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Songs you’d want women to sing at karaoke! Karaoke picks recommended for Gen Z

From a man’s perspective, there are definitely songs you’d love to hear a woman sing.

Whether it’s a cute track, a cool one, or something fancy, everyone has their own preferences.

Of course, songs that are easy to sing are great, but if you can master a challenging song that not just anyone can pull off, you might impress not only the opposite sex but people of the same sex too.

So this time, we’ve put together a list of karaoke songs we recommend for Gen Z that we’d love to hear women sing.

Each song has a different vibe and level of difficulty, so use this as a guide to pick something that fits your character!

Songs You Want Women to Sing at Karaoke! Gen Z’s Recommended Karaoke Tracks (91–100)

SunYorushika

Yorushika – Sun (OFFICIAL VIDEO)
SunYorushika

Yorushika’s masterpiece “Taiyō” (“The Sun”).

Among Yorushika’s songs, this piece boasts one of the narrowest vocal ranges.

Typically, songs with a narrow range are sung in the mid register, but this one is sung mostly in the low register.

As a result, for many women it will feel like singing in their speaking voice.

Because of this, there’s very little strain on the throat, and the vocal line itself is simple with minimal contour, making it undeniably easy to sing.

Definitely consider adding it to your repertoire.

A hundred flowers in full bloomIkuta Rira

An anime theme song distinguished by its grand, dramatic sound and crystalline vocals.

The lyrics woven by Lila Ikuta delicately depict a scene where multicolored flowers are in full bloom, singing of hope for the future that lies beyond hardship.

Her powerful yet nuanced voice blends beautifully, making this a gem that resonates deeply with listeners.

Released in December 2024, the song was written as the opening theme for the anime “The Apothecary Diaries,” which airs from January 2025.

It marks Ikuta’s first solo tie-in with an anime and is an ambitious work.

With a sound world that is both dazzling and shadowed, singing it with expressive nuance will draw out your full appeal.

One Heartatarashii gakkou no rīdāzu

ATARASHII GAKKO! – One Heart (Official Music Video)
One Heartatarashii gakkou no rīdāzu

Recently, the idol group Atarashii Gakko! has been attracting attention from around the world.

Their music, which mixes hip-hop and kayōkyoku with the distinctive flavor of comic songs not found in typical idol acts, is striking.

Their new track is One Heart.

Compared to their other songs, it leans more heavily into the comic-song character and has a bright, upbeat feel.

The vocal range is moderately wide, but most of the song sits in the mid register, and the hook is centered in the lower range, which should fully highlight the appeal of singers with lower female voices.

Venus bugHoshimachi Suisei

Venus Bug / Suisei Hoshimachi (official)
Venus bugHoshimachi Suisei

An ambitious work by Suisei Hoshimachi that delicately yet powerfully portrays the feelings of a young woman searching for herself amid the dazzling lights of the big city.

Set against the backdrop of Shibuya, it captures with striking realism the relatable emotions of someone who holds fast to her own identity without being swept away by those around her, yet sometimes puts on a brave face.

It’s a memorable track that conveys the determination to carve out one’s own path, even while being swayed by one’s environment and the voices around them.

The song was written and provided by Enon Kawatani—known for Gesu no Kiwami Otome.

and indigo la End—and was included on her third album, “Shinsei Mokuroku,” released in January 2025.

Kawatani himself appears in the music video, which has become a hot topic.

It’s a song recommended for anyone who wants to move forward while valuing their authentic self.

In karaoke, expressing your true, unvarnished self will surely resonate with listeners.

platitudesHoshimachi Suisei

Suisei Hoshimachi, the VTuber currently attracting the most attention, is a member of hololive and has gained nationwide popularity as an artist.

While many of her songs span a wide vocal range with touches of falsetto, that’s not the case with Kireigoto.

In this piece, aside from a single falsetto moment that appears once in the chorus, there are no high parts, and the song is arranged in a low register throughout.

Even the falsetto line is something she could sing in chest voice but chooses to render in falsetto, making it easy to sing for women with lower voices.