Fear, and Loathing in Las Vegas Popular Song Rankings [2026]

I Love Livin’ in the CityFear21rank/position

I Love Livin’ in the City

Formed in Los Angeles in 1977, the hardcore punk band Fear shook the American music scene with their raw aggression and extreme performances.

After appearing in the 1981 film The Decline of Western Civilization, they released the album The Record the following year.

With Red Hot Chili Peppers’ Flea briefly joining in 1983, the band’s influence extended beyond the punk scene.

Lee Ving’s provocative vocals and razor-sharp sound brim with defiance and energy.

Their music questions established values and will strongly resonate with those who seek free expression.

Beyond the EndFear, and Loathing in Las Vegas22rank/position

Fear, and Loathing in Las Vegas – Beyond the End

It starts with a piano phrase that has a mysterious vibe, then goes all-in and suddenly bursts with that unmistakable Las Vegas feel.

The signature chiptune-like sounds, aggressive guitar tones, and catchy melodies really shine.

With well-crafted dynamics, the track keeps you moving from start to finish.

Burn the Disco Floor with Your “2-step”Fear, and Loathing in Las Vegas23rank/position

Fear, and Loathing in Las Vegas – Burn the Disco Floor with Your “2-step”!!

As the title suggests, this track is defined by its four-on-the-floor dance beat.

The rock-tinged guitar arrangement paired with catchy electro phrases sounds incredibly cool.

The chorus features parts you can sing along to, and the sudden half-time section adds a twist—making it feel like it would be a blast to hear live.

Cast Your ShellFear, and Loathing in Las Vegas24rank/position

［PV］Cast Your Shell/Fear, and Loathing in Las Vegas

It’s included on their 4th full album, “Feeling of Unity,” and was also used as a tie-in song for the PC online game CLOSERS.

The vocals begin alongside organ sounds, leading you to expect a calm tone, but then it suddenly accelerates as a barrage of sounds crashes in at full blast.

The energy stays sky-high all the way to the end, delivering an incredible rush of exhilaration.

CrossoverFear, and Loathing in Las Vegas25rank/position

［PV］Crossover/Fear, and Loathing in Las Vegas

A track overflowing with a sense of speed.

It’s included on the second album, “All That We Have Now.” The song’s development is dizzying and it flies by in no time.

With key changes and rhythmic shifts, the vibe keeps evolving within a single track, making three minutes feel like an instant!

Fist for the New EraFear, and Loathing in Las Vegas26rank/position

Fist for the New Era

An aggressive, cool mixture loud rock that comes crashing in like waves.

This work by Fear, and Loathing in Las Vegas was released in June 2024 and drew attention as the broadcast theme song for ABEMA’s “Super RIZIN.3.” Centered on determination and challenge for a new era, it carries a powerful, encouraging message for listeners.

The fusion of electronic elements with heavy guitar riffs is truly electrifying.

It’s a song I especially recommend to anyone who wants to push forward and overcome adversity.

Hey Girl!! Why Not Party Like a Bitch!Fear, and Loathing in Las Vegas27rank/position

Fear, and Loathing in Las Vegas – Hey Girl!! Why Not Party Like a Bitch!?

This track kicks off with an intense drum phrase packed tightly with notes.

In the intro, you can hear vocalist So—usually known for his high tones—singing in a slightly lower register.

With metallic riffs and aggressive shouts, the song showcases a heavier, more weighty side of the band than usual.

Solitude X’masFear, and Loathing in Las Vegas28rank/position

Solitude X’mas

A Christmas track by Fear, and Loathing in Las Vegas, a loud rock band known for their unique style that fuses heavy sounds with electronic elements.

It’s included on their first full-length album, Dance & Scream, released in November 2010, and features English lyrics that depict snowy landscapes, city illuminations, and the bittersweet feeling of waiting for a loved one to return.

The interplay between intense screams and clean vocals, and the explosive jump from quiet sections into pounding drums, is truly breathtaking.

It’s a perfect choice for those who want to hype up a venue with a loud arrangement that stands apart from typical Christmas songs, or for fans of electrocore-style sounds.

Stray in ChaosFear, and Loathing in Las Vegas29rank/position

［PV］Stray in Chaos/Fear, and Loathing in Las Vegas

If anything, this track puts the spotlight on the guitar sound.

In the interlude between the first and second verses, the keyboard and guitar play a unison line, and the synths create a dreamy atmosphere—giving me the impression that their signature style is distilled into this one piece.

Swing It!!Fear, and Loathing in Las Vegas30rank/position

［PV］Swing It!!/Fear, and Loathing in Las Vegas

Up to the last chorus, the keyboard’s synth sounds stand out more than the guitar, but in the final chorus the guitar comes to the forefront.

The guitar and synth sounds are well balanced and distinct, making it a track that even first-time listeners can enjoy without any resistance.