Songs with titles that start with “Sa”: a roundup you can use for shiritori or karaoke
What songs come to mind with titles that start with “Sa”? In this article, we’ll introduce songs whose titles begin with “Sa,” which are handy for games like song-title shiritori or karaoke with letter restrictions.
When you think of “sa,” many people picture sakura (cherry blossoms) that bloom beautifully in spring—and along with that, there are countless songs that have “sakura” in their titles.
Starting with the power word “sakura,” we’ve gathered a variety of songs whose titles begin with “sa.” Be sure to check them out and use them in different situations!
- A compilation of Vocaloid songs with titles that start with 'Sa'
- Masterpieces with titles that start with 'A'
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
- Songs that start with “se”. Use them as references for shiritori or choosing tracks for karaoke!
- A roundup of songs that start with “So.” Perfect for word-chain games or picking karaoke tracks!
- A roundup of songs with titles starting with “Re.” Great for karaoke shiritori too!
- Songs that start with the letter “Shi.” Perfect for shiritori or karaoke!
- A compilation of Vocaloid songs with titles that start with 'Su'
- Songs with titles that start with “Za.” Great for karaoke and shiritori!
- A roundup of Vocaloid songs with titles starting with “Shi”
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- A big roundup of Vocaloid songs starting with 'So'! From mega-hits to hidden gems, all introduced at once
- Recommended for cherry-blossom viewing season! Classic sakura songs and spring tunes
Songs whose titles start with “Sa.” A roundup you can use for shiritori and karaoke (161–170)
Silent SnowflakesOtomachi Una
A Christmas song sung by Otomachi Una, whose delicate vocals are as intricate as snowflakes.
Its charm lies in a beautiful melody that quietly layers like softly accumulating snow and feelings kept in the heart.
Though only 1 minute and 24 seconds long, the piece distills the stillness and warmth of winter.
It’s a song that makes you want to gaze at the glittering, dancing snow and bask in memories with someone special.
Why not listen to it when you want to calm your mind?
Summertime CinderellaRyokushokushakai
Among Ryokuoushoku Shakai’s songs, “Summertime Cinderella” has a relatively calm vocal range.
There are occasional high notes, but you don’t really need to belt them.
However, the tempo is a bit brisk at 143 BPM, so it’s important to really lock into the rhythm.
The lowest note, F#3, appears at the end of the first verse, and it’s a spot where pitching can be quite tricky.
What you should keep in mind is to keep your eyebrows lifted at all times! Not just in the low parts—if you sing with your eyebrows raised throughout, it becomes much easier to hit the pitches, so I highly recommend it.
For low notes in particular, try to project the voice in front of your eyebrows so the sound doesn’t get muffled and can resonate.
It’s not too difficult, so be sure to keep this in mind when you sing!
SufferOkazaki Taiiku
Male singer-songwriter Taiiku Okazaki, who has gained popularity with his unique lyrics and catchy melodies.
He’s also highly popular among male listeners and has produced many classic songs, but among them, “Suffer” is especially recommended.
For an Okazaki song, it’s unusual in that it’s rooted in punk rock, featuring melodies that lean toward hardcore punk within the punk genre.
Assuming you sing it full-throttle with some shouts mixed in, it’s a perfect pick for karaoke among male friends.
March 9Fujimaki Ryota
Music that gently wraps the days we spent together and our cherished memories is perfect for the start of graduation, isn’t it? This is the solo version by Ryota Fujimaki of the song Remioromen released in March 2004.
Set to a calm tempo, it portrays the radiance of a new beginning.
Through images of cherry blossoms that come to mind when you close your eyes and metaphors of light illuminating the future, it conveys not only the sorrow of parting but also the feelings of setting off on a journey filled with hope.
Originally written to celebrate a friend’s wedding, it became widely known as an insert song in the 2005 Fuji TV drama “1 Litre of Tears.” This version was released in 2017 as part of Ryota Fujimaki’s solo work.
If you pair it with a message of gratitude or a memory video with friends, it may make those irreplaceable moments even more moving.
subculture girlKyūso Nekokami
Kyuso Nekokami is a five-piece rock band from the Kansai region.
Featured as the second track on their December 2012 album “Daiji na Oshirase,” this song rattles off urban lifestyle signifiers—thick black-rimmed glasses, can badges, opening up a Mac at Starbucks—to playfully skewer the craving for approval and overactive self-consciousness.
Riding a danceable beat, its rapid-fire “relatable moments” make you want to shout “So true!” while also prompting a self-deprecating “That might be me…” at the same time.
It’s the perfect track for karaoke with friends or a girls’ night, when you want to laugh together by turning each other’s cringey sides into a joke.
PlayPerfume
This piece was written as the theme song for the 2019 film “Murder at Shijinsou.” It’s a grand, emotional track that sings of embracing every step of the past and resolutely being reborn into the future.
And indispensable to discussing this song is the video, which lip-syncs using footage from every MV since their major-label debut.
The sight of Perfume’s very history being reconstructed is breathtaking and deeply moving.
When you face difficulties, this song will lend you strength.
The Third PartnerŌe Senri
It conjures up a nostalgic scene where you can almost see a brass band parade, and it tightens my chest.
I’m drawn into a bittersweet yet romantic mood that captures a fleeting moment with an unexpected partner at a dance party in our youth.
The detail of the record needle skipping and throwing the order off highlights the sparkle of a fateful encounter and leaves a strong impression.
This piece was included on the single “BOYS & GIRLS,” released in March 1984, and can also be heard on the album “Pleasure” from the same year.
It has that distinctive Chisato-style pop sensibility paired with a slightly wistful melody—an intriguing charm.
If you listen to it while overlaying it with memories of your school days, I think those fresh feelings from back then will come rushing back.