[For Beginners] Recommended Enka Masterpieces for Karaoke — Male Singers Edition
Enka, which has continued to sing the heart of Japan, has enjoyed unwavering popularity from the Showa era to the present Reiwa period.
In recent years, thanks in part to the resurgence of Showa-era pop songs, classic enka hits have been drawing attention across generations.
So there are surely many people who want to start listening to enka or try singing it at karaoke.
This article is for enka beginners, introducing famous enka songs by male singers that are easy to tackle at karaoke.
While enka does require techniques such as applying vibrato-like kobushi, the songs introduced here are all well-known hits that even beginners are likely to recognize, making it easy to slip into their world.
By the way, we also introduce a version featuring female singers in another article, so be sure to check that out too!
- [Enka] Songs That Are Easy to Sing Even for the Tone-Deaf [Male Singer Edition]
- [2026] Easy Enka Songs Recommended for Karaoke – Male Singers Edition
- [For Beginners] Recommended Enka Classics for Karaoke — Women Singers Edition
- [2026] Recommended for those who find high notes difficult! Enka by male singers that you can sing in a low register
- [Mighty Guy] A Selection of Easy-to-Sing Songs by Akira Kobayashi
- [2026] Easy-to-Sing Enka: From Timeless Classics to Recent Hits [Male Singers Edition]
- A roundup of male enka singers who represent the Showa era
- Classic enka songs you’ll want to sing at karaoke: recommended popular tracks
- [2026] Enka Songs That Are Hard to Sing – Male Singers Edition
- [Sub-chan] A Collection of Easy-to-Sing Songs by Saburo Kitajima [2026]
- [Enka] Songs that are easy to sing even for those who are tone-deaf [Female singers edition]
- Enka songs that are easy for men to sing: a roundup of tracks to try at karaoke
- 【2026】Recommended Enka by Male Singers with Captivating High Notes
[For Beginners] Recommended Enka Classics for Karaoke – Male Singers (21–30)
In every age…Sen Masao
Masao Sen’s classic “Itsunoyo mo…” is known for its orthodox enka-style melody.
The song carries the message that some things remain unchanged even as times change, and perhaps to match that theme, it’s composed with a very straightforward, low-quirk melody.
While it’s full of enka elements, most of the kobushi (melodic turns) and shakuri (scoops) are modest and approachable, making it a song that even beginners or those not yet accustomed to singing enka can handle comfortably.
Chome-chomehoriemonn
This is a song by Takafumi Horie—aka Horiemon—whose unexpected debut as an enka singer made waves.
It was released in January 2025.
One of its charms is the catchy chorus that makes you want to sing along.
The lyrics pack a punch with a message like, “After working up a sweat, let’s cut loose and have a drink!” Coupled with its bright, festive sound, it’s the kind of track that leaves you feeling refreshed.
It’s a perfect number for resetting your mood!
For Beginners: Recommended Classic Enka Songs for Karaoke – Male Singers (31–40)
Calm or stormIchijō Kanta
As the third installment in a series themed around the ocean, this work powerfully depicts fishermen who keep moving forward with unwavering resolve, whether the seas are calm or raging.
The lyrics by Takashi Banjo and the melody woven by Kenji Miyashita blend beautifully, while Kanta Ichijo’s clear, expansive vocals resonate deeply.
Brimming with speed and dynamism, this piece is sure to accompany those standing at a crossroads in life, offering courage to take a new step forward.
The northern city, HakodateKitagawa Daisuke
Daisuke Kitagawa has woven a poignant, adult love story set in a port town.
While richly retaining the nostalgic flavor of Showa-era kayōkyoku, this piece features a tenor saxophone that resonates to great effect, creating a gem of a song where wistfulness and warmth blend beautifully.
Scheduled for release in February 2025, the track is set in Hakodate and conveys feelings for a once-beloved partner now separated, expressed with remarkable vocal prowess.
Interweaving evocative depictions of Hakodate—its brick-lined streets and nightscapes—the song brings a heartfelt yearning for someone precious to the fore.
As a mellow, mature enka best savored alone on a quiet night, it leaves a deep and lasting impression.
I’m heading to Tokyo.Yoshi Ikuzo
The song that catapulted Ikuzo Yoshi to nationwide fame, “Ora Tokyo sa Igu da.” It’s a signature comic song of the enka world, with charming lyrics that humorously depict country life.
While this piece is firmly categorized as enka, it doesn’t feature the elaborate kobushi—those complex pitch bends—typical of more traditional enka.
The Aomori dialect phrasing might take a bit of getting used to, but the song itself is quite easy to sing for an enka number, so it’s well worth adding to your repertoire.
passionate flameYoshi Ikuzo
Ikuzo Yoshi is well regarded for his “onna-uta” (songs from a woman’s perspective), and among them, the track Joen is widely praised as a hidden masterpiece.
While its lyrics and melody exude a poignant melancholy, the vocal line is surprisingly straightforward, with gentle rises and falls in pitch.
There are few kobushi (ornamental turns), and the ones that do appear are often close to an extension of vibrato, so even those who feel uneasy about enka-style phrasing should be able to sing it without issue.
The song stays within a comfortable vocal range, making it easy to sing for both men and women.
Drunken SongYoshi Ikuzo
The song “Suika” has earned extremely high praise from critics.
It can be called a track that changed the history of enka, brilliantly mixing elements of orthodox enka, the Soran-bushi, and smooth jazz.
In particular, the jazzy saxophone showcased in the instrumental break greatly expanded the possibilities of enka.
It’s a piece only possible from Ikuzō Yoshi, one of the few singer-songwriters in the enka world.
Because the chorus incorporates the essence of the Soran-bushi, the kobushi (ornamental melismatic turns) appear more frequently there.
The other sections rely heavily on repetition and feature almost no kobushi, so the overall difficulty is relatively low.
The chorus’s kobushi are also the type that extend naturally from vibrato, making the song approachable even for those who aren’t confident with kobushi techniques.