Mrs. GREEN APPLE Popular Song Rankings [2026]

VikingMrs. GREEN APPLE57rank/position

Viking

While Mrs.

GREEN APPLE has many orthodox songs, some of their works incorporate elements of folk music.

Among them, the one I especially recommend is Viking.

As the title suggests, this piece blends musical elements associated with Vikings.

It’s not authentic folk music like Viking metal, but that makes it all the more filled with singable phrases.

The key reason it’s easy to sing is its relatively narrow vocal range.

Though the overall range is similar to that of a typical song, within the band’s catalog it’s on the narrower side, so even those who struggle with high notes should find it approachable.

And since it’s not a full-on Viking style, the rhythm is also easy to follow.

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Ryo

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FloriginalMrs. GREEN APPLE58rank/position

Mrs. GREEN APPLE “Floriginal” Official Music Video

Born from the PARFA TUNE project that connects scent and music, this work was released in November 2022 as the B-side to the single “Soranji.” While it weaves delicate words that stay close to loneliness and anxiety, its light, walking-like rhythm creates a forward-looking uplift.

The vocals, which blend inner strength with introspective softness, quietly reflect the feelings that waver between one’s unadorned self and the self one wishes to embody.

Its minimal, looping feel is pleasantly addictive, making you want to listen again and again.

It gently accompanies you on nights when you want to cherish time alone, or when you want to reexamine your sense of self.

Mrs. GREEN APPLE MedleyMrs. GREEN APPLE59rank/position

Mrs. GREEN APPLE Medley

Mrs.

GREEN APPLE, the rock band that launched Phase 2 with a new lineup in 2022, has been on an incredible roll.

Vocalist Motoki Omori’s colorful body of songs and soaring high-tone voice electrify fans at live shows.

It might be fun to compare tracks from different eras—like the Phase 1 hit Aogeto Natsu (Blue and Summer) and Dance Hall, which drew attention in Phase 2 and beyond.

Let this medley be your gateway to diving deeper into Mrs.

GREEN APPLE.

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Hoshino Takashi

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VipMrs. GREEN APPLE60rank/position

Vip

A song with sharp poison and irony hidden beneath a pop, catchy melody.

Included on the mini-album “Variety,” their major-label debut, it was released in July 2015.

The lyrics, which lay bare a disgust at having overrated the other person and a backlash against their hollowness, showcase the keen eye and aggressiveness of a young Motoki Omori.

It’s not just combative—the unique worldview, where beauty and unease coexist, is also compelling.

At live shows, the crowd erupts, leaping in unison at Omori’s cue.

It’s the perfect number for when you’re frustrated with everyday relationships or want to blow off the anger that’s been building deep inside.

Song of HopeMrs. GREEN APPLE61rank/position

Shokinouta

Shoki no Uta, featuring a memorable flute performance by keyboardist Ryoka Fujisawa, closes out the 1st album TWELVE.

It’s a feel-good number with a pop melody and ensemble set to a shuffle beat.

The catchy hook is easy to remember, and since the vocal range isn’t too wide, it’s recommended even for those not very familiar with karaoke.

That said, it’s also a pop tune you’ll want to tackle multiple times to master, as it includes many leaps in pitch and a bouncy beat that can be tricky.

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Hoshino Takashi

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REVERSEMrs. GREEN APPLE62rank/position

Mrs. GREEN APPLE「REVERSE」Official Lyric Video

Mrs.

GREEN APPLE’s masterpiece “REVERSE,” released in 2018.

While Mrs.

GREEN APPLE often delivers bright and refreshing songs, this work is characterized by a somewhat darker message and melody.

The vocal line follows suit, resulting in a calmer delivery.

As a result, the trademark high notes typical of Mrs.

GREEN APPLE appear very little.

Among their songs, this one has one of the narrowest vocal ranges, so be sure to check it out.

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Ryo

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mainspringMrs. GREEN APPLE63rank/position

Zenmai

This is a track included on the major debut mini-album “Variety,” released on July 8, 2015.

It features a refreshing tone and distinctive three-part chorus harmonies by members Hiroto Wakai, Ryoka Fujisawa, and Motoki Omori.

The overall vocal range of the song is quite wide at C#3–D#5, with the range gradually rising from the A melody into the chorus.

Since the song itself has a light, airy feel, the chorus should work fine in either chest voice or falsetto.

If you sing with resonance focused forward from the very start, you’ll likely find the high notes easier.

Try to aim for a thinner, more streamlined tone.

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Kubota Mami

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