Kazuyoshi Saito Popular Songs Ranking [2026]

Chianti’s SongSaitō Kazuyoshi29rank/position

Chianti's Song

This piece suddenly brings back memories from when I was little.

“Kanty no Uta” was originally the ending theme of the anime Andersen Monogatari, which aired starting in 1971, and Saito covered it.

It’s included on her 20th album, 202020, released in 2020.

Perhaps because of the soothing melody and vocal work, I naturally find myself reflecting on life, overwhelmed with emotion.

If we’re going to perform it, I’d like to sing as gently as possible to capture that atmosphere.

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Araki Jakkan

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tremoloSaitō Kazuyoshi30rank/position

tremolo

If you want to make a moist, mature ballad your own, this is the song for you.

Tremolo is a track from the twelfth album, I ♥ ME, released in 2007.

It’s a heartfelt love song that pairs gently swaying guitar sounds with Saito’s tender vocals, drawing you in with its clear, transparent atmosphere.

As it’s a ballad, the melody is, of course, on the relaxed side.

You should be able to sing it calmly while seated.

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Araki Jakkan

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Where shall we go?Saitō Kazuyoshi31rank/position

Kazuyoshi Saito — Where Shall We Go

A philosophical song that seems to say it all in the very first line: “We think about where we’re headed tomorrow.” Then, in the second line, “More than that, let’s enjoy tonight more than anyone,” it immediately spoils that mood—in a way that feels very much like Secchan, I suppose (lol).

And even after enjoying tonight more than anyone, we still end up thinking about where we’re headed tomorrow—and we end up forgetting it, too.

Dramatic momentSaitō Kazuyoshi32rank/position

Kazuyoshi Saito – Dramatic Moment [Music Video Short ver.]

Judging from the title, it’s dramatic, and the tone of the song is dramatic and serious as well.

From the lyrics, it seems the “dramatic moment” might be when the singer thinks, “I realized I’m not alone.” But in the latter half, there’s the line, “Don’t let this feeling change; don’t let it change again so soon.” It makes me wonder whether the “moment when this feeling changes again so soon” is, in fact, the dramatic moment.

She / her / girlfriend (context-dependent)Saitō Kazuyoshi33rank/position

Kazuyoshi Saito - She (Acoustic Version) Cover

The sense of loss that accompanies heartbreak is an almost universally human emotion, and when you add a man’s clinging regret to it, the output tends to be nothing but pathetic.

But that’s where Kazuyoshi Saito is different.

By using the moon—often considered a symbol of madness—as a motif, he turns it into a magnificent work of lyrical poetry, elevating it into art; it’s nothing short of a divine song.

In particular, the bridge line “I can’t hear the goodbye from that day” is a stunning turn that gives you goosebumps, evoking a kind of catharsis in anyone, regardless of gender.

Tomorrow, my favorite rock ’n’ roll band is coming to this town.Saitō Kazuyoshi34rank/position

Kazuyoshi Saito – Tomorrow, my favorite rock ’n’ roll band is coming to this town / THE FIRST TAKE powered by ASAHI SUPER DRY

Singer-songwriter Kazuyoshi Saito, who has released numerous timeless hit tunes such as “Aruite Kaerou” and “Utautai no Ballad,” has penned a new song for Asahi Super Dry × THE FIRST TAKE collaboration web commercial Vol.

3, titled “Tension & Release: Kazuyoshi Saito.” The track, “Ashita Daisuki na Rock ’n’ Roll Band ga Kono Machi ni Yattekurunda” (“Tomorrow, My Favorite Rock ’n’ Roll Band Is Coming to This Town”), features a funky ensemble that really sticks in your ears.

The way he downs a beer after the recording may make even those who don’t drink think it looks delicious.

It’s an emotional CM song where his smoky vocals resonate with the beer’s bittersweet taste.

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Hoshino Takashi

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The Far Side of the MoonSaitō Kazuyoshi35rank/position

Kazuyoshi Saito – The Far Side of the Moon [Music Video Short ver.]

Singer-songwriter Kazuyoshi Saito’s “The Far Side of the Moon.” A ballad that begins quietly with piano and vocals, its gentle singing voice seeming to seep softly into the heart.

Then, in a complete turn, it grows gradually more dramatic toward the chorus, and with powerful strings, it suddenly plunges into another world—a mysterious song indeed.

It’s as if you’re flying to the far side of the moon.

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Housui Sachiyo

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