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[2026] Recommended for those who find high notes difficult! Enka by male singers that you can sing in a low register

For those of you with low voices who struggle with high notes… how about trying enka, where rich, deep tones shine?

While there are, of course, many classic enka songs that showcase everything from resonant low notes to soaring high tones through excellent vocal skill and wide range, this article focuses on songs built mainly around melodies in the low to mid register.

Every track here will bring out the charm of your lower range, and it’s also a recommended playlist for listeners who want to enjoy deep vocals—so be sure to check it out.

Please note, however, that we have not taken the overall difficulty of the songs into account.

[2026] Recommended for those who struggle with high notes! Enka by male singers that can be sung in a low range (11–20)

draft (cold air seeping through gaps)Sugi Ryōtarō

This work has long been cherished as a signature masterpiece of the enka genre.

Since its release in 1976, it has become a major hit, selling over one million copies, and it was also used as the ending theme for the TV drama “Tōyama no Kin-san.” Centered around low to mid-range melodies, it is easy to sing even for those who struggle with high notes, and Ryōtarō Sugi’s gentle, composed vocals further enhance the song’s appeal.

While depicting the subtleties of life and loneliness, the lyrics convey a forward-looking attitude that resonates deeply with listeners.

It’s a recommended choice for those who want to try enka at karaoke or are seeking a calm, mellow song.

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Strings of TearsTonosama Kingusu

A signature song by Tonosama Kings, known for its passionate, wistful melody and lyrics depicting a woman’s devoted love.

Released in November 1973, the track was also used as the opening theme for Fuji TV’s variety show “Aisuru Futari Wakareru Futari,” and became a major hit.

As a symbol of the enka boom, it had a significant impact on Japan’s music scene at the time.

Centered around low to mid-range melodies, it’s relatively easy to sing even for those who struggle with high notes.

It’s a recommended piece for anyone who wants to savor the emotive expressiveness unique to enka and fully appreciate the charm of Tonosama Kings.

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The Rumored TwoTakeshima Hiroshi

Following Koinmachi Counter—which also made waves for its choreography known as the “Koinmachi Dance”—Rumor Duo was released in 2019 as the second installment of the “irresistibly danceable kayōkyoku,” once again created with the golden duo of Goro Matsui and Takashi Toshimi.

You can also watch a performance video with the School Mates from a concert on the official YouTube channel, so be sure to check that out.

The song is packed with a Showa-era kayōkyoku vibe and has an up-tempo feel that’s perfect for karaoke, and its catchy melody is so easy to remember you’ll have it down after just one listen.

If possible, I’d love for you to aim for a complete copy, choreography and all!

KOH-1
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youSen Masao

Known as a signature song from the mid-career period, “Anta.” Unusually for a song by Masao Sen, it is a piece sung from a female perspective, expressing the feelings of a woman who still longs for the man she parted ways with.

Throughout, the vocals remain quietly reflective, and surprisingly, there are few instances of kobushi (ornamental turns), and the ones that do appear are not difficult.

This makes it very easy for beginners to sing.

The vocal range is also quite narrow, so if you adjust to a suitable key, anyone—regardless of gender—should be able to sing it smoothly.

Ryo
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Yaima (Yaeyama)Sen Masao

Among recent songs, Yaima (Yaeyama) is especially renowned as a masterpiece.

Originally released in 1999, it was recently re-released as a new version.

Compared to the original, it has a more relaxed atmosphere, and since it’s a song set in Okinawa, the essence of Ryukyuan music—most notably the sound of the sanshin—is emphasized.

As it incorporates many pop elements, there are hardly any demanding techniques such as kobushi (ornamental vocal turns).

It’s a song that beginners will find very easy to sing.

Ryo
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AfterglowYamauchi Keisuke

Keisuke Yamauchi “Zansho” Music Video
AfterglowYamauchi Keisuke

It’s a moody masterpiece of kayōkyoku built on a 6/8 rhythm, with an impactful drum sound in the intro and an impressive slap bass line.

For Keisuke Yamauchi, it’s also a song commemorating his 20th debut anniversary, and it fully showcases the charm of his distinctive voice—powerful, sensual, and uniquely his.

He does use the characteristic kobushi of an enka singer, of course, but since the song leans more toward kayōkyoku, the kobushi itself is restrained, making it a great choice even for those not used to straight-up enka.

The A melody section is also good practice for singing low notes carefully, so try performing it while being mindful of the contrast with the soaring chorus!

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[2026] Recommended for those who struggle with high notes! Enka by male singers that can be sung in a low register (21–30)

Love is pointless anyway.Takeshima Hiroshi

“How Could Love Matter Anyway,” included as the coupling track to the hit song “Mukaikaze Junjō,” which is packed with romantic kayōkyoku flavor, is a piece by the golden duo of Goro Matsui and Takashi Toshimi, just like the A-side.

Its sweet, heartrending melody carries a certain elegance and fits perfectly with Takeshima’s refined vocals.

The pitch is on the lower side and the range isn’t wide; built around the mid-register, it’s a song many people will find easy to sing, making it a great choice for karaoke.

Try singing it without embarrassment, as if you were stepping into Takeshima’s shoes!

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A Man’s Pure Hearttatsumi yūto