Sharam Q Karaoke Popular Song Ranking [2026]

single bedSha ran Q1rank/position

Sharam Q “Single Bed” (Music Video)

The song “Single Bed,” renowned as one of the great ballads of the Heisei era, is also a signature work of Sharam Q and is still frequently sung at karaoke today.

Its range spans mid1 C# to mid2 G#, so it’s not extremely low, but because the more energetic phrases can be delivered with a rich lower–mid register, it’s a piece that lets men with lower voices showcase their appeal.

Using the hiccup vocal technique further enhances a masculine quality, so give it a try for reference.

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Ryo

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Sly womanSha ran Q2rank/position

Sharan Q “Sly Woman” OFFICIAL MUSIC VIDEO

A signature song by Sharam Q that captures the feelings of a man betrayed by a cunning woman.

Released in May 1995 as their seventh single, it became the band’s biggest hit.

It was also used as the ending theme for Fuji TV’s “Imada Koji no Shibuya-kei Ularingo,” winning the hearts of many.

The lyrics, which depict the pain of heartbreak and complex emotions, paired with a catchy melody, are irresistibly appealing.

Sing it at karaoke during class reunions or year-end parties with people of the same generation, and it’s sure to liven up the atmosphere.

A must-listen for anyone who spent their youth in the ’90s.

The Song of Koike, the Ramen LoverSha ran Q3rank/position

Sharan Q – Ramen Daisuki Koike-san no Uta (ORIGINAL PV) [1991]

You can’t help but wonder, “Who’s Koike?”—that’s the feeling this song gives you: Sharam Q’s ‘Ramen Daisuki Koike-san no Uta’ (Koike Who Loves Ramen).

The track is included on Sharam Q’s first album, ‘Sakuretsu! Henachoko Punch,’ released in 1992.

“Koike-san” refers to the ramen-loving character Koike who appears in manga like ‘Obake no Q-tarō,’ and the song was created with that character in mind.

Even if you don’t know Koike-san, it’s a fun tune with a chorus you’ll find yourself singing along to.

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utatane

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excuseSha ran Q4rank/position

Sharan Q 'Excuse'

One of Sharam Q’s biggest hit singles and a signature song.

Its lyrics portray the miscommunication and lingering feelings in romance with both humor and poignancy, resonating strongly with young people at the time.

Singing Sharam Q at karaoke inevitably gets everyone hyped! Tsunku’s distinctive slightly nasal tone really sets the mood.

If you’re not used to a nasal delivery, it can throw off your pitch, so I recommend not overthinking it and projecting your voice firmly.

Especially in the chorus, singing out strongly adds contrast and makes the song sound cooler overall!

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Kubota Mami

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Taxi driverSha ran Q5rank/position

Taxi driver

Sharan Q is a band that has produced numerous hit songs, led by tracks like “Single Bed.” While they’re often associated with classic, mainstream tunes, they actually have some quirky works too.

One of those is “Taxi Driver.” This song was created as the opening theme for the talk segment of the popular comedy show “Downtown no Gaki no Tsukai ya Arahende.” With lyrics written by Hitoshi Matsumoto, it features exceptionally unique lines.

Give it a try at karaoke!

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Ryo

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Until My Babe-kun falls asleepSha ran Q6rank/position

Sharam Q “My Babe Until You Fall Asleep”

Sharan Q is a band that gained popularity for its original musicality, combining the essence of kayōkyoku with rock.

They’re well-regarded for their ballads, and among them, “My Babe Kimi ga Nemuru made” is especially recommended as an easy song to sing.

The vocal range is quite narrow, from mid1 C# to mid2 G#.

They frequently use a technique called ‘hiccup’ at the start of each phrase, so mastering this will quickly elevate the overall quality.

Give it a try for reference.

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Ryo

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Tokyo StorySha ran Q7rank/position

Tokyo Story

Among Sharam Q’s songs, “Jo-Kyo-Mono-Gatari” especially leans into rock.

From the intro, it keeps building with a cool, hype-raising melody.

The overall vocal range sits at F#3–A4, which is comfortable for many male singers.

Since the high notes don’t continue nonstop, it should be approachable even for those who feel less confident about singing.

That said, there’s a part in the chorus where the pitch jumps up.

If you project firmly there without hesitation, your voice won’t catch in your throat.

Aiming to put out about twice as much voice as you think you need might be just right.

It’s a great song for strengthening your chest voice, so not only in the chorus but also in other phrases, sing with a crisp, articulate delivery to really sound cool.

It’s a track that’ll make you feel the joy of singing!

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Kubota Mami

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