and projecting your voice firmly.
Especially in the chorus, singing out strongly adds contrast and makes the song sound cooler overall!