The Dresscodes Popular Song Ranking [2026]

TrashDoresukōzu11rank/position

Dresscodes – Trash (medium version)

After The Mairs’ breakup at the end of 2011, this was the first song officially released as a dresscodes track in July 2012.

With guitar sounds reminiscent of classic Western rock ’n’ roll and Ryohei Shima’s languid vocals, it stands as a signature song from the band’s early period.

True to its title, “Trash,” the lyrics string together self-destructive and pessimistic lines, yet perhaps thanks to its catchy rock sound, it also conveys a defiant, forward-looking spirit—like saying, “We’re not done yet!”

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Hane Keisuke

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Comic GenerationDoresukōzu12rank/position

Short MV of the theme song “Comic Generation” (by the dresscodes) for the film Drowning Love

“Comic Generation” is a signature song by The Mummy’s (Kegawa no Maries), the predecessor band led by Ryohei Shima.

In 2016, it was re-recorded under The Dresscodes name as the theme song for the film Drowning Love.

The track is quintessentially Maries—or, put another way, peak Ryohei Shima world—pairing rock ’n’ roll backing with a disarmingly straightforward declaration of love, the kind of thing that hits you square in the heart whether you’re a fan or not.

At the same time, its melody is catchy and approachable, so it’s likely many people who heard it in the movie found themselves intrigued.

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Hane Keisuke

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tautologyDoresukōzu13rank/position

the dresscodes “Tautology” from SWEET HAPPENING — the dresscodes 2015 “Don’t Trust Ryohei Shima” JAPAN TOUR

Released in 2013, this song became the last single by the original four members.

It features a guitar sound that embodies the Dresscodes’ signature rock ’n’ roll, along with drum fills packed in to the hilt, making for a striking track.

Ryohei Shima’s vocals are more powerful than ever, and you can feel the song’s exploration of “what rock ’n’ roll is” through his voice itself.

In particular, the spoken line just before the second chorus is incredibly cool—it conveys a resolve to live alongside rock, and it’s impossible not to be moved.

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Hane Keisuke

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Happy TogetherDoresukōzu14rank/position

the dresscodes “Happy Together” Audio Video

This work is closely related to Ryōhei Shima of the dresscodes’ autobiography, “Boku Dake wa Blue.” Set to a pop melody, it conveys Shima’s unique perspective and philosophy.

It’s a love song that depicts loneliness and the journey of self-discovery.

It portrays scenes that symbolize the peak of life, hinting at the fragility of dreams and the inevitability of an ending.

You’ll be tightly gripped by the youthful, complex emotions.

Released digitally on October 16, 2024, this track expresses Shima’s inner growth and struggles, making it an important song for fans to glimpse his humanity.

It carries a touch of wistfulness yet looks forward.

An unmissable tune for those who love that kind of worldview and for fans of Japanese rock!

My God, my God, why have you forsaken me?Doresukōzu15rank/position

the dresscodes [LIVE] 'Eli, Eli, Lema Sabachthani' (from 'ID10+ TOUR')

How about an up-tempo, stylish jazz number? It’s included on their sixth album, “Jazz,” released in 2019.

The title means “Why does God forsake me?” The piece has a reckless, devil-may-care worldview, as if singing half in resignation about one’s own flaws.

Yet both the phrasing and the musical vibe carry Shima’s signature sense of chic.

And that vocal style…

it really makes you want to try it at karaoke.

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Araki Jakkan

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SloganDoresukōzu16rank/position

The Dresscodes – Slogan (AUDITION VIDEO)

“Slogan,” included on Audition, released in 2015.

Opening with technical guitar work, this track is a rock number brimming with a sense of speed.

Precisely because of its simple band setup, you can really feel the intent behind each instrument.

Its subtly lo-fi atmosphere evokes post-rock from the UK and Iceland.

The lyrics, literary like tanka or poetry, are also compelling.

It offers encouragement to those who, while struggling through everyday life, refuse to give up on love or on living.

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mutō

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HippiesDoresukōzu17rank/position

the dresscodes – Hippies (LIVE MV short ver.)

This track was included on the Hippies E.P., which was released as a declaration of liberation for dance music.

While its dancehall-like feel differs from their previous rock ’n’ roll style, it was, according to Ryohei Shima, one challenge born from the belief that “with this lineup, we have the potential to take on a wider variety of music.”

Peter IversDoresukōzu18rank/position

The Dresscodes 'Peter Ivers' MUSIC VIDEO

This song, with its pleasantly crisp acoustic guitar tones, was included as the final track on the seventh album, “Bayer,” released in 2021, and was chosen as the theme song for the animated film “On-Gaku: Our Sound,” based on the original work by Hiroyuki Ohashi and directed by Kenji Iwaisawa.

The song bears the name of Peter Ivers, an American musician with a devoted cult following.

It feels as though both the lyrics and the title express a musical culture so expansive and deep that it can’t be neatly summed up by words like “Music is freedom.”

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Araki Jakkan

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Luxury and humorDoresukōzu19rank/position

Dresscodes – Luxury and Humor (STUDIO LIVE VIDEO)

It’s precisely when you feel lonely or isolated that bright, catchy music can give you strength.

“Luxury and Humor,” included on The Dresscodes’ 2015 release Audition, is a song packed with humorous charm.

Its dazzling brass band and pop melodies resonate with a classical flair.

Pay attention to the lyrics that portray real, everyday loneliness and isolation.

The track, which blends the joys and hardships of life, offers a truly unique appeal.

Give it a listen if you’re into music that traces back to the roots of Black music and soul.

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mutō

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Another Girl, Another PlanetDoresukōzu20rank/position

Another Girl, Another Planet / the dresscodes × Shinji Takeda

This is a cover of The Only Ones.

For this live performance, they featured Shinji Takeda on saxophone.

They translated the lyrics into Japanese and added their own arrangement.

While preserving the vibe of UK punk, it gives an impression of heightened punk and rock energy.