You get into your thirties, start feeling settled into working life, and before you know it, you’re in your forties…
There must be many people who feel this way.
It’s also said that this stage of life comes with heavier responsibilities at work and increased stress.
So we’ve put together a selection of songs that might make men in this age group smile and feel energized.
- Karaoke songs for men in their 40s: a curated selection of hit tracks women want to hear!
- Uplifting songs recommended for men in their 40s
- [For men in their 40s] That nostalgic song you can enjoy at karaoke!
- Get the Laughs! Funny Karaoke Songs That Hype Up the Crowd
- Funny songs recommended for men in their 20s
- Perfect for driving BGM and karaoke! Recommended summer songs for people in their 40s [2026]
- Interesting Japanese songs recommended for men in their 60s
- [Parody Songs & Chants] Drinking Songs That Hype Up Karaoke
- Recommended Japanese pop songs for karaoke for men in their 40s
- Recommended love songs for men in their 40s: classic and popular Japanese tracks.
- Moving songs recommended for men in their 40s
- [For Women] Attractive Songs That Appeal to Men in Their 40s
- Karaoke songs in Japanese that are easy for men in their 40s to sing
Interesting songs recommended for men in their 40s (1–10)
Young manSaijō Hideki

“Y.M.C.A.” has become a staple cheer song at school events and sports competitions.
The arm-swinging choreography went viral—these days, it feels like there’s hardly anyone who doesn’t know it! With an intro that instantly lifts your spirits, doesn’t it just make you smile? That smiling expression is really important: when your facial muscles naturally lift, your voice comes out more easily, making it much easier to sing! Plus, doing the choreography helps your body relax, which also makes projecting your voice easier.
Above all, the best thing is to just have fun singing it!
Weekly Chichibu Legendsbaidoku jerasī

It’s one of the bands that appeared on ‘Ika-ten.’ I remember that when I first saw them, I honestly thought, ‘What is up with this vocalist?’ The crude look of singing with women’s underwear on his head and the incomprehensible lyrics—led by phrases like ‘Weekly Chichibu Legend’—left such an impression that I still haven’t forgotten it nearly 30 years later.
It’s a real shame of a track, especially since the music itself is so cool (lol).
to youMONGOL800

Among people in their 40s, those in the early half may be more familiar with Japanese rock.
In particular, I think many were fans of MONGOL800.
With that in mind, I recommend their song “Anata ni.” The vocal range for this track is quite narrow, from mid1 D to mid2 G.
While mid1 D is slightly low and doesn’t leave much room to lower the key, men with naturally low voices will likely find the original key comfortably singable, so it shouldn’t be a major issue.
The pitch stays fairly consistent, so consider adding it to your repertoire.
cleaning ragBAKU

Included on the 1991 album “Can You Hear It? ~Power of Dreams~.” A three-piece rock band formed in 1989.
It’s a mid-tempo track that unfolds with a light, lively rhythm and aggressive guitar sound, singing about their feelings by likening themselves to rags made from old towels.
Don’t blame the children.Ibu Masatō

A single released in 1983.
Born in 1949.
An actor from Tokyo.
The original song is Sammy Davis Jr.’s “Don’t Blame the Children.” While the original is a message song addressed to the adults around children, this version—contrary to its title—changes the lyrics to emphatically declare how much the singer dislikes children.
The Blue Idiot of CaliforniaOshima Nagisa

Included on the 1990 album “Nagisa Oshima.” A five-member rock band formed in 1989.
The band centers around manga artists Jun Miura and Masahiko Kikuni.
It’s a track notable for its simple, straightforward rock sound and lyrics arranged like playful wordplay.
TRAIN-TRAINZa Burū Hātsu

The Blue Hearts’ classic “TRAIN-TRAIN” was a long-running hit from the 1980s into the early 2000s.
True to the Blue Hearts’ style, this track is a passionate punk rock song characterized by its raw sound.
You might expect it to be hard on the throat vocally, but it actually sits within a relatively narrow range of mid1 G# to mid2 F#.
The vocal line itself isn’t complex; however, starting from the second verse, it incorporates a slightly spoken delivery, which brings subtle pitch variations compared to the first verse.
Because this spoken-like quality isn’t a purely musical pitch change, be sure to carefully learn it by ear.


