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RADWIMPS Cheer Songs and Popular Songs Ranking [2026]

Their many years of activity and work on popular movie soundtracks have made them known to an even wider audience.

Their live performances also seem to be highly regarded.

This time, from among their many songs, we will focus on their motivational/cheering songs and present them in a ranked format.

RADWIMPS' Cheer Songs and Popular Song Rankings [2026] (21–30)

TummyRADWIMPS29rank/position

This is a song filled with deep love from a man who’s about to become a father—slightly clumsy, yet heartfelt.

It stands out for its unique perspective: singing with a touch of jealousy toward the baby in his partner’s belly for monopolizing the mother’s attention.

While he envies the baby who already knows a world he hasn’t seen, his warm anticipation for the day they meet overflows.

Featured on the album ‘X to O to Tsumi to’ released in December 2013, this track is one to be heard not only by those about to become parents, but also by expectant mothers—listening while feeling their partner’s love.

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tinplateRADWIMPS30rank/position

Released on March 11, 2013—the second anniversary of the Great East Japan Earthquake—this is RADWIMPS’ song in support of recovery.

It’s a slow-tempo ballad that begins with a quiet piano arpeggio, deliberately holding back any flashy rock sound.

The arrangement is striking in how it lets each word and Yojiro Noda’s vocals sink deeply into the heart.

Rather than offering a straightforward “Let’s do our best” kind of encouragement, the lyrics consistently stand beside the weight of what was lost and the wounds that have yet to heal.

This work is the second installment in the band’s “3.11 Series,” created in remembrance of the disaster, and in 2021 it was included on the album 2+0+2+1+3+1+1=10 years 10 songs.

Proceeds have been donated to support natural disaster relief efforts through organizations such as the Japanese Red Cross Society.

The song was also used as the ending theme for Daisuke Shimada’s short film Tadaima.

Even for those who did not experience the disaster firsthand, it offers a chance to reflect on one’s own way of engaging with it.

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