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Popular Vocaloid divine songs [Vocaloid Ranking]

We present the latest Top 100 from the popular Vocaloid karaoke rankings, ordered by most views!

If you’re looking for emotional banger “god-tier” tracks that are huge on Nico Nico Douga and YouTube, you’ll find them here!

Vocaloid songs are becoming modern staples, but they still don’t get much exposure on TV or radio, so information can be hard to come by.

Check out the newest tracks and use them as a reference for your next karaoke session!

The playlist is updated every week!

Popular Vocaloid Divine Songs [Vocaloid Ranking] (21–30)

collapse; fainting spell (colloquial/slang)iyowa22rank/position

“Kyuukurarin” by Iyowa was released in August 2021.

This work delicately portrays the feelings of a high school girl who, despite carrying heartbreak, unrequited love, and self-loathing, strives to move forward.

It is also included on the album “Watashi no Heritage.” The song has been featured in multiple rhythm games such as CHUNITHM and Project SEKAI, gaining widespread popularity.

Because it’s a track with many derivative works like cover-singing videos, many of you have probably heard it.

It’s perfect as BGM for school festivals and cultural festivals where you want to share the joys and bittersweet moments of youth!

Just Be FriendsDixie Flatline23rank/position

The bittersweet dance beat of “Just Be Friends.” Since the tempo isn’t too fast, it’s easy to sing at karaoke.

Among Vocaloid songs, the melody line is very simple, and the fact that it doesn’t feel so typically “Vocaloid” might also make it easier to sing.

It’s a dance track that makes your body want to move, so lightly riding the rhythm while you sing will help you relax and make it easier to stay on pitch.

Be careful not to move too exaggeratedly, or you’ll throw off the groove! Also, singing as if you’re speaking in a polite, outward-facing voice will help keep your pitch stable, so it’s recommended!

The Disappearance of Hatsune MikucosMo@bousou P24rank/position

The Disappearance of Hatsune Miku (THE END OF HATSUNE MIKU) – cosMo@Bousou-P
The Disappearance of Hatsune MikucosMo@bousou P

One of the signature works by Vocaloid producer cosMo@BousouP, released in April 2008.

It features an ultra-fast melodic line and an overwhelming piano riff, astonishing listeners with an expression that surpasses human singing.

The lyrics, which depict the very moment when the existence known as Hatsune Miku fades away, leave a deeply heartrending impression.

It wouldn’t be an exaggeration to say this track helped shape the early days of the Vocaloid scene.

Give it a listen when you want to challenge your own limits!

Hated by LifeKanzaki Iori25rank/position

Known as a “dark” song, ‘Inochi ni Kirawarete Iru’ is famous.

Mafumafu has a well-known cover, and Kanzaki Iori also sings it himself.

The pitch gap between the A and B verses and the chorus is extreme, so be careful not to strain.

If chest voice is difficult when singing, don’t push it—use falsetto skillfully.

The overall vocal range is C3–A4, and because each melodic section occupies a clearly defined range, it’s easier to anticipate pitches and lock in.

Keep your eyebrows raised, stay primed to project, and before singing, visualize the notes—raise your hand to help you find the pitch, then sing!

Donut holehachi26rank/position

Hachi – Donut Hole 2024, HACHI – DONUT HOLE 2024
Donut holehachi

It’s well known that Hachi is Kenshi Yonezu.

In this version of Donut Hole, Yonezu does a self-cover an octave lower, so male singers might find it useful to use that as a reference.

For female singers, listening to Hachi’s version—sung an octave higher—should make it easier to grasp.

When singing, be mindful to add thickness to your voice step by step from the A section to the B section to the chorus.

Also, since the tempo is fast and the delivery is quite quick, rather than enunciating every word crisply, aim to lightly trace the melody line.

SenbonzakuraKurousa-P27rank/position

Wagakki Band / Senbonzakura
SenbonzakuraKurousa-P

It’s one of those Vocaloid songs so famous that it almost needs no introduction! Composed by Vocaloid producer Kurousa-P, it sparked a huge boom when it was released in 2011.

It was used in a Toyota commercial, and Sachiko Kobayashi even performed it on the Red and White Song Battle, making it a Japanese-style rock number known even to people who don’t usually listen to Vocaloid.

Back then, the wildly passionate fan slogan “Let’s make this our national anthem” became a hot topic online.

It’s an indispensable work when talking about the history of Vocaloid.

from Y to YJimii Samu P28rank/position

This is a ballad centered around the piano, captivating for its delicate emotional expression.

Released in 2009 by JimmySam-P, the piece carefully portrays feelings toward a former lover and a sense of loneliness.

The progression from a quiet intro to a gradual swell of emotion is masterful, and the expansion into the higher register in the chorus is deeply moving.

If you’re dealing with the pain of heartbreak or have experienced parting with someone important, why not try singing it?