Popular Song Ranking of Mariko Takahashi [2026]

JunTakahashi Mariko8rank/position

Jun

Mariko Takahashi’s classic song “Jun.” It’s a piece that portrays a heartbreak with a man named Jun, and the melody is just unbearably, achingly sad.

From a musical perspective, however, the song features a very singable vocal line, so it’s well worth remembering if you aim for the emotive vocal style of Showa-era pop.

The contrast between the chorus and the verse is very clear, making it a great recommendation for those who want an easy-to-sing piece to train their dynamics.

Be sure to add it to your repertoire.

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Ryo

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FriendsTakahashi Mariko9rank/position

Mariko Takahashi “Friends” live footage

“Friends,” the 29th single chosen as the theme song for the third season of the TV drama Hamidashi Keiji Jounetsu-kei.

The ensemble, featuring a wistful piano melody and strings, creates a sense of melancholy.

With its relaxed tempo and generally narrow vocal range, it’s easy to sing; however, watch out for sudden interval leaps so you don’t slip off pitch.

If possible, try incorporating edge voice to get closer to the original vibe—give it a shot!

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Hoshino Takashi

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Last MailTakahashi Mariko10rank/position

Last Mail

The song “Last Mail,” included on the 26th album Method.

Its lyrics depict memories stirred by an email from a former lover, something many listeners will likely empathize with based on their own experiences.

Although the tempo is relaxed, the melody moves dramatically, making it hard to stay in the groove—so focus when singing it at karaoke.

The vocal range isn’t very wide, so if you keep the key points in mind and sing calmly, it’s a pop tune that should be relatively approachable to tackle.

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Hoshino Takashi

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I want to soar through your sky.Takahashi Mariko11rank/position

Mariko Takahashi “I Want to Fly in Your Sky” live footage

The 1st single “Anata no Sora o Tobitai” was released as her solo debut after leaving Pedro & Capricious.

Chosen as the image song for the Seibu Distribution Group, its intro has a clear, floating quality that really sticks in your ears.

Overall, the key is a bit high and the melody moves a lot, so it’s not easy, but the vocal range itself isn’t very wide—so try to sing it calmly.

If the key just doesn’t suit you at karaoke, adjust it to a comfortable setting before giving it a try.

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Hoshino Takashi

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Waves of micaTakahashi Mariko12rank/position

Mariko Takahashi “Waves of Mica (Kirara no Nami)”

The song “Kumo-no-Nami” is included on the 32nd album, Katharsis.

It is also featured on the best-of album Takahashi Senshuraku, released on August 26, 2020.

This is a ballad notable for its ensemble of only vocals and piano.

While not particularly difficult due to its low key, narrow range, and slow tempo, the sparse melody means you need to be careful not to rush the rhythm.

Because the backing is only piano, the vocals stand out, making it a number I highly recommend to singers confident in their abilities.

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Hoshino Takashi

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Eternal FishTakahashi Mariko13rank/position

Eternal Fish

The song “Eternal Fish,” included on the 14th album Pretend.

The intro opens with a spacious guitar arpeggio that ties in with the track’s overall clarity and its emotional vocals.

The melody has large pitch swings and sits relatively high, so it’s not easy, but because the rhythm of the melody is relaxed, it’s also a good choice for your karaoke repertoire.

It’s a sentimental ballad that I’d love you to sing with Mariko Takahashi’s expansive vocal style in mind.

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Hoshino Takashi

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AphroditeTakahashi Mariko14rank/position

Aphrodite (Monologue Version)

A signature early song by Mariko Takahashi.

Released in August 1980 and bearing the name of the goddess of love and beauty, this work sings of a blazing passion on a grand scale.

Motifs in the lyrics such as flames and the cross evoke a sacred, irresistible sense of fated love.

The sound builds dramatically from a quiet opening to the chorus—truly breathtaking.

It also reached living rooms as a Glico commercial song, and is included on the album Monologue and later the best-of compilation Takahashi 40 Years.

It’s the perfect number when you want to savor a majestic, stirring world and Mariko Takahashi’s exceptional expressiveness.