RAG MusicRanking
Wonderful Music Rankings

I Don’t Like Mondays. Popular Song Rankings [2026]

I Don’t Like Mondays.

is a four-member rock band that made its major debut in 2014 and counts many well-known figures among its outspoken fans.

Their unwavering commitment to music production—where they won’t release a song unless every single member is satisfied—and their creative, self-produced approach to live performances and fashion continue to captivate fans.

Here, we present a ranking of popular songs by I Don’t Like Mondays.

I Don’t Like Mondays. Popular Songs Ranking [2026] (1–10)

SINGI Don’t Like Mondays.8rank/position

This song is included on I Don’t Like Mondays.’ album “TOKYO” and was released in 2015.

It was featured in a tie-in commercial for Wedding Park, Japan’s largest review site for weddings and venues, titled “HAPPYYY!!!”.

With its heart-dance vibe, it’s a rhythmic track that makes weddings more fun and will have you wanting to get up and dance.

Do Ya?I Don’t Like Mondays.9rank/position

A performance that evokes 1980s America, bold, high-energy guys, and cool fashion.

It’s a dance tune by the poppy, danceable band “I Don’t Like Mondays.” whose entire worldview is steeped in that vibe.

The black-inspired rhythms are insanely danceable, and the track is packed with playful humor.

It’s such an irresistible dance tune that if you can’t dance to this, what can you dance to?

Plastic CityI Don’t Like Mondays.10rank/position

Beloved by fans as “Aidora,” I Don’t Like Mondays.

self-produce everything from their music to artwork.

Released in February 2020, this track stands out with a funky, danceable sound that evokes the glittering nights of the city.

It seems to depict an adult love story that’s not merely sweet, but tinged with a certain sadness and emptiness.

The fleeting emotions draw you in as they melt into the refined melody and languid vocals.

Also featured as the web commercial song for C COFFEE, the piece appears on the album Black Humor.

It’s the perfect number for quietly gazing at the night view alone and getting lost in your thoughts.

I Don’t Like Mondays. Popular Songs Ranking [2026] (11–20)

SunflowerI Don’t Like Mondays.11rank/position

Sunflower (Produced by Great Good Fine Ok)
SunflowerI Don't Like Mondays.

The song used in the “C COFFEE” commercial featuring Long Monrō, a model and singer from China, is Sunflower by I Don’t Like Mondays.

It’s a digital-only single released in 2020 and a collaboration with the New York artist Great Good Fine Ok.

The track brilliantly fuses digitally crafted synthesizer sounds with a catchy pop melody line.

Sunset GirlI Don’t Like Mondays.12rank/position

A heartfelt song by I Don’t Like Mondays.

that evokes the melancholy of summer’s end.

Like a sky dyed by the sunset, it carries a nostalgic and fleeting atmosphere.

YU’s deeply expressive vocals beautifully capture the bittersweet feelings toward time gone by and the tender memories we hold dear.

Released digitally in August 2024, the track is included on the EP “FOCUS,” commemorating the band’s 10th anniversary.

It’s sure to resonate with anyone who has experienced a summer romance.

A song you’ll want to listen to as the season begins to feel like the end of summer.

Let its familiar, easy-to-listen-to melody guide you as you look back on your own summer memories.

Tokyo ExtrasI Don’t Like Mondays.13rank/position

This work overlays the quiet heartache of a protagonist harboring unspoken feelings in a corner of the city with a winter nightscape.

The lyrics, spun from a lonely perspective—“in someone else’s story, I’m nothing more than an extra”—capture the sadness that exists behind the glitter of the Christmas season with striking realism.

The characteristically groovy sound of I Don’t Like Mondays.

is joined by gospel-style chorus vocals from Azumi Takahashi, the first Japanese winner of the Apollo Theater’s Annual Championship, creating an urgency that feels like a prayer.

Released digitally in November 2020 and later included on the album Black Humor, it’s the kind of song that, when performed at a winter live show, is sure to draw the audience into a hushed, attentive atmosphere.