Mariya Takeuchi’s Most Popular Songs Ranking [2026]
Mariya Takeuchi is a singer who is supported by a wide range of generations for her universal musicality and powerful vocals.
Her songs are also popular at karaoke because they are easy to sing.
So this time, we’ve put together a ranking of Mariya Takeuchi’s most popular songs for karaoke.
- Karaoke Popular Song Ranking of Mariya Takeuchi [2026]
- A special feature on Mariya Takeuchi’s best songs: a must-hear collection of masterpieces for both longtime fans and first-time listeners.
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- Yumi Matsutoya’s Tearjerkers: Best Cry-Inducing and Popular Songs Ranking [2026]
- [For People in Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- [Tearjerker] Songs that make your heart tremble with tears & moving tracks with lyrics that touch the soul
- Miki Imai’s Most Popular Karaoke Songs Ranking [2026]
- Arai Yumi’s Most Popular Karaoke Songs Ranking [2026]
- Mariya Nishiuchi’s Most Popular Karaoke Songs Ranking [2026]
Mariya Takeuchi’s Most Popular Songs Ranking [2026] (71–80)
Lonely WomanTakeuchi Mariya71rank/position
Released on November 18, 1996 (Heisei 8).
Featured in the TBS drama “Gimu to Engi” (“Duty and Performance”).
Based on Makiko Uchidate’s novel and starring Yuko Asano, it followed the popular pattern of the time: dramas watched by working women.
The lyrics vividly portray the emotional push-and-pull between men and women.
It peaked at No.
13, with sales of 166,000 copies.
Summer MontageTakeuchi Mariya72rank/position

This song is Mariya Takeuchi’s self-cover of a track she originally wrote for Mitsuki Takahata.
Takahata’s clear, soaring voice is wonderful, but when Mariya sings it, it somehow takes on a different feel—imbued with a calm, mature allure and a touch of sensuality.
It’s fascinating how that changes the impression.
Seriously Only You (Let’s Get Married)Takeuchi Mariya73rank/position

It’s a classic that seems made for weddings, opening with an intro that quotes Mendelssohn’s “Wedding March.” The proposal words, written entirely in English, resonate as a straightforward message of love.
Included on Mariya Takeuchi’s April 1984 album “VARIETY,” the song was produced by Tatsuro Yamashita.
It’s also well known that Ryuichi Sakamoto took part in the intro performance, and that it was used as the image song for Kagome’s “Libera” in 1984 and as a Nissan “Cefiro” commercial song starting in August 1994.
Brimming with a happy atmosphere, it would be perfect to play during the entrance at your reception or for the cake-cutting scene.


