[Rock Singer] Shogo Hamada’s Easy-to-Sing Karaoke Songs!
Are you unsure which Shogo Hamada song to choose for karaoke? From powerful rock numbers to moving ballads, Shogo Hamada has a wide range of songs.
Some of you may have tried singing, inspired by his voice, only to find it more difficult than expected.
In this article, we introduce relatively easy-to-sing songs from his catalog.
We’ll provide tips for song selection from various angles such as vocal range, tempo, and melody line, so feel free to use it as a reference!
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[Rock Singer] Shogo Hamada’s Easy-to-Sing Karaoke Songs! (21–30)
Boy in the back alleyHamada Shogo

This was his solo debut single in 1976—an autobiographical song about his part-time work life in Yokohama from his late teens to early twenties and the era of student protests.
It was written the day before his 23rd birthday, and although its original title was “Blue-Eyed Girl,” it was later rewritten.
Among Shogo Hamada’s songs, it has relatively few extremely high notes, making it easier to sing, and the guitar stands out, giving it more of a solo acoustic feel.
For the switch to falsetto just before the chorus, try relaxing and letting the sound float straight up lightly—you should be able to hit it cleanly, so give it a try!
Days of DeceptionHamada Shogo

This song was written during a period when Shogo Hamada was struggling with lyric writing, and it features weighty, profound lyrics and a worldview characteristic of Hamada.
It’s a classic that continues to be performed live, and the message of “Itsuwari no Hibi” conveys a search for life’s emptiness and truth.
The melody line has an easy-to-follow structure, though it might be a bit on the high side.
If you project your voice with clear enunciation right from the first note, the flow of the melody becomes very smooth.
Also, since you use breath even in the lower range, where and when you inhale is crucial.
Once you’ve inhaled, exhale decisively and completely without hesitation!
When you are in the time of your life…Hamada Shogo

This is an early signature work that became a turning point as Shogo Hamada’s first album for which he wrote all the lyrics himself, and it’s packed with fun days spent touring various places with the band! The tempo is very relaxed, so you can sing carefully, and the pitch is easy to follow.
Also, the structure raises the range gradually toward the chorus, so if you build momentum little by little as you sing, your voice will come out smoothly without catching in your throat.
Basically, the place where you produce the voice is the vocal cords, so place a finger in the dip between your collarbones, bring your other hand in front of the vocal cords, and sing as if you’re letting your voice hit your hand in time with the rhythm.
As the pitch gets higher, move your hand farther away—away from the vocal cords—and project your voice toward it.
Love on the HillHamada Shogo

It’s a song that evokes the turmoil of feelings about love and the pursuit of true love, conveying a sense of heartache.
It was included on the 1980 album “Home Bound,” and has also been described as a piece inspired by the upscale residential areas perched on the hills of Los Angeles.
The gentle layering of acoustic guitar and piano conjures an image of someone standing by those who are struggling.
Its calm, comforting tempo makes it easy to sing, and if you perform it with a conscious gentleness, it should highlight the atmosphere of the song quite effectively.
Stay 19 foreverHamada Shogo

This song portrays emotional currents that are more than just regret over the passing of one’s youthful school days.
It’s included on the 1986 album “J.BOY.” The acoustic guitar tones and layered choruses emphasize a refreshing atmosphere and warmth.
The lightness of the vocals also seems to evoke a sense of youth, doesn’t it? The gentle tempo, which invites a slow look back on memories, makes it easy to sing—so try performing it while savoring those recollections.
Another SaturdayHamada Shogo

It’s a bittersweet song that portrays episodes of a possibly unrequited love and the intensifying emotions that come with it.
Released in 1985 as the B-side to the single “LONELY – Ai to Iu Yakusokugoto,” it gradually became one of Shogo Hamada’s signature ballads despite not being the title track.
The progression, centered on piano with layered strings, accentuates the heartache and poignant atmosphere.
Its gentle, conversational tempo makes it easy to sing; conveying emotion while delivering it quietly and tenderly is key.
The Sun Also RisesHamada Shogo

This song evokes a refreshing yet powerful feeling, depicting the natural landscape unfolding before us and the hope to move toward the future.
From the opening, where the vocals soar boldly, a grand image of nature comes to mind, drawing you into the song’s world.
The lyrics’ vivid portrayal of the sun overlaps with the breezy sound, conveying a sense of receiving strength from the power of nature.
It gives the impression of quietly nurturing the hope for the future within oneself, so aiming for a relaxed vocal delivery that reflects this image will help emphasize the song’s atmosphere.



