Erik Satie Popular Songs Ranking [2026]

Gnossienne No. 3Erik Satie8rank/position

Satie: Gnossienne No. 3 [02_Dark and Sad Classical Piano Piece with Sheet Music and Commentary]

This piece was first introduced in a music magazine in 1893, and its most notable feature is the absence of barlines in the score.

The left hand repeats a quiet rhythm reminiscent of an ancient ritual, while the right hand weaves an elusive melody above it.

Unique directions like “Avec étonnement” (with astonishment) are left to the performer’s interpretation, revealing a different character with each listening.

It was used effectively in the film Yumeji.

The work’s meditative resonance makes it perfect for nights when you want to quietly face the emotions resting deep within your heart.

Three GymnopédiesErik Satie9rank/position

Satie / Gymnopédie No. 1

Since Haydn, Classical and Romantic music typically belonged to major or minor keys and progressed dramatically toward a single focal point.

The first music to change this trajectory emerged from France, and the catalyst was this piece by Satie.

Gymnopédie No. 1Erik Satie10rank/position

Gymnopédie No. 1

Composed in 1888, Erik Satie’s Gymnopédie No.

1 from Three Gymnopédies remains a beloved masterpiece more than 130 years later.

Marked “Lent et douloureux” (“Slowly, with pain”), the piece floats in a gentle triple meter with shimmering major seventh chords, evoking a certain sadness while enveloping the listener in a tender warmth.

In 1897, Satie’s friend Claude Debussy orchestrated it, helping the work gain wider recognition.

In Japan, it has frequently been used in television commercials—by companies such as Shiseido, Ebara Foods, and staffing agencies—so many people may have heard it there.

It has also been selected for figure skating programs.

Listening to it before bedtime or on a night after a tiring day at work can bring a soothing sense of relief, as if the heart is gently lightened.

an eccentric beautyErik Satie11rank/position

Satie — Eccentric Beauty (All 4 Pieces)

Both the title and the piece itself are fascinating.

He was hailed as an iconoclast of the music world, and the works in which he continually adopted innovative techniques were reportedly held in high regard by composers like Debussy and Ravel.

Since this piece was commissioned for a musical dancer, it feels like a living work, almost as if it has words.

It might also work well as background music for end credits, where its expression can really come through.

Erik Satie ~1905~ ChoralErik Satie12rank/position

Erik Satie ~1905~ Choral

This is “Choral” by Erik Satie, a composer born in Honfleur in the French Empire.

Erik Satie was a musician who had a major impact on Western music and was known as an “iconoclast” and an “eccentric” of the music world.

He is said to have influenced fellow French composers Claude Debussy and Maurice Ravel as well.

The way the harmony doesn’t simply settle into a straightforward C–E–G triad is very Satie-like; it’s music akin to his proposed “furniture music”—present but unobtrusive.

It exists, yet blends into the background like a chorale.

Gymnopedie No.1Erik Satie13rank/position

"Gymnopédie No. 1" Erik Satie

Erik Satie is an important musician who bridges classical and modern music, but it cannot be said that he received proper recognition at the time, given his unorthodox ways—such as his belief in an occult order and his reputation as an “eccentric.” He was a genius at the cutting edge of his era.

Je te veuxErik Satie14rank/position

Satie – Je te veux

It is a sweet and romantic piece by Erik Satie.

Characterized by a sensual yet elegant style, it sings of a powerful longing for a lover.

Set to a waltz rhythm, it expresses deep passion for the beloved and serves as a fine example of the “simplicity” and “refinement” that Satie’s music embodies.

Composed in 1897 and officially published in 1903, it was later arranged for solo piano as well.

Often featured in classical concerts and film scores, it is beloved by many.

It’s perfect as background music for a quiet evening with your partner or a leisurely teatime.