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Sekitori Hana’s classic and popular songs

Singer-songwriter Hana Sekitori, who rose to prominence in the music scene after performing at Senkou Riot, a music festival exclusively for teenagers.

She’s also known for having been a member of PlayYou.House, the predecessor of the a cappella group Goose house.

Her songs, featuring the warm tones of an acoustic guitar and her gentle vocals, have a way of moving the heart—bringing both inspiration and comfort.

In this article, we’ll introduce a selection of must-listen tracks, including her signature and most popular songs—perfect for anyone listening to her music for the first time.

Sekitori Hana’s Masterpieces and Popular Songs (21–30)

Farewell, Cotton GirlSekitori Hana

Hana Sekitori - Farewell, Cotton Girl (Live) 2016/8/23
Farewell, Cotton GirlSekitori Hana

A track included on the 1st album “If I Could Meet That Girl in the Golden Sea.” It conveys the feeling of loneliness that comes when someone you loved has changed.

The person I adored has already changed.

The you I knew is gone now, isn’t it? Haven’t you ever felt the same way?

shooting starSekitori Hana

This is a track included as the sixth song on the first album, “If I Could Meet That Girl in the Golden Sea,” released in September 2015.

I was moved when I heard it—amazed that just a voice and a single acoustic guitar could draw you into a song this deeply.

It’s a piece that seeps into your whole body.

Song for young people who keep moving forward in the Lipovitan D commercialSekitori Hana

This is footage from the web-exclusive short film series “To the Young Who Keep Moving,” which began in 2017.

The lead role is played by Kenta Suga.

The music is by Hana Sekitori, whose popularity is rapidly rising and who has been making waves with guest appearances on variety shows, among others.

The Last BlueSekitori Hana

Hanabusa Sekitori – The Last Blue
The Last BlueSekitori Hana

It’s also the song used in the Kobe Women’s University commercial, and from both the lyrics and the music video, it purely makes you feel how wonderful youth is.

At the same time, it’s a track that makes you want to cherish your present self and the things you hold dear even more! It’s an acoustic guitar-and-vocal performance, but Sekitori Hana’s beautiful singing voice really shines through, and the gorgeous sound is so soothing.

not particularlySekitori Hana

Hana Sekitori - Betsuni (Not Really)
not particularlySekitori Hana

Hana Sekitori is a singer-songwriter from Yokohama, Kanagawa Prefecture.

Her childhood years spent in Germany have had a significant impact on her distinctive musical style.

She won the Special Jury Prize at Senkou Riot 2009, and drew attention with her emotive, powerful vocals and acoustic guitar-driven solo performances.

She has pursued a wide range of activities, including contributing songs to NHK’s Minna no Uta and performing at the Fuji Rock Festival.

Beginning with the raw edges of teenage emotion and continually seeking out her own authentic sound, Sekitori’s music captivates many fans with melodies that resonate and messages that speak to the heart.

Not bad.Sekitori Hana

Hanawa Sekitori “Not Bad” MUSIC VIDEO
Not bad.Sekitori Hana

Singer-songwriter Hana Sekitori has gained popularity for her deeply affecting musicality.

Her voice is perfectly described as rounded and warm, and you can always hear the emotion in her slightly lower-range vocals.

Among her songs, the one especially recommended for women with lower voices is “Warukunai” (“Not Bad”).

Reminiscent of Miyuki Nakajima’s style, it features richly resonant mid-to-low phrases throughout every section, from the verse to the chorus.

The vocal line is very simple, making it an easy song to sing as well.

MapleSekitori Hana

This is a version sung by Hana Sekitori, whose powerful yet gentle voice is striking, performed as an acoustic guitar solo.

Her vocal strength truly shines in the chorus of this song, and its soaring quality is captivating.

The first verse is played with arpeggios, and from the second verse onward with strumming, dramatically shifting the impression within a single track to convey the song’s story.