Recommendation of Scary Music: That Song That’s Actually Frightening
One facet of music as an art form is that it can evoke fear—just hearing it can send chills down your spine.
In this article, we’re spotlighting a range of pieces under the theme of scary music.
From classic horror movie theme songs to classical music at the core, plus rock and popular music, we’ve curated a wide selection! Some tracks might not seem particularly scary when you’re just listening, but once you learn the backstory, they suddenly become terrifying… You might make discoveries like that.
Be sure to check it out!
- A spine-chilling scary song: masterful tracks that evoke fear and eerie recommended songs
- Actually scary nursery rhymes. Children's songs that give you the chills once you understand their meaning
- A fearsome and beautiful masterpiece: Themes from terrifying film scores
- Disgusting music. A classic of Japanese pop/rock.
- [Dark Side] Songs with scary lyrics. Tracks that make you shiver with chilling phrases.
- [So touching it makes you cry] A heartbreakingly wistful and sad song that tightens your chest
- BGM for a haunted house. Scary music.
- Chills down your spine. A collection of Vocaloid songs that are scary but irresistibly listenable.
- A roundup of love songs themed around homosexuality and LGBTQ+
- Anime songs to listen to on Halloween: Theme and insert songs from anime about yokai and ghosts
- A spine-chilling, terrifying song. Japanese music that evokes madness and horror.
- [Classical] Recommended classical music perfect for Halloween
- “Song of War”: A classic that sings of the tragedy and folly of war
Recommendation of Terrifying Music: Actually Scary Songs (31–40)
Grim Grinning GhostsBuddy Baker

The theme played in the Disneyland attraction “Haunted Mansion.” It was created by Buddy Baker, who handled a great deal of Disney music, including Winnie the Pooh.
The music perfectly matches the attraction’s setting of a mansion inhabited by 999 ghosts, and it likely brings back nostalgic memories for many.
The idea of basing it on country music makes it a very interesting piece as well.
Chrome Plated Megaphone of DestinyFrank Zappa & The Mothers of Invention

A piece composed by the American maverick guitarist Frank Zappa, inspired by Franz Kafka—the Czech writer famous for absurdist novels like The Metamorphosis and The Trial—and based on his short story In the Penal Colony.
It is a surrealist work of music that depicts the human mind, and as you listen, it fills you with a growing sense of unease.
It’s a haunting performance that suggests the scariest thing of all may be the human subconscious.
The music video is eerie as well.
In the House, In a HeartbeatJohn Murphy

The theme song from the 2002 British film “28 Days Later.” Directed by Danny Boyle, it portrays the lives of survivors in a devastated city where a virus that attacks the brain turns people violent.
The score throughout is by John Murphy; though the melody is simple, centered on piano and guitar, it aptly captures the desolate, depopulated landscape of London.
Go for it!Nakajima Miyuki

This is a bold and ambitious work by Miyuki Nakajima that portrays people who keep moving forward even as they face the unreasonable realities of society.
It delivers a powerful message to those confronting challenges such as educational discrimination, violence, indifference, and sexism.
It was included on the album “Yokan” released in March 1983, and was re-released as a single in May 1994.
Since then, it has been featured in commercials such as Sumitomo Life’s “Winning Life,” and in 2020 as UNIQLO’s “HEATTECH” CM song, continuing to resonate with many people across generations.
However, the lyrics immediately before the first chorus in this work depict a chillingly realistic portrayal of human cruelty.
Solaris ThemeEdward Artemiev

The main theme from Andrei Tarkovsky’s Russian film Solaris.
The music is by Eduard Artemyev, known as the father of electronic music in the former Soviet Union.
This piece is an electronic rendition of Bach’s “Jesu, Joy of Man’s Desiring (BWV 639),” and its austere, eerie melody suits the film’s theme—where the darkness of the human heart takes form—very well.


