[Epic] A Collection of Game Music to Enjoy with an Orchestral Sound
If you’ve found your way to this article, you must be a true game music enthusiast! This is a roundup of game music you can enjoy in orchestral sound.
We’ve focused on staples and well-known tracks.
Performances range from concerts in halls overseas to some that feel like studio live sessions.
Even songs you always listen to can move and overwhelm you when arranged for orchestra, letting you experience a different kind of charm.
It’s also recommended for those involved in wind ensembles and the like who are looking for pieces to perform themselves!
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- [Dragon Quest BGM] Iconic and popular tracks from the Dragon Quest series
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- A collection of video game music I want to perform in a wind ensemble
- [Kirby BGM] Iconic and Popular Tracks from the Kirby Series
- [Game Music] UNDERTALE’s masterpiece. A BGM that leaves a mark on the heart.
- [Masterpiece Classics] A special showcase of gem-like masterpieces so beautiful they’ll move you to tears
- [Animal Crossing BGM] Iconic and Popular Tracks from Animal Crossing
- [Game Music] Splatoon BGM and Popular Songs Compilation
- [2026] Many classic tracks! A compilation of nostalgic Japanese video game music
- Soundtracks that Color the Game [Roundup]: From Classics to the Latest Releases
[Epic] A Collection of Game Music to Enjoy with Orchestral Sound (21–30)
~Opening~Poketto Monsutā

Isn’t this the kind of track that gets any game lover fired up, no matter their age? It’s the opening BGM that’s been used since the very first entry in the globally popular Pokémon series.
That rousing tempo that screams “An adventure and battles are about to begin!”—it’s irresistible, right? It brings back memories of me staring intently at my Game Boy screen.
The composer is Junichi Masuda, a familiar name to series fans and one of the founding members of Game Freak.
In Search of Lost Timesugiyama kouichi

This is the ending theme that is deeply etched in the hearts of players who saw the story of Dragon Quest XI through to the very end.
As a work that could be called the culmination of the series, it is sprinkled throughout with nostalgic melodies from past entries.
It is also included on the album Symphonic Suite “Dragon Quest XI: Echoes of an Elusive Age,” released in January 2018, where the Tokyo Metropolitan Symphony Orchestra’s magnificent performance brilliantly adorned the finale of a long-running adventure.
Please take your time and savor the lingering afterglow of this grand tale!
The hero sets forthsugiyama kouichi

This is the field BGM from Dragon Quest XI: Echoes of an Elusive Age.
After a gentle introduction, a hopeful brass fanfare brightly proclaims the beginning of the adventure.
The soaring string melody that follows evokes both anticipation for the grand journey ahead and a sense of resolve toward the mission at hand.
You can almost picture the hero pressing forward, step by step across the land.
Included on the album Symphonic Suite “Dragon Quest XI” Echoes of an Elusive Age, released in January 2018.
The strong onessugiyama kouichi
This is the battle theme that plays when you face boss-level enemies in Dragon Quest VII: Warriors of Eden.
From the opening, the dissonance and the pounding timpani rolls foreshadow the fierce fight to come and instantly heighten the tension.
It’s not just intense, though—the piece develops into a slightly comical phrase in the latter half, showcasing Koichi Sugiyama’s signature playful touch.
It’s included on the album Symphonic Suite “Dragon Quest VII” Warriors of Eden + Original Soundtrack, released in September 2000.
Green GreensHoshi no Kābi

As the title suggests, can’t you just picture Kirby dashing through green fields? The Kirby series, which drew attention when it celebrated its 30th anniversary in 2022.
“Green Greens” is the piece used in Stage 1 of the very first Kirby’s Dream Land, released for the Game Boy.
Since then, various arrangements have been included across many entries in the series, so many of you are probably familiar with it.
Its bright yet somewhat pastoral tone evokes that pink, perfectly round little body.
When it’s performed with an orchestral sound, it feels moving—almost like you’re listening to Kirby’s history itself.



