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MIYAVI Popular Songs Ranking [2026]

MIYAVI is a Japanese rock musician who tours not only in Japan but also overseas.

He boasts a striking appearance that reflects his start as a visual-kei singer, yet he is highly acclaimed as a rock musician and is known as the “samurai guitarist.”

Here, we present a ranking of MIYAVI’s most popular songs.

MIYAVI Popular Song Ranking [2026] (41–50)

The OthersMIYAVI46rank/position

A track that opens with a commanding riff featuring striking string bends.

This phrase, which also appears in the chorus, is cool and highly memorable.

Despite the relaxed tempo, it’s a badass song infused with a rock spirit.

The guitar solo is also noteworthy—it’s hard to believe it’s played without a pick.

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We Can’t Stop It (Rewind)MIYAVI47rank/position

MIYAVI – “We Can’t Stop It (Rewind)” Live in Studio
We Can't Stop It (Rewind)MIYAVI

There are probably many people who want to see MIYAVI play something other than guitar slapping.

For you, I recommend “We Can’t Stop It.” In this track, MIYAVI puts the slap technique aside and mainly plays fingerstyle arpeggios and with a pick.

It’s a guitar-driven song, but the drums are awesome too—be sure to pay attention to them.

Saitō Ayumu
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We Love YouMIYAVI48rank/position

A popular song released in 2006 by the globally active artist known as the “Samurai Guitarist.” Its gentle melody and warm sound embrace listeners.

Hearing a Japanese sing-along at overseas shows is really moving, isn’t it? While he can showcase an intense side, he also treats us to tender, message-driven songs like this.

That’s one of the charms of MIYAVI.

Yoshizaki Keiko
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Señor, Señora, SeñoritaMIYAVI49rank/position

Señor, Señora, and Señorita are Spanish words equivalent to Mr., Mrs., and Miss in English.

As the title is in Spanish, percussion instruments like castanets and the guiro are used, and the guitar solo features rhythms reminiscent of flamenco.

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A Wish for YouMIYAVI50rank/position

It’s a very compelling song with a dramatic musical progression.

The title “A Wish to You” seems to convey the feeling that, when thinking of someone precious who is no longer here, even a god isn’t needed.

The whispered singing parts, as if MIYAVI were right there beside you, are especially striking.

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In this place where even the sunlight cannot reach feat. SUGIZOMIYAVI