Famous guitarists who use semi-acoustic guitars, known for their elegant looks and highly adaptable sound.
The semi-acoustic guitar, often called a “semi-acoustic” or “semi-hollow,” boasts an elegant, almost handcrafted look and a tone that sits between a solid-body and a hollow-body guitar.
Its history goes back to 1958, when Gibson introduced the legendary ES-335.
Since then, guitar makers have released countless models up to the present day.
“Semi-acoustic” isn’t the name of a single model but a term for a construction style, so each brand offers its own compelling lineup.
We’ve highlighted master guitarists who wield the semi-acoustic across a wide range of genres, including rock, blues, jazz, and fusion.
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With elegant looks and highly adaptable sound, here are famous guitarists who use semi-hollow guitars (21–30)
Kotaro Furuichi

I’m a Japanese musician and actor, and I play guitar for THE COLLECTORS.
I’m often called “Ricken-kun” because I frequently play a Rickenbacker, but I also use instruments like semi-hollows and models from Teisco.
Alvin Lee

Alvin Lee, who served for many years as the frontman of the English blues band Ten Years After.
His sharp playing and mature vocals captivated music fans around the world.
Although he sadly passed away in 2003, his sound still lives on in people’s hearts.
Elegant looks and highly adaptable sound make them irresistible: Famous guitarists who use semi-acoustics (31–40)
Otis Rush

The southpaw bluesman Otis Rush favored a Gibson semi-hollow.
He would simply flip a right-handed guitar over without even restringing it and play it left-handed.
He was quite dexterous, and maybe that’s part of why he achieved that distinctive, syrupy playing style.
The Edge

U2, the superstar band born in Ireland.
Their guitarist, The Edge, is a player of Gretsch semi-hollow guitars.
Given The Edge’s playing style, it feels like there wouldn’t be much difference no matter which guitar he uses, but he’s definitely a player who looks iconic with a Gretsch in his hands.
In conclusion
There’s something elegant not just in the look of semi-hollow guitars, but even in their model names—ES-335, ES-355, White Falcon, Nashville, Tennessee Rose, and so on.
Unlike full acoustics (fully hollow bodies) mainly used in jazz, and unlike solid-body guitars without any cavities typically used in rock, the semi-hollow is a kind of hybrid of the two.
Thanks to their broad versatility, they’ll continue to support guitarists across today’s diverse and increasingly specialized music scenes.

