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Showa-Era Wedding Songs: A Timeless Collection to Grace Your Ceremony

When you hear the term “wedding song,” what kind of music comes to mind? At wedding ceremonies and receptions, songs that create a joyful atmosphere befitting the special day—bright melodies and lyrics that lift your spirits—are especially popular.

However, it’s also true that bittersweet feelings can arise behind the grand event of a wedding, and in the Showa era many songs were released that captured those emotions.

So this time, we’ll introduce wedding songs that colored the Showa period.

From tracks that radiate happiness to ones that tug at your heartstrings, we’ve selected a wide range—be sure to check them out!

[Showa Era Wedding Songs] A Timeless Collection of Classics to Brighten Your Wedding (1–10)

You Are the One Who Rings That BellWada Akiko

A powerful message that lights the flame of hope in the heart and soulful, gospel-rooted vocals make this a moving classic.

Released in March 1972 as the 11th single, it won the Best Vocal Performance at the 14th Japan Record Awards, solidifying Akiko Wada’s status as a singer.

Loved across generations, it was used in 1991 as the campaign song for Recruit’s “Shushoku Journal,” and in 2008 a cover was chosen as the theme song for the film “Kanki no Uta” (The Joyful Song).

This hymn to love, delivered with overwhelming vocal power, carries a solemn resonance befitting life’s milestones such as weddings.

If everyone joins in to sing it as a performance, the venue is sure to be filled with warm emotion.

Look up at the stars in the nightSakamoto Kyu

Look up at the stars in the night (Kyu Sakamoto)
Look up at the stars in the nightSakamoto Kyu

It’s a ballad whose beautiful yet bittersweet melody sinks into the heart, sung as if offering a modest prayer to the twinkling stars in the night sky.

The lyrics, which believe that any hardship can be overcome as long as the two are together, resonate with the image of a bride and groom who will now join hands and walk through life.

Originally written as a song for a musical premiered in 1960, it was released as a single in May 1963 sung by Kyu Sakamoto.

It won the Composer’s Award at the 5th Japan Record Awards and has been covered and carried on by many artists, including Ken Hirai and Yuzu.

It’s perfect as background music to enhance the magical ambiance of a candle service or to accompany a moving scene expressing gratitude to parents.

Why not let yourself be wrapped in the warm atmosphere exuded by this timeless masterpiece?

Seriously Only You (Let’s Get Married)Takeuchi Mariya

Only You in Earnest (Let’s Get Married) – Mariya Takeuchi
Seriously Only You (Let's Get Married)Takeuchi Mariya

It’s a classic that seems made for weddings, opening with an intro that quotes Mendelssohn’s “Wedding March.” The proposal words, written entirely in English, resonate as a straightforward message of love.

Included on Mariya Takeuchi’s April 1984 album “VARIETY,” the song was produced by Tatsuro Yamashita.

It’s also well known that Ryuichi Sakamoto took part in the intro performance, and that it was used as the image song for Kagome’s “Libera” in 1984 and as a Nissan “Cefiro” commercial song starting in August 1994.

Brimming with a happy atmosphere, it would be perfect to play during the entrance at your reception or for the cake-cutting scene.

Ladybug Sambacherisshu

A signature work by Cherish that depicts a dreamlike, fantastical world.

Its unique lyrics tell of a couple holding their wedding in a small church in the forest, celebrated by ladybugs in colorful costumes dancing to samba.

Released in 1973 and selling over a million copies, the song drew attention as a wedding standard.

Beloved by listeners of all ages, it remains a popular celebratory song for weddings today.

The lyrics, emphasizing love and the beauty of nature, invite listeners into an enchanting tale.

It’s the perfect track for spending happy moments with someone special.

Let’s get married.yoshida takurou

A song by Takuro Yoshida, known as a classic representing the Showa era.

It transcended the boundaries of folk music and became a first step toward broader musical activities.

Released in January 1972, it refreshed his previous image as a protest singer.

With colorful wording and distinctive arrangements, it presented a new form of folk music.

Its depiction of a proactive proposal from a man to a woman was a very novel approach for the time.

This work became a catalyst for folk songs to be widely accepted as pop music among young people.

Easy to sing at wedding receptions and karaoke, it’s a song beloved by a wide range of generations.