Aiya Shimazu Popular Songs Ranking [2026]

Mother-Koi Return BoatShimazu Aya31rank/position

Mother-Koi Return Boat

Aya Shimazu’s early song “Haha Koi Modori-bune” (“Mother-Love Homeward Boat”).

Starting with a powerful opening, this piece is a textbook example of enka, featuring many instances of kobushi—the signature enka ornament—throughout.

Songs heavy on kobushi might seem difficult, but in this case the kobushi generally involves just one or two quick pitch bends up or down, so it doesn’t reach the formidable difficulty of folk-song style.

In addition, there are few long sustained notes, so for singers accustomed to enka, this should be on the easier side.

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Enka SakuraShimazu Aya32rank/position

Enka Sakura

This is a powerful yet elegant song brimming with the charm of AYA Shimazu, renowned for her overwhelming vocal prowess.

As the title suggests, the lyrics compare cherry blossoms to the path of enka—and to life itself—expressing her resolve to pursue her art alongside scenes from her hometown of Kumamoto.

Although the track was released as the B-side to the single “Jinsei Ni-Shō Ippai” in January 1999, it has maintained enduring popularity among fans and was even included on the 2023 album “Shimazu Aya Zenkyokushū,” showing how deeply it continues to be loved.

Like cherry blossoms that bloom resplendently after enduring hardship, the song conveys a strength that seems to fill you with energy for tomorrow.

If you’re looking for enka that gives you a helpful push as spring arrives, be sure to give it a listen.

white magnoliaShimazu Aya33rank/position

white magnolia

Ayako Shimazu’s masterpiece “Shirakobushi” opens with a striking intro featuring beautiful humming.

While this piece leans more toward kayōkyoku than enka, it also incorporates elements of folk music.

Folk typically features simple vocal lines, and this song embraces that aspect as well.

The shout right before the chorus is the tricky part, but since there are no complex pitch shifts or kobushi (melismatic ornaments), anyone accustomed to singing enka should be able to handle it without trouble.

Consider adding it to your repertoire.

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Mihonoseki Tide SongShimazu Aya34rank/position

Aya Shimazu [Miho-no-Seki Tide Song]

Mihonoseki, located in Matsue City, Shimane Prefecture, is a historic port town.

The famous Aya Shimazu sings an enka song themed around Mihonoseki.

The gentle flow of the melody, combined with Shimazu’s powerful voice, beautifully conveys the majesty of the sea.

As a flower, as a personShimazu Aya35rank/position

Aya Shimazu “As a Flower, As a Person” Music Video

A moving piece beloved by fans, “Hana toshite Hito toshite.” This work showcases Aya Shimazu’s expansive vocals, but aside from those soaring parts, there aren’t any especially difficult points.

It leans more toward kayōkyoku than traditional enka, and it wouldn’t be an exaggeration to say it has strong pop elements, so you won’t have to wrestle with the intricate kobushi (melismatic ornamentation) typical of enka.

The range is somewhat wide, so be sure to adjust the key to suit your own vocal range before giving it a try.

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Destiny ~At Last, the Angel Turned This Way~Shimazu Aya36rank/position

Destiny ~At Last, the Angel Turned This Way~

Aya Shimazu is known for her overwhelming vocal prowess as an enka singer, but she also takes on pop covers and, unexpectedly, works on catchy tunes as well.

Among her songs, the one I especially recommend is “Unmei ~Yatto Tenshi ga Kocchi o Muita~” (Fate ~At Last, the Angel Turned This Way~).

This piece is not enka; it strongly leans toward kayōkyoku, and there are no kobushi (the intricate ornamental turns) that require complex technique.

While it does call for powerful vocals incorporating shouts and steady long notes, these are far easier compared to kobushi, so for those who are fairly familiar with enka, it might feel like a relatively easy song to tackle.

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A-un FlowerShimazu Aya37rank/position

Aya Shimazu “A-un no Hana” Music Video (full ver.)

Aya Shimazu is known for having many songs that incorporate kayōkyoku and pop.

Those songs are certainly easy to sing, but I think many people also want to sing solid, traditional enka.

That’s why I recommend Aun no Hana.

This piece prominently features kobushi (the characteristic enka vocal ornament), giving it a strong enka flavor.

However, the kobushi sections are relatively manageable, so the overall difficulty isn’t very high.

For those who struggle with kobushi that require frequent pitch bends up and down, this is a very singable song.

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