[Feels Great to Listen To!] Popular Songs by Female Artists with Captivating High Notes
When we say a high voice—a high-tone voice—it can range from a piercing, powerful high tone to a gentle, enveloping, falsetto-based, crystal-clear and soft high-tone voice.
There are many ways to express it.
If you’re a woman who sings yourself, you’ve probably often found yourself longing for a captivating singing voice.
In this article, we’ve gathered songs by female singers that let you enjoy a wide variety of high-tone vocals, from classic hits to the latest tracks.
Whether you’re the lead vocalist in a band, a karaoke-loving girl, or someone who wants to practice just one high-pitched song, be sure to check them out!
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- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
[Feels Great to Listen To!] Popular Songs by Female Artists with Captivating High Notes (41–50)
beetle (specifically, a rhinoceros beetle)aiko
This is Aiko’s fourth major-label single, released in November 1999.
Since Aiko herself isn’t particularly known for showcasing a high head voice, most of the song sits in a fairly typical female vocal range centered on the mid to upper-mid register.
However, in the last part of the chorus—where the song’s most distinctive, leap-filled melodic line appears—you can hear a very beautiful and effective falsetto.
Singing just that one standout high note in falsetto might sound simple, but it’s surprisingly difficult to pull off.
moonlightOnitsuka Chihiro
It’s the theme song for the drama “Trick” and became a major hit.
This signature song by Chihiro Onitsuka, a singer-songwriter from Miyazaki Prefecture, was released in 2000 as her second single.
Her vocals are powerful yet carry a certain shadowy quality that is captivating.
You can feel an energy that seems to awaken emotions sleeping deep in your heart.
It’s a classic that has been covered by many well-known artists.
A gentle feelingChara
Chara’s 14th single, released in April 1997.
Chara is popular for her very distinctive voice and singing style.
Speaking from my position as a vocal coach, I can’t help but feel that her singing isn’t necessarily “correct” in a technical sense, so to be honest there’s a part of me that doesn’t want to fully acknowledge it.
Even so, once a song is released, those very “incorrect” aspects can end up becoming part of the singer’s charm—that’s the fascinating thing about singing and music! In a way, it’s a very honest song, and for those who like this slightly high, characteristic voice, it’s truly an irresistible track.
That said, even if you sing it at karaoke, please don’t try to imitate her too closely!
Return to MyselfHamada Mari
Mari Hamada’s 9th single, released in April 1989.
She debuted in the HM/HR scene with the image of being something like LOUDNESS’s little sister, but starting around the time this song became a hit, she began singing beyond the confines of HM/HR and, in my view, earned recognition as a female rock singer.
That said, her powerful high tones carry enough presence to clearly reflect her HM/HR roots, showcasing her high caliber as a vocalist.
If you like female vocals with piercingly clear high notes, this is a track I highly recommend!
Your wish makes the world shine.MISIA
With her rich, five-octave vocal range, MISIA is often hailed as a diva representing Asia.
Her 52nd single, “Kimi no Negai ga Sekai wo Kagayakasu” (“Your Wish Lights Up the World”), is a dreamy track selected as the Japanese theme song for Tokyo DisneySea’s “Believe! Sea of Dreams.” Her voice, clear yet soulful, has the power to draw listeners into a world of fantasy.
It’s an emotional number, with powerful high notes that stir the heart.
ColorSakamoto Maaya
This is the 29th single by Maaya Sakamoto—who is active as a voice actress, singer, and actress—released on July 25, 2018.
Sakamoto is what you’d call an anison (anime song) singer, and her slightly cute yet powerful vocal delivery seems to embody everything that’s expected in recent anime music.
Not only in the high parts of the vocal melody but also throughout other sections, she appears to create that quintessential “anison” feel by singing with a voice rich in high-order overtones.
I think this track offers a lot that aspiring singers in the anime and game fields can learn from.
remainingYoshizawa Kayoko
This is singer-songwriter Kayoko Yoshizawa’s second single, released in October 2017.
The pronunciation of the lyrics and other aspects are a bit distinctive—perhaps even quirky—so listeners may be divided on that point.
However, as a song that makes effective use of a female high register and falsetto, it offers a lot to learn from in various ways, making it a track aspiring singers might want to pay attention to.
When you sing it, take cues from how the falsetto is used, but be careful not to slip into imitating her outright.