Yorushika Karaoke Popular Songs Ranking [2026]

First NightNEW!Yorushika36rank/position

The First Night

“First Night,” a ballad included on Gentō, is a beautiful song that poignantly captures summer scenes and memories.

The world crafted by the piano melody and Suis’s clear, transparent vocals is truly wonderful.

It has a charm that makes a special, inexpressible feeling slowly well up from ordinary, everyday moments.

I recommend letting it wash over you alone on a summer night.

You’ll surely be reminded of the power music holds.

Please give it a listen!

Ghost in the FlowersNEW!Yorushika37rank/position

Yorushika – Ghost in a Flower (OFFICIAL VIDEO)

It’s the theme song for the feature-length animated film “A Whisker Away,” released digitally in April 2020.

Among Yorushika’s songs, it doesn’t have a high vocal range and feels calm, so it’s easy to sing even if you can’t hit high notes.

If you think you’re tone-deaf and tend to lose track of surrounding sounds while singing, try covering one ear as you sing—it might help.

That way you can hear your own voice more clearly and get a rough sense of what pitch you’re producing.

It’s best to do this while playing the original track.

Even just knowing whether you’re on pitch or off will make it easier to match the melody.

Take your time and give it a try!

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Kubota Mami

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Hanagimi (Flower Court Bureau)NEW!Yorushika38rank/position

Yorushika Live: “Hanabito-guruma / Spring Thief”

“Hanagumimai” is a track from the artist’s second major full-length album, “Tosaku,” released in 2020.

The album reached No.

1 on the Billboard album chart and ranked No.

2 on Oricon.

The song portrays a man left behind after a woman leaves home, and its lyrics poignantly capture his loneliness.

It’s a mid-tempo rock tune, with a memorable octave phrase played on the piano in the chorus.

Be sure to try singing it at karaoke!

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Hamada Takuya

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MadderNEW!Yorushika39rank/position

Madder

This song was created using a poem from Shimazaki Tōson’s collection Wakana-shū as its motif.

It was newly written as the theme song for the theatrical film The Dangers in My Heart, released in February 2026.

Its nostalgic arrangement, colored by the sound of the erhu, and its literary lyrics that depict scenes at dusk have a deeply moving charm that resonates with listeners.

It’s an emotionally rich rock tune you’ll want to listen to while taking a walk at twilight.

Please take your time and give it a careful listen.

Indigo squaredNEW!Yorushika40rank/position

Yorushika – Blue Squared (Music Video)

A track from the rock duo Yorushika’s first full-length album, “Therefore, I Quit Music.” The challenging part of singing this song isn’t just the chorus, where the melody moves up and down intricately; it’s actually making sure your singing and voice don’t get buried in the A melody section, which is built mostly around slightly lower notes.

For the high notes, it should be fine if you use falsetto well and switch smoothly with your chest voice, so try finding a key that makes the low parts comfortable to sing.

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Kei Takahata

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Say it.NEW!Yorushika41rank/position

Yorushika – Say It. (Music Video)

A poignant song themed around unspoken feelings and regret.

It’s included on the first mini-album, “Natsukusa ga Jama wo Suru,” released in June 2017.

The lyrics recount the thoughts of “me,” who has lost a loved one, addressed to “you,” featuring n-buna’s literary writing and suis’s transparent, airy vocals.

The music video combines line-drawn animation with live-action in a distinctive visual style, and surpassed 100 million views on YouTube in July 2021.

It’s a track that resonates deeply with anyone who has experienced heartbreak or parting.

When singing it at karaoke, conveying your emotions can truly move your listeners.

fall from favor; leaving the capital in disgrace (metaphor for a decline in status or being sidelined)NEW!Yorushika42rank/position

Yorushika – Downfall from the Capital (OFFICIAL VIDEO)

A song by Yorushika released in April 2023.

Regarding the mixed voice in this track, it’s used very effectively, especially in the brief moments where the pitch suddenly rises—most notably around the A-melody parts—to express a gently airy high tone.

This is not a head voice that relies on nasal resonance like typical falsetto; instead, try practicing by aiming the voice broadly toward the entire upper palate.

Since the sections using mixed voice are very short, I think this song is also useful for practicing smooth transitions between vocal registers.

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Kei Takahata

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