Evolution never stops! Masterpieces of VOCALOID released in the Reiwa era
Since the debut of Hatsune Miku in 2007, Vocaloid culture has seen explosive growth.
While there are passionate fans, you also hear comments like, “Isn’t it just a machine singing?”
However, considering that singer-songwriter Kenshi Yonezu started out as a Vocaloid producer, and singer Ado began as a cover vocalist of VOCALOID songs, it’s fair to say Vocaloid is an undeniable presence in today’s J-pop scene.
So this time, we’ll introduce Vocaloid tracks that have evolved in the Reiwa era.
Whether you’re a longtime fan or someone new to the scene, this is a must-check!
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Evolution never stops! Masterpiece VOCALOID songs released in the Reiwa era (41–50)
Do something about it.ekushii

This piece by Vocaloid producer Excy, released in February 2026.
It was originally a track included on the album “Lidroise,” distributed in October 2025, and its electronic sound centered on artcore really sticks in your ears.
The dramatic progression woven by the hard-edged rhythms and synths is sure to move listeners.
The lyrics, which lay bare emotional vulnerability, are also striking.
Be sure to enjoy it while feeling the low end!
Evolution never stops! Masterpiece VOCALOID songs released in the Reiwa era (51–60)
Maksiukyōhoshi

The way the story unfolds—rain gradually opening up into a starry sky—sets my heart ablaze.
It’s a track by Vocaloid producer Makishiu Kyo, releasing in February 2026.
Kasane Teto SV’s humanlike vocals and a pop sound tinged with melancholy resonate comfortingly.
The lyrics have a profound finish, as if revealing the paths people walk and the way the world is shaped.
If you’re questioning the days that just seem to repeat, or you want to pause and think on a quiet night, listening will gently give you a push forward.
Playing at being immortalPinokio P

Set to a bright, bouncing beat, this addictive piece paints the cruelty of reality with a cynical touch.
Created by PinocchioP, a Vocaloid producer who captivates listeners with a unique worldview, the track was released in January 2026.
It also serves as the opening number of the album “UNDERWORLD,” released the same month.
The theme is brilliant: expressing the bravado of “pretend play,” where we keep dancing through everyday life with a straight face no matter how hurt we are.
It’s a song where clarity and murkiness coexist—one I especially want people to hear if they’re feeling a little worn out by daily life yet still forcing a smile to get through it.
Phonky Donky CrazyChenomio

It’s a Vocaloid track with an overwhelming sense of speed and addictive energy! Created by the Vocaloid producer unit Chenomio and released in January 2026.
The crazy sound arrangement—melding a sticky, phonk-style bass with a bouncy donk bass rhythm—is absolutely top-tier.
Combined with Kasane Teto’s sharp vocals, it sends listeners’ excitement through the roof.
The lyrics’ worldview—like surfing through ever-shifting trends and a flood of information—is exhilarating, radiating a power that makes even the noise of modern society feel enjoyable.
It’s the perfect song for laughing off your daily frustrations.
In conclusion
This time, we introduced VOCALOID songs born in the Reiwa era—what did you think? VOCALOID has evolved into a culture Japan can proudly present to the world, with creators known as Vocaloid producers (Vocalo-P) generating hit songs every day both domestically and internationally. We hope this serves as a springboard for those who aren’t yet very familiar with it to dive in even deeper.


