Eikichi Yazawa Popular Songs Ranking [2026]

A DAYYazawa Eikichi8rank/position

A DAY

If you want to fall asleep to a slow ballad, my top recommendation is Eikichi Yazawa’s “A DAY.” It’s the title track from his second album, released in 1976.

While Eikichi Yazawa is widely seen as an eternally cool rock ’n’ roller, his ballads like this one and “Jikan yo Tomare” are also wonderful.

This love song moves at a gentle tempo throughout, with a soothing, wave-like sway that makes it perfect before bedtime.

It’s often chosen from that perspective, which speaks to its high sleep-inducing effect.

Close your eyes and listen, and you’ll feel time slow down even more.

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KEI

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Fill it in blackYazawa Eikichi9rank/position

Black It Out from SUBWAY EXPRESS

When it comes to Japan’s quintessential rock ’n’ roller, you can’t leave out Eikichi Yazawa.

The single he released in 1977, “Kuroku Nuritsubuse” (“Paint It Black”), is a high-velocity rock ’n’ roll track that was also included on his album “Doa o Agero,” which reached No.

2 on the Oricon charts.

Listening to Yazawa’s powerful vocals makes your self-doubt vanish and makes you feel like you can do anything.

In 1998, he self-covered the song on the album “SUBWAY EXPRESS,” remaking it with a modern sound that incorporates synthesizers and more.

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Hamada Takuya

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Asian SeaYazawa Eikichi10rank/position

Asian Sea Eikichi Yazawa

The song “Asian Sea,” included on the 14th album Tokyo Night, is striking for its nostalgic atmosphere, characterized by a wistful ensemble and vocals.

While there are some high-tone parts, the overall key is low and the tempo is relaxed, making it approachable even for those who aren’t confident singers.

In karaoke, try to channel Eikichi Yazawa’s husky voice; it’s a great pick when you want to sing something cool and mature.

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Hoshino Takashi

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YES MY LOVEYazawa Eikichi11rank/position

YES MY LOVE / Eikichi Yazawa

Among Eikichi Yazawa’s songs, this piece is especially known for being easy to sing.

It was released in July 1982 and was also used as a Coca-Cola commercial song.

Combining strength and familiarity, it’s a popular karaoke staple.

The lyrics portray the fragility of a brief romance, expressing the cycle of meetings and farewells.

Its melody, which makes the most of the low–mid range, creates a pleasant resonance, making it a great choice for those who want to add depth to their voice.

Practicing with attention to the rests between phrases will lead to a better performance.

ChinatownYazawa Eikichi12rank/position

Eikichi Yazawa has produced many classic songs over the years.

There are likely many men in their 60s who have been fans since the Carol era.

Among his tracks, one I especially recommend is Chinatown.

The song’s vocal range is relatively narrow, from mid1 B to mid2 G#.

If you’re just following the pitch, it should be quite manageable.

However, because Yazawa employs a shout-infused singing style, trying to imitate that can make the difficulty skyrocket.

So, rather than sticking too closely to the original, aim to sing it in a comfortable key for you.

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Ryo

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In the shade of the palmYazawa Eikichi13rank/position

In the shadow of palm trees — Eikichi Yazawa & MIAMI VICE

The song “In the Shade of the Palms,” included on the 12th album E’, features a husky vocal laid over a light, upbeat sound and rhythm, creating a soulful atmosphere reminiscent of Black music.

Its narrow vocal range and relaxed tempo make it relatively easy to sing, but be careful not to slip off pitch due to the characteristic leaps from Eikichi Yazawa’s signature shouts.

It’s a bittersweet number that’s perfect to add to your repertoire when you want to sing something cool and gritty at karaoke.

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Hoshino Takashi

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Dry MartiniYazawa Eikichi14rank/position

Eikichi Yazawa “Dry Martini” 2007 ver. Guitar Cover

With lyrics by Takashi Matsumoto and music composed by Eikichi Yazawa himself, this song is a blues rock number with a breezy shuffle rhythm that feels great.

The protagonist’s dandyism—facing the lover of the present moment without being bound by the past—really resonates.

The track appears on the album “Anytime Woman,” released in June 1992.

Reuniting after 17 years, Matsumoto’s lyrics evoke a sweet scene of a couple nestled together by a hotel window.

It’s a chic, sophisticated mood that suits a city nightscape.

Listen to it on an evening spent with someone special, and it just might create an even more romantic atmosphere.