Karaoke Recommendations for Women in Their 60s: Popular Western Music Artist Rankings [2026]

FunkytownLipps Inc61rank/position

Lipps Inc. – Funkytown (1980)

A number that reached No.

1 on the U.S.

singles chart in 1980 by Lipps, Inc.

The unit’s name is said to be derived from “lip sync,” meaning lip-synching in English.

Many people probably danced to this “Funkytown” at discos back in the day.

The LocomotionLittle Eva62rank/position

Little Eva – Loco-motion(1962)

A number released by Little Eva in 1962, composed by none other than Carole King.

Carole King herself later self-covered it in 1980, and then Kylie Minogue covered it in 1987, making it a revival hit.

It’s a very upbeat number that’s sure to get everyone going.

Sad AngelMary Hopkin63rank/position

Sad Angel / Mary Hopkin — Those Were The Days / Mary Hopkin

Mary Hopkin’s debut song, known for being produced by Paul McCartney.

It became a worldwide hit, spawning cover versions in many languages, and in Japan it was covered by numerous singers—so it’s likely everyone has heard it at least once.

The uniquely wistful melodic line reflects the song’s roots in a Russian folk tune.

Love HolidayMichel Polnareff64rank/position

Love’s Holiday / Michel Polnareff — “Holidays” / Michel Polnareff

The first half of the 1970s was a truly vibrant time for French pop.

Even if you didn’t speak French, I bet many people traced the katakana ruby printed in music magazines and sang along as best they could.

This song is relatively easy too, so even if you don’t understand French, no problem—just sing it by feel.

Flower of San FranciscoScott McKenzie65rank/position

San Francisco (Be Sure to Wear Some Flowers In Your Hair)

A song said to have been created to promote the 1967 Monterey Pop Festival (this Monterey fest was, for its time, the largest outdoor event, drawing 200,000 people over three days, with an all-star lineup.

It’s also famous for legendary performances by Jimi Hendrix and Janis Joplin, whose astonishing vocal power amazed and overwhelmed audiences).

A track that epitomizes the late-’60s Flower Movement.