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[Stars, Fireflies, etc.] A collection of songs whose titles start with “Ho” (ほ)

When it comes to words that start with “ho,” things like “hoshi” (star), “hotaru” (firefly), and “howaito” (white) are easy ones to think of, right?

So, what songs are there with titles that start with “ho”?

In this article, we’ll introduce songs whose titles begin with “ho”!

We’ve gathered a variety of tracks, including theme songs from hugely popular animated films, songs that drew attention for their costumes, and long-beloved classics.

Whether it’s a song you’ve listened to often or one you haven’t heard much before, take this opportunity to check them out!

[Stars, Fireflies, etc.] A Collection of Songs Whose Titles Start with “Ho” (11–20)

What is justice?NEW!BAND-MAID

BAND-MAID / What is justice? (Official Music Video) TV anime “Togen Anki” ending theme song
What is justice?NEW!BAND-MAID

BAND-MAID, a hard rock band captivating the world in maid outfits.

Their track “What is justice?” was chosen as the ending theme for the anime Togen Anki.

Released in July 2025, the song delivers a loud rock sound with razor-sharp guitar riffs and a weighty rhythm.

The lyrics tackle the serious theme of questioning “What is justice?”, powerfully conveyed by SAIKI’s high-toned vocals, striking listeners to the core.

Be sure to experience its energetic sound for yourself.

hometownNEW!ASIAN KUNG-FU GENERATION

That light, buoyant power-pop sound feels so good, doesn’t it? It’s a song packed with the charm of ASIAN KUNG-FU GENERATION and serves as the title track of their album “Hometown,” released in December 2018.

Chosen as the theme song for the BS TV Tokyo drama “Kanpai at the Miki Clinic,” it added a refreshing touch to the story.

The simple yet full-bodied band ensemble and Masafumi Goto’s emotional vocals evoke the warmth of a “place to return to.” This track also played an important role in signaling the band’s direction during their first album production in about three and a half years.

Give it a listen when you’re feeling a bit worn out by daily life or want to regain a positive mindset.

It’s sure to energize you for tomorrow.

Man of FireNEW!Kitajima Saburō

This work features a bold, stirring melody worthy of closing a period drama.

Saburo Kitajima’s powerful yet warm vocals brilliantly convey a man’s way of life and resolve, offering a reassuring push that steels the listener’s back.

Released as a single in January 1982, it has been beloved for many years as the theme song for TV Asahi’s popular period drama “Abarenbo Shogun: Yoshimune Hyoban-ki.” Kitajima himself also appeared in the series as Tatsugoro of the Megumi, making the show’s world and the song deeply intertwined—one of its greatest appeals.

The lyrics depict an indomitable spirit that faces adversity, making it a song sure to inspire courage in anyone feeling uncertain at work or at a crossroads in life.

Smile at meNEW!Satomi Kotarō

Starring Kotarō Satomi, an actor who epitomizes the jidaigeki genre, and thrilling audiences with his elegant dual-sword fighting, the Nippon TV drama Choshichiro Edo Nikki featured this song as the ending theme for its first series, which began airing in October 1983.

Released as a single in November 1983, it is also well known for its lyrics by Toyohisa Araki and composition by Masao Hirao.

Kotarō Satomi’s sweet, resonant voice echoes with a warmth that embraces parting and loneliness, imprinting itself deeply on viewers’ hearts.

It’s the perfect song for quietly reflecting at the end of a day after enjoying a rousing tale of good triumphing over evil, or for immersing yourself in the nostalgic ambiance of the Showa era.

Like a star…NEW!MISIA

MISIA – Like a Star (Official Music Video)
Like a star…NEW!MISIA

It’s a love ballad painted on an epic scale that makes you want to gaze up at the winter night sky.

Like the light from stars billions of light-years away, MISIA’s warm and powerful voice reaches straight into the listener’s heart.

With a sound that evokes a cosmic expanse and a message that sings of love transcending time and space, it invites listeners into a dreamlike world.

Released as a single in December 2009, it was chosen as the theme song for the film “Mega Monster Battle: Ultra Galaxy Legend The Movie.” It’s also a core, essential track on the album “JUST BALLADE.” Its universal radiance, in harmony with the film’s worldview, is nothing short of breathtaking.

It’s the perfect song for spending a heartwarming moment on a night when you’re thinking of someone special.

If I Could Become a StarNEW!Mr.Children

Mr.Children “If I Could Become a Star” “HOME” TOUR 2007 -in the field-
If I Could Become a StarNEW!Mr.Children

It’s a classic song that captures the resolve to leave a familiar town in pursuit of a dream, along with the bittersweet feeling of parting that comes with it.

The upbeat, powerful melody that seems to give listeners a push forward is especially memorable.

It was included on the album “Kind of Love,” released in December 1992.

Used as an insert song for the Fuji TV drama “Wakamono no Subete,” it won the hearts of many.

It’s also well known as a collaboration between Yohito Teraoka of JUN SKY WALKER(S) and Kazutoshi Sakurai.

It’s a song you’ll want to listen to when starting a new chapter in life or taking on something new.

Even though it was never released as a single, it has remained a live staple beloved by fans for many years.

[Stars, Fireflies, etc.] A Collection of Songs Whose Titles Start with “Ho” (21–30)

Stardust Utopiaotetsu

[Official] Stardust Utopia / otetsu feat. Megurine Luka
Stardust Utopiaotetsu

Hoshikuzu Utopia has really cool piano and bass movement.

The overall vocal range is B3–D5, which is relatively moderate for a Vocaloid song, and the tempo isn’t too fast, so it should be comfortable to sing in a relaxed state.

One thing to watch out for is not going all-out emotionally right from the start.

It’s a song that has strength within its softness, so I think it’s good to gradually increase the intensity with each phrase.

Also, when the melody changes, it’s almost seamlessly connected with little to no pause.

This connection is very important, so when you move to the next phrase, try to be conscious of the pitch bar and project your voice firmly.