Must-listen masterpieces by Official HIGE DANDism
Official HIGE DANDism’s music, which took flight from Shimane to the whole country, feels as if it gently peers into the depths of our hearts.
In songs like “Pretender” and “No Doubt,” woven by Satoshi Fujihara’s clear vocals and moving lyrics, you can see reflections of the bittersweet love and life’s uncertainties that everyone experiences.
Their exquisite fusion of piano-centered J-pop and rock resonates closely with listeners.
Now, enjoy their tracks as they thrive at the forefront of Japan’s music scene.
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Official HIGE DANDism’s absolute must-listen masterpieces (41–50)
B-Side BluesOfisharu Higedan Dism
This commercial, filled with summery scenes like the seaside and pools, is for Gogo-no-Kocha (Afternoon Tea).
Regulars in Gogo-no-Kocha ads, Ren Meguro and Ayami Nakajo, appear in it, and the poolside and seaside footage gives it a distinctly youthful vibe.
Enhancing the mood is Official HIGE DANDism’s “B-Side Blues,” included on their 2024 album Rejoice.
With a relaxed tempo, it’s a warm song about looking back on past memories while trying to move forward.
Official HIGE DANDism’s must-listen masterpieces (51–60)
Clap ClapOfisharu Higedan Dism
Official Hige Dandism’s classic “Clap Clap” is distinguished by its cheerful melody.
The vocal lines are arranged with the verse in the mid range, the pre-chorus in the mid-high range, and the chorus in the high range.
Because there are many high phrases throughout, it may seem difficult, but since it’s composed mostly of mid to high ranges, the overall range isn’t especially wide.
However, the high phrases continue almost endlessly, so a certain level of stamina for high notes is required.
For those with a naturally higher vocal range, the contour of the vocal line is relatively gentle, making it a fairly easy song to sing.
TATOOOfisharu Higedan Dism
This is Official HIGE DANDism’s 10th digital-only single, released in April 2023.
It was written as the theme song for the TBS Friday drama “Pending Train: 8:23, Ashita Kimi to.” What’s crucial for this song is whether you can recreate vocalist Satoshi Fujihara’s taut, soaring high-tone voice.
Try singing while being careful not to strain your throat as much as possible.
If you aim your voice toward the upper palate, you’re more likely to achieve a sparkling tone rich in higher overtones, similar to his.
Also, be mindful not to let the lightly bouncing rhythm become flat.
Bad for MeOfisharu Higedan Dism
It’s the theme song for the drama “Good-bye.” It briskly weaves together the bittersweet feelings of unrequited love and the urge to put on a brave face.
The lyrics are heartrending, but it’s an easy-to-groove-to, rhythmic track with playful wordplay.
The chorus melody is reportedly addictive—once you hear it, it sticks in your head.
DriverOfisharu Higedan Dism
It’s a track that delivers a refreshing, positive message, comparing hope for the future and serendipitous encounters to a driver.
The overall vocal range is E3–B4, which isn’t too high for Higedan’s standards.
The A and B sections sit in a relatively calm range, but the chorus repeatedly hits the top note of B4, so you’ll need to be careful not to let your pitch drop.
The melody itself is very simple, so if you’re good with higher notes, once you’ve learned the song you might find it really satisfying to sing! If high notes are tough for you, start with falsetto at first.
Try lifting your eyebrows firmly and imagine projecting your voice straight upward from your brows, using plenty of breath!
UniverseOfisharu Higedan Dism
This is a song by Official HIGE DANDism with a warm, comforting Black music vibe.
Released as a single in February 2021, it was created as the theme song for the film Doraemon: Nobita’s Little Star Wars 2021.
The track is also included on the acclaimed album Editorial.
Its grand, gospel-inspired arrangement paired with Satoshi Fujihara’s clear, transparent vocals creates a soothing sense of reassurance that gently envelops the listener.
The message that even if each person is small, connecting with others can become a great strength is part of the song’s appeal.
It’s a track I hope you’ll listen to when taking a new step forward or when your heart feels a little tired.
Lost In My RoomOfisharu Higedan Dism
A piece renowned as one of Official HIGE DANDism’s most difficult songs, “Lost In My Room.” The toughest part is undoubtedly the chorus.
There’s falsetto in the A section as well, but the chorus falsetto is breathtaking, featuring some very high notes.
On top of that, the overall vocal range is quite wide, from mid1 F# to hi G#, so there isn’t much room to lower the key.
Rather than simply dropping the key to make it easier, it’s important to consider the ease of producing the falsetto and, at times, even raise the key.
This varies depending on the singer’s vocal range, so there’s no one-size-fits-all answer, but instead of avoiding high notes, approach the song by identifying the key in which even the high notes are easiest to sing.