Popular song ranking of Tsutomu Narita, a freelance composer known for producing buzzworthy works

Leviathan MagnaNarita Tsutomu22rank/position

Granblue Fantasy - Leviathan Magna BGM - new ver.

Composed by Tsutomu Narita, who handles most of the BGM.

The opening flute, which evokes a sense of Japanese tradition, is very striking.

It has a battle-like sound, and in the game it’s indeed used during combat scenes.

There’s also a game-focused festival called Granblue Summer Fest, where this seems to be a popular track.

The chorus is grand, but midway it shifts into a tense development.

The flute melody returns here as well.

The interplay with the violin melody is another highlight!

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kinya

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Rose QueenNarita Tsutomu23rank/position

Granblue Fantasy - Rose Queen BGM

This is the battle BGM used in the Rose Queen (HL) raid.

The singer is the singer-songwriter Haruka Shimotsuki, who has performed many BGMs and theme songs for fantasy games.

It’s a sound that suits a battle track perfectly—just listening to it gets your adrenaline pumping.

I imagine many players experienced a real sense of tension while playing the game.

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Saitō Ayumu

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Inviolable divine realmNarita Tsutomu24rank/position

Granblue Fantasy - Inviolable Divine Domain - Godguard Brodia

This is the theme song for the character Godguard Brodia, and it’s also used as the battle BGM for the event Brave Ground.

The piece blends the beauty of strings with the power of percussion, exemplified by the timpani.

As the track progresses into the latter half, it grows increasingly valiant, no doubt inspiring courage in many players.

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Saitō Ayumu

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Battle with humansNarita Tsutomu25rank/position

Battle with humans

It’s a very exhilarating battle theme.

As you’d expect from a main quest track, it’s a cool piece that colors important scenes! It doesn’t heavily rely on percussion, but just listening to it pumps you up.

The title also hints at the story in a way, so I bet some people are curious about what kind of scene this track plays in.

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konii

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crisisNarita Tsutomu26rank/position

crisis

This story BGM features tension-laden strings and weighty brass that paint an ominous atmosphere.

It’s included on the album “GRANBLUE FANTASY ORIGINAL SOUNDTRACKS.” The low-end chord work and intermittent percussive hits effectively underscore scenes like the skyfarers’ dire straits and the threat of the primal beasts.

While it blends in naturally during gameplay, listening to the soundtrack on its own brings emotions like “premonition” and “urgency” sharply into focus—making it a recommended track for those who want to heighten their immersion in the story.

Fortress City Albion -The City of Pride, the Wedge of the Covenant-Narita Tsutomu27rank/position

Fortress City Albion -The City of Pride, the Wedge of the Covenant-

This is a grand and elegant orchestral piece that plays as you tour the city of Albion.

Composed by Tsutomu Narita, it was included on the album “GRANBLUE FANTASY ORIGINAL SOUNDTRACK.” The interplay of strings and brass brilliantly captures an atmosphere where dignity and tension coexist.

Its structure is striking, building from a quiet introduction into increasingly rich orchestration, resulting in a piece that combines poised refinement with a spine-straightening sense of tension.

Highly recommended for players who want to relive the story and for anyone who enjoys stately fantasy music.

Battle with the Grand Primal BeastNarita Tsutomu28rank/position

Battle with the Grand Primal Beast

This is the BGM used in battles against the primal beast characters, who often serve as bosses in various story chapters.

Since there are many primals, this track plays repeatedly in the game, so it’s likely stuck in many players’ heads.

With an arrangement where strings and horn sections intricately intertwine, its grandeur and tension perfectly match the game’s atmosphere.

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Saitō Ayumu

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