Quruli Popular Songs Ranking [2026]
Since their 1998 debut, Quruli, a group from Kyoto, have continued to release albums that explore a wide range of musical styles.
Transcending eras and beloved by people of all ages and backgrounds, we’d like to delve into the charm of Quruli alongside some of their most popular songs.
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Quruli Popular Songs Ranking [2026] (31–40)
hot springkururi36rank/position

It’s a blissfully slack, unwind-your-muscles kind of track—like turning the feeling of a long, relaxing bath at the end of the day into music.
It’s included on the album “Kotoba ni Naranai, Egao o Misete Kure yo,” released in September 2010.
Created in Kyoto by a three-piece lineup of Kishida, Sato, and drummer bobo.
Highly recommended when you’re worn out from daily life and want to clear your head and refresh.
Its unadorned sound gently warms your chilled body and heart.
California coconutskururi37rank/position

With a pleasant rhythm reminiscent of 2000s indie rock and lyrics themed around memory and distance, this song resonates deeply.
It’s included on the album “Kankaku wa Michishirube,” released in October 2023, and was pre-released digitally in August of the same year.
Featuring Ryusei Yokohama, it drew attention as the Koikeya “Pure Potato” commercial song that began airing in September.
The warm soundscape crafted by Quruli’s original members in Izu is perfect for moments spent thinking of someone special.
Reguluskururi38rank/position

Featuring Ayaka Tatono of Homecomings as a guest, this work captivates with the layering of Kishida’s singing voice and clear, transparent vocals.
The chamber music-like sound, employing French horn and bassoon, brings a gentle warmth to the heart.
Released in October 2025 as the second installment of a four-month consecutive project, it was also included on the album “Twelve Fleeting Yet Beautiful Variations.” It’s a song you’ll want to savor slowly with a warm drink in hand.
THANK YOU MY GIRLkururi39rank/position

As a rock band from Kyoto, Quruli has continued to be loved for their genre-defying sound.
Featured near the end of their March 2002 album THE WORLD IS MINE, this track is a moving number where Shigeru Kishida’s sentimental melody and richly layered choral work strike straight to the heart.
While it hints at an impending farewell, the lyrics—framed by a straightforward English title that conveys gratitude to the other person—leave a bittersweet yet warm afterglow.
Fans also know that the guitar solo in the interlude pays homage to a classic by Oasis, and within its brief runtime the band’s aesthetic is distilled to its essence.
It’s a celebrated song that was also included on the 2006 best-of compilation TOWER OF MUSIC LOVER, and one you might find yourself quietly returning to during seasons of parting or new departures with someone dear.
There is(always light) / Quruli-There is(always light)kururi40rank/position

This is Quruli’s 28th single, a track included on their 11th album, THE PIER.
It was used as the theme song for the film Mahoro Ekimae Kyosokyoku.
The song is pop and has a somewhat mysterious feel.
The music video is also very beautiful and captivating.
Quruli Popular Songs Ranking [2026] (41–50)
glory dayskururi41rank/position

It’s included as the 19th track on the 10th album released in 2012, “Crucible of Voltage.” It’s an over-seven-minute epic that quotes lyrics from “Everybody Feel the Same,” “Bara no Hana,” “Rock’n’Roll,” and “Tokyo.” The music video was filmed at Usuiso Beach in Iwaki, Fukushima Prefecture, the same location as their signature song “Bara no Hana.” Words like “TEPCO” and “KEPCO” might give you a start.
It’s a song of encouragement directed toward both the past and the future.
A kangaroo with an ideakururi42rank/position

There are many songs in the world, but one that is particularly easy to sing is “Kangae ga Aru Kangaroo” (“The Kangaroo With an Idea”).
It was featured on the music program Minna no Uta.
The rock band Quruli handled the composition, arrangement, and vocals.
The song depicts a kangaroo that seems to have some deep thoughts.
The pitch stays constant throughout and there aren’t any big climactic parts, so it’s easy to sing.
It’s also nice that it’s short—about two minutes and twenty seconds.


