Recommended ballads for men at karaoke: deliver moving performances with timeless songs that touch the heart.
When it comes to karaoke classics, ballads are a must.
Especially ballads that express a man’s emotions—they’re filled with lyrics anyone can relate to.
From the pain of heartbreak and feelings for someone special, to the resolve you find at life’s crossroads.
We’re here to introduce you to timeless songs that will move your heart.
From tracks you want that special someone to hear, to the one song you want to show off at karaoke, we’ll be sharing male vocal ballads that will resonate with you.
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Recommended ballads for men (21–30)
OH MY LITTLE GIRLOzaki Yutaka
A love ballad that was rediscovered as the theme song for Fuji TV’s 1994 Monday 9 p.m.
drama “Kono Yo no Hate,” and has continued to be loved across generations.
At karaoke, it’s a classic that gets the room gently buzzing when men in their 50s sing it while reminiscing about their youth.
The overall vocal range is D#3 to A4, which should be relatively comfortable for male singers.
If you sing the verses (A and B sections) quietly, almost like speaking, you can instantly set the mood.
The big highlight is the very first chorus.
Take a good breath beforehand and hit it right on cue—you should find it feels great to sing.
Doing an impression can be fun, but by all means try belting it out in your own voice!
Wherever you areONE OK ROCK
ONE OK ROCK’s signature song “Wherever you are.” Since it’s sung as a love song that vows eternity, you’ll want to use falsetto to really bring out the song’s appeal.
That said, the falsetto in “Wherever you are” appears mainly at the beginning.
The song builds toward the latter half, so about two-thirds is sung in chest voice.
If you sing the initial guitar-backed section firmly in falsetto to create contrast, it lands stylishly.
Many people who like rock and band music seem to want to sing ONE OK ROCK.
The high range can be a hurdle, but ballads let you cover the high notes with falsetto, so they’re recommended.
Open your throat and keep the breath flowing steadily!
I can’t say it.Gō Hiromi
A ballad you can sing with a moist, mature allure.
Released in 1994, it became a big hit.
The range itself isn’t very high; if you can firmly nail the G4 in the chorus as an accent, you’ll be in good shape.
Since it’s a relaxed song, it’s easy to rack up points with pitch accuracy, long tones, and vibrato, so you need to take solid breaths and project your voice.
The structure builds clearly from verse (A) → pre-chorus (B) → chorus.
Deliver the A section in a spoken, narrative style, gradually raise the tension in the B section toward the chorus, and then let your emotions burst in the chorus!
Until the World Ends…WANDS
A classic released on June 8, 1994, it became a huge hit as the second ending theme for the anime SLAM DUNK.
It’s a crowd-pleaser that’s especially popular among men at karaoke! When you actually try singing it, the tempo isn’t very fast, so any pitch deviations tend to stand out.
If you’re using scoring mode, it’s important to calmly track the pitch bar.
Also, for the long notes, not matching the pitch bar all the way to the end will cost you points.
If you sing with a grand, liberating feel—really letting your voice out—you’ll find your voice flows smoothly and comfortably.
In any case, it might be best to sing carefully right from the A melody!
Broken RadioTokunaga Hideaki
This was his 10th single and one of Hideaki Tokunaga’s signature songs.
It reached No.
5 on the Oricon Weekly Chart and became a huge hit ballad, selling a total of about 360,000 copies.
He also performed it at NHK’s Kōhaku Uta Gassen in 2006 and 2009, and it continues to be loved across generations.
Many people do impressions of Hideaki Tokunaga, but when you sing it at karaoke, I hope you’ll sing boldly in your own voice! The overall vocal range of the song is F#3 to A4, which may be comfortable for many male singers, but the chorus stays on the higher side, so if you’re not familiar with the song you might end up straining your throat.
It’s very important to keep your throat open and direct your breath toward the notes! Lift those facial muscles and sing with expression!
Get Along Together -Because I Want to Give You My Love-Yamane Yasuhiro
A signature song by Yasuhiro Yamane released in 1993, it was born as a wedding song and has since become a celebrated ballad widely sung as a graduation song and chorus piece.
In karaoke, it’s especially popular among men in their 50s, and singing it with emotion can really liven up the room! While the overall range is relatively calm, there’s a sudden rise in pitch in the chorus, so watch out for that part.
In particular, the “na” consonant line tends to have a nasal pronunciation; when this overlaps with high notes, it can be hard to hit them even if you sing normally.
Be sure to take a good breath and project your voice.
Singing more firmly than you think will help your voice come out comfortably!
365 daysMr.Children
A masterpiece ballad that demands delicate emotional expression and advanced vocal technique, “365 Nichi.” It’s a song where expressiveness, pitch, and falsetto control are crucial.
Many Mr.Children songs have intricately moving melodic lines, and “365 Nichi” is a prime example.
Although it was released in 2010, it was used in the NTT East/West commercials, so many people will find it familiar.
From the A verse to the B verse, the melody is gentle, making it possible to sing each phrase carefully.
From the chorus onward, the melody moves in finer steps, so you need to be very mindful of pitch.
Maintain your breath with diaphragmatic breathing and sing with a clear tone, imagining you’re using your breath efficiently without waste.