Hachi’s Popular Song Rankings [2026]
Speaking of Hachi, that’s the name Kenshi Yonezu used when producing Vocaloid songs, and his talent really starts here—actually, it’s all packed into this phase, I think.
From composing to creating music videos, he’s someone who can truly do anything.
And at Kenshi Yonezu’s live shows, he sometimes performs songs released under the Hachi name, too.
Here, we’ll introduce Hachi’s popular tracks in a ranking format!
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Hachi’s Popular Songs Ranking [2026] (11–20)
Sandborne Dream-Eating Girlhachi15rank/position

This is the original song that Kenshi Yonezu’s “Yumekui Shoujo” was remade from.
While “Yumekui Shoujo” has a relaxed tempo that really showcases the vocals, this version features a lively, slightly playful melody.
However, its content can be described as poignant and painful.
Enjoy this masterpiece together with its PV, which helps build the world of the song.
Theater Terpsichorahachi16rank/position

From the “Hachi’s charm” intro, it’s a track that makes you feel it right away.
While adorned with beautiful tones, the powerful guitar resonates—this highly distinctive sound pulls us in at once.
The lyrics are very ambiguous, making it hard to grasp any clear meaning.
And yet, true to the title, it puts you in the mood of watching a play.
I know I won’t forget the shocking ending of this performance.
Christmas MorgueHachi feat. Hatsune Miku17rank/position

A gem of a winter song by Hachi feat.
Hatsune Miku, filled with Christmas scenes and a bittersweet longing.
It paints a unique world, depicting two lovers embracing in a snowy landscape and Veronica knocking on the doors of the morgue.
Released in December 2010, this work is the sixth original song put out under Kenshi Yonezu’s Hachi moniker.
Published on Nico Nico Douga and YouTube, it captured the hearts of many viewers.
With vocals that convey warmth even in the cold and a beautiful melody, it’s recommended for those who want to listen quietly on long winter nights.
Ward Room 305hachi18rank/position

“Scary, scary, scary!” That was, without a doubt, my first impression when I heard it.
This song, a self-remake of “In the Rainy City, Balloons Dance with the Devil,” depicts a woman’s pregnancy and childbirth, and how, along with them, she loses her mental balance.
As it focuses on the psyche, the piece is rendered exceedingly ambiguous, eerie, and unstable.
Bouquet and Water Burialhachi19rank/position

This is the title track from Hachi’s first album, “Bouquet and Water Burial.” It’s a song brimming with message, and that message is “I want to disappear.” I want to vanish, to be gone—those feelings are cried out over a quiet, beautiful melody.
Yet the desire to disappear must be the flip side of “I wanted to do this,” “I wanted to be like that”—of unfulfilled wishes.
It’s a song that gently stays beside you in such painful moments.
Mrs. Pumpkin’s Comical Dreamhachi20rank/position

This is a work posted in 2009 by Kenshi Yonezu—who has since become a defining singer-songwriter of the J-POP scene after 2010—under his Vocaloid producer alias, Hachi.
Created in anticipation of Halloween, the track is characterized by a fantastical yet eerie worldview.
Its exhilarating tempo, paired with arrangements that employ off-kilter, irregular-meter-like sway and inventive noise, conjures a liminal atmosphere where dreams and reality seem to intersect.
Through the personified character of Mrs.
Pumpkin, the wry, intentionally ambiguous lyrics blur the line between the ordinary and the abnormal, offering a depth that invites varied interpretations from listeners.
How about picking it as a track to spice up your Halloween party?
Hachi’s Most Popular Songs Ranking [2026] (21–30)
Nilgirihachi21rank/position

The composition is by Hachi, and the lyrics are by Dakishimeta Tonight.
In less than a minute and a half, it paints a remarkably captivating world.
The lyrics are highly fragmented, making it quite difficult to grasp a single coherent story from them.
With its bright, slightly laid-back tone and fragmentary lyrics, it’s a song that evokes a curious feeling—one that is completed by your own interpretation.


