Have you ever found yourself struggling to choose what to sing at karaoke? You might want to sing nostalgic songs, but the key doesn’t suit your range, or the scoring feature won’t give you the points you expect—it doesn’t always go the way you want, does it? For women who feel that way, we’ve picked out songs that are easier to score high on at karaoke! Focusing on familiar tracks, we carefully selected songs that balance ease of singing with high scores.
Find your favorites and enjoy karaoke to the fullest!
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For women in their 60s: Karaoke songs that score well | Classic nostalgic hits (1–10)
Message of RougeMatsutōya Yumi
Rouge no Dengon, a famous song by Yumi Arai released in 1975, is a work that embodies the cheerful vibe of 1970s Japanese pop music, maintaining a bright and gentle tone throughout.
The vocal range is typical of Japanese pop, with a lowest note of mid1 G and a highest note of hi C.
Since the hi C appears twice in the chorus, if you’re not comfortable with falsetto, it’s a good idea to lower the key with this section in mind.
It’s a big hit at karaoke, so consider adding it to your repertoire.
Pink sighTakahashi Mariko
Mariko Takahashi’s classic “Momoiro Toiki.” It features a distinctly exotic melody and, while it carries elements of mood kayō (mood enka), it also incorporates contemporary J-pop characteristics.
The piece sits within a relatively narrow vocal range of mid1 G# to high C.
Since the most frequent pitch is around mid2 G#, most women should be able to sing it without difficulty.
As the song prioritizes mood, it’s recommended to sing with careful dynamics.
If a phrase ends with a consonant, letting it fade out as a voiceless sound can be an effective touch.
younger boykyandīzu
Candies’ hit song “Toshishita no Otoko no Ko” (“A Younger Boy”).
Its bright, quintessential Showa-era idol melody is really striking, isn’t it? For women in their 60s, it’s likely a real crowd-pleaser.
That said, the section just before the chorus in the B-melody can be a bit tricky—the pitch jumps up all at once, so if you find that part hard to sing, try adjusting the key up or down with a focus on that section.
Overall, it’s a mid-tempo piece that’s easy to sing, so add it to your repertoire and use it to liven up your next karaoke session.
Roppongi HeartbreakAn Ruisu
Ann Lewis’s signature song “Roppongi Shinju.” A rock number that symbolizes the bubble era, it became a nationwide hit, helped by its strikingly mismatched title pairing Roppongi with “double suicide.” Notably, the song has a very narrow vocal range, with the lowest note at mid2 D and the highest at hi A.
While the nature of the rock style calls for a slightly raspy, shouted delivery, the narrow range and mid-tempo BPM make it an excellent choice for aiming at high karaoke scores.
Be sure to add it to your repertoire.
Mr. Summertimesaakasu
Circus’s signature song “Mr.
Summertime,” a Japanese cover of Michel Fugain & Le Big Bazar’s classic “Une Belle Histoire.” Although it’s often categorized as city pop, the original belongs to variety music with strong classical elements, giving the entire piece a moody atmosphere.
Surprisingly, the vocal range spans from mid1B to hiD.
For a typical song, that range would be considered quite challenging, but this piece remains very singable thanks to its sparse lyrics and relaxed tempo.
While mid1B is relatively low, women in their 60s would still have room to lower the key, so it’s recommended to set the key with the high notes as the main reference.
Dream GuideYamaguchi Momoe
Momoe Yamaguchi has left us with many classic songs, but when it comes to the track that most embodies the Showa era, many people probably picture Yumesaki Annainin.
Wrapped in a nostalgic Showa-kayo melody, this piece—characteristic of its time—uses a relatively narrow vocal range of mid1 E to hi A#.
Because this range is also common in male-vocal songs, even women in their 60s, whose voices may be harder to project with age, should be able to sing it without issue.
The lyrics flow smoothly, the tempo is relaxed, and the pitch movement is gentle, making it an ideal choice for aiming for a high score at karaoke.
Don’t give up on your dreamsOkamura Takako
After flourishing as a member of Amin and later achieving great success as a solo singer, Takako Okamura is widely recognized for her signature song “Yume wo Akiramenai de” (“Don’t Give Up on Your Dreams”).
Many may perceive this piece as high in pitch, especially given Okamura’s vocal timbre; however, it actually spans a relatively narrow range of mid1 G# to hi C#.
Since it’s neither particularly low nor high, it offers considerable flexibility for key adjustments, and its relaxed tempo makes it easier to maintain rhythm.