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Miyoyamazaki Popular Songs Ranking [2026]

Because their band name sounds like a personal name, people often assume it’s a solo project, but Mio Yamazaki is a four-piece rock band.

They create many songs about romance from a woman’s perspective, and it’s true that they’re often discussed alongside the term “menhera.”

However, you could also say that this is proof of just how straightforward and sincere their love is.

Their appeal lies in singing lyrics that any woman can relate to, set to heavy tracks.

In this article, we’ll introduce their songs in a ranking format.

It’s a must-hear playlist we hope both new listeners and longtime fans will enjoy.

Mio Yamazaki Popular Songs Ranking [2026] (1–10)

NoiseMioyamazaki8rank/position

MIOYAMAZAKI “Noise” (TV anime Jigoku Shoujo: Yoi no Togi opening theme)
NoiseMioyamazaki

It was used as the opening theme for the TV anime Hell Girl: Yoi no Togi.

“宵伽” is read as “Yoi no Togi.” Hell Girl has some episodes that are refreshingly cathartic, but also some that leave a bad aftertaste, and even some that make fans themselves go, “Huh?”

This song, which also plays in the pachinko machines, is familiar to those who know the anime.

But I think the melody resonates even with people who don’t.

The lyrics, which push in with “I’m thinking of you—surely you feel the same, right?” are almost scary in their intensity…

The happiest Christmas everMioyamazaki9rank/position

At first you think it’s a poppy Christmas song, but as the track progresses it grows increasingly unsettling.

It’s a song by Mio Yamazaki, a rock band known for their distinctive worldview and musical style, included on their 2014 single “Article 709 of the Civil Code.” The tune is really catchy, but as you follow the lyrics your heart starts to flutter with unease.

I’ll let you check out the content yourself, but it might be worth adding a song like this to your repertoire.

dearestMioyamazaki10rank/position

Mio yamazaki 'Beloved' (Official Music Video)
dearestMioyamazaki

This song is by Mio Yamazaki, a four-piece rock band known for their darker aesthetic, with tracks like “Menhera” and “Civil Code Article 709.” It’s included on their second album, “choice,” released in 2017.

It’s a fast-paced rock number.

While it sings about the importance of falling in love and happiness, the music video is quite shocking.

Be sure to enjoy it together with the song.

Mio Yamazaki Popular Songs Ranking [2026] (11–20)

Song of JusticeMioyamazaki11rank/position

Mio Yamazaki 1st full album “anti-these” track: ‘Song of Justice’
Song of JusticeMioyamazaki

Mio Yamazaki is a four-member Japanese rock band signed to Epic Records Japan.

There is said to be a promotional app themed around Mio Yamazaki’s songs called “Maji-Yami Kanojo” (Seriously-Dark Girlfriend).

In any case, they’re a band with a strong impact.

Article 709 of the Civil CodeMioyamazaki12rank/position

Mio Yamazaki debut single “Civil Code Article 709” lyric video
Article 709 of the Civil CodeMioyamazaki

An unflinchingly vivid major-label debut themed around the text of the law.

It tells the story of a woman who has become a party to a forbidden love, singing of her complex emotions where brazen defiance and a guilty conscience intertwine.

Released in December 2014, the song was later included on the album “anti-these.” The cover featuring Junichi Ishida also drew attention.

If it doesn’t get found out, we’re happy—but what lies beyond that? It’s a track that makes you think deeply about the harsh reality of such a precarious romance and the fragility of the human heart.

Kill meMioyamazaki13rank/position

Mio Yamazaki is a four-piece band centered around vocalist Mio.

As Mio does not show her face and has a mysterious presence, many of the songs she writes are often described as a bit “dark” or “mentally unstable,” and this song, “Kill Me,” also portrays raw, straightforward female emotions.

A notable feature is the abundance of lyrics that make you want to nod along and say, “Yeah, exactly!”

Reason(s) I can’t ask/listenMioyamazaki14rank/position

The song’s protagonist remains in an ambiguous relationship where she can’t even ask when they’ll meet next.

There are so many things she wants to ask the person she loves, but she’s overwhelmed by negative feelings—the fear that asking might make them dislike her, that the answers won’t match her hopes, or that the relationship might end—so she can’t ask anything at all.

Mio Yamazaki’s heartrending voice, singing of the anxieties a woman feels, resonates deeply in the heart.