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ASIAN KUNG-FU GENERATION Popular Song Rankings [2026]

A four-piece rock band known as ASIAN KUNG-FU GENERATION, or Ajikan.

They’ve gained a wide range of fans—not only rock enthusiasts, but also through frequent selections for anime and movie theme songs.

Here, we’ll present a ranking of their popular songs, so whether you’re an Ajikan fan or someone about to dive into their music, be sure to check it out.

ASIAN KUNG-FU GENERATION Popular Songs Ranking [2026] (41–50)

After the festivalASIAN KUNG-FU GENERATION50rank/position

AKFG – After the Festival 「お祭りのあと」 - Sub Spanish
After the festivalASIAN KUNG-FU GENERATION

It’s a song that gently portrays the end of the night.

The scene, suffused with quiet and loneliness, is expressed with delicate words.

While it conveys feelings of isolation and emptiness, it also carries a fleeting beauty and a glimmer of hope.

Released in March 2017, it reached No.

15 on the Oricon chart.

It is also included on the album “BEST HIT AKG 2 (2012–2018).” The lyrical lyrics and melodic sound, characteristic of ASIAN KUNG-FU GENERATION, are especially appealing.

It’s a track you might want to listen to when lingering in the afterglow of a festival or during a quiet night.

ASIAN KUNG-FU GENERATION Popular Song Rankings [2026] (51–60)

Night divingASIAN KUNG-FU GENERATION51rank/position

ASIAN KUNG FU GENERATION – Night Diving Live
Night divingASIAN KUNG-FU GENERATION

In this song with a beautiful intro, guitarist Kita handles some of the vocals.

There are a few ASIAN KUNG-FU GENERATION tracks where he is the lead vocalist, so be sure to check those out as well.

Bicycle RaceASIAN KUNG-FU GENERATION52rank/position

This is a track from the album “Landmark,” released on September 12, 2012.

It’s an uplifting song that encourages you to follow your own path without being defeated by loneliness or solitude.

In the music video, feelings like confusion, conflict, and fear are likened to a rusty old bicycle, showing it moving forward despite being worn out.

My WorldASIAN KUNG-FU GENERATION53rank/position

Asian Kung-Fu Generation – My World [Live]
My WorldASIAN KUNG-FU GENERATION

It’s a song by ASIAN KUNG-FU GENERATION that seems to capture summer memories and the scenery unfolding before your eyes.

While it has a calm atmosphere with a relaxed tempo, you can still feel the power of the band’s sound.

The lyrics, which incorporate words that strongly evoke summer—like fireworks and the sea—are striking, conveying not only the brightness of summer landscapes but also the fleeting nature of youth that passes in an instant.

It’s a track that conveys a wish to cherish the summertime.

Rewrite (2016 ver.)ASIAN KUNG-FU GENERATION54rank/position

ASIAN KUNG-FU GENERATION “Rewrite (2016 ver.)”
Rewrite (2016 ver.)ASIAN KUNG-FU GENERATION

A four-piece rock band formed in 1996 in the light music club at Kanto Gakuin University, celebrating 25 years together in 2021.

Their rock sound, often categorized as grunge or alternative, combined with straightforward, delicate lyrics that evoke vivid scenes and landscapes, has earned overwhelming support, especially among younger listeners.

Many of their songs pair simple yet robust instrumentation with catchy melodies, making them a rock band whose music naturally draws in even those who don’t usually listen to rock.

March of the LivingASIAN KUNG-FU GENERATION55rank/position

ASIAN KUNG-FU GENERATION 'March of the Living'
March of the LivingASIAN KUNG-FU GENERATION

The song I’d like to introduce as one that stays close to the sense of loss and grief after losing someone dear is “Seija no March” (March of the Living).

It’s performed by the rock band ASIAN KUNG-FU GENERATION.

While they’re known for many up-tempo tracks, this one is a ballad with a laid-back feel that makes you want to listen at night.

Pay attention to the lyrics, which prompt you to reflect on what life is and how precious it is.

I think you’ll feel just a little more positive after listening.

GrasshopperASIAN KUNG-FU GENERATION56rank/position

Asian Kung-Fu Generation’s cover of “Grasshopper.” The intro and other parts largely follow Spitz’s version.

The main sonic differences are the swirling synthesizer and a slightly slower tempo.

But the biggest surprise is that the chorus isn’t sung by Gotch—guitarist Kensuke Kita takes the lead.

This gives it an unmistakable Masamune Kusano-from-Spitz vibe! Originally included on a tribute album, this cover exudes deep respect for the original.