Junko Ohashi Popular Songs Ranking [2026]

Twilight, My LoveOhashi Junko1rank/position

Tasogare My Love

Junko Ohashi’s 10th single, released in August 1978, is a masterpiece created with lyrics by Yu Aku and music by Kyohei Tsutsumi.

It was chosen as the theme song for the TBS drama “Like a Lion” and won the Gold Prize at the 20th Japan Record Awards.

It also generated significant buzz, reaching No.

2 on the Oricon weekly chart.

Through scenes of summer and winter, the song portrays the subtleties of a man and a woman with a certain poignancy and vivid color.

The winter imagery that conveys a sense of distance between lovers, along with the reminiscence of the warmth brought by a beloved person, resonates deeply with listeners.

It may well prompt memories of past romances or reflections on how one felt at the time.

Silhouette RomanceOhashi Junko2rank/position

Junko Ohashi - Silhouette Romance

A classic ballad that portrays a mature romance with a hint of jazz.

Its standout feature is, above all, the sigh-like vocal delivery.

The way you ease off the voice and blend in breath defines the song’s atmosphere.

The overall range is F3 to C#5; while the chorus reaches some higher notes, you can generally sing it at a relaxed tempo in a composed manner.

If you sing too strongly from the start, you’ll lose contrast with the chorus, so keep the volume around 60% for the first verse.

In the chorus, you might feel tense, but prepare your voice and project it forward with clarity.

When hitting the high notes, think of climbing stairs step by step—this mindful approach helps you build momentum and reach them more easily!

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Kubota Mami

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Simple LoveOhashi Junko3rank/position

Simple Love

Released in 1977, this work incorporates elements of city pop while achieving a refined pop sound.

At the time, music on television was dominated by enka and folk, so its urban character felt fresh and garnered support, particularly among young people in major cities.

It received high praise both domestically and internationally, including a third-place finish at the 3rd Mallorca World Music Festival in 1977.

A pivotal turning point for Junko Ohashi, this piece has continued to be loved across generations, and the recent revival of city pop has brought it new attention from younger listeners.

It’s a highly recommended track for anyone who wants to savor a pleasant, metropolitan atmosphere.

Summer Girl Soniamonta yoshinori / ohashi junko4rank/position

Natsuonna Sonia

A duet by Junko Ohashi and Yoshinori Monta, released in 1983.

As a duet by two singers renowned for their vocal prowess, it’s a track where you can enjoy overwhelmingly powerful twin vocals.

It delivers a blazing performance that truly embodies a “Summer Woman!!” vibe.

The soulful vocals are absolutely stunning.

It might be difficult for most people to sing like the original artists, but by all means, sing your heart out and blow away the summer heat!

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Kei Takahata

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Dancin’Ohashi Junko5rank/position

JUNKO OHASHI-Dancin’

This is a track by Junko Ohashi whose solid, authentic sound faithfully inherits the lineage of foundational P-Funk and disco-funk, making it worthy of leading Japanese dance music.

Its steadfast, no-frills approach along a cool, mature line makes it a masterpiece that resonates perfectly with male listeners.

Farewell SongOhashi Junko6rank/position

Wakare Uta / Miyuki Nakajima

We couldn’t find a recording by the original singer, so this will be Junko Ohashi’s performance.

For people in their 50s, it was the era that shifted from folk songs to New Music, and when it comes to heartbreak songs, Miyuki Nakajima’s songs are second to none.

A notable feature this time as well is that, although the performers may differ, many of the songs were written by Miyuki Nakajima.

Personally, for breakup songs, I like “Akujo” and “Hitori Jouzu.” The sharpness of her depictions—how she can express cruelty to the point of utter despair—is truly the mark of a genius.

telephone numberOhashi Junko7rank/position

Junko Ohashi (大橋純子) – Telephone Number

Speaking of Junko Ohashi, she’s one of the stylish and cool singers of the Showa era, isn’t she? While Ohashi is strongly associated with “Silhouette Romance,” here’s a song she released in 1981.

The opening where the phone number is repeated and her refreshing high-tone voice are really cool.

After this song came out, the first mobile phone was released in 1985—one of those very large, shoulder-carried types.

Thinking about that, this song also brings to mind the historical background of telephones.

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Hirakawa Masako (Bōkarisuto: Sakata Mizumako)

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